Sculptures

Genuine tall alabaster sculpture by Guglielmo PUGI (1858-1941), Florence, Italy, 1880s. Young girl with tambourine, perhaps a gypsy. On its base....

A cold painted bronze attributed to Franz Bergman, famous for specialising in cold-painted bronzes. Circa 1900. Cold painted bronzes rely on the standard of painting to dictate the q...

"Allegory of singing" Important porcelain biscuit representing a seated young woman holding a sheet of music in her hands. A discreet lack of one of the leaves of the floral arrangem...

A refined granite sculpture portraying the head of a young woman, believed to likely represent Saint Joan of Arc, crafted in France during the 1950s. It features a magnificent patina...

Elegant young lady with a wide-brimmed hat, decorated with green-brown-white checkered ribbons and a blue feather, wearing a floor-length white dress with a green hem and button plac...

Very beautiful and refined antique dark patinated solid bronze sculpture depicting a naked woman blowing bubbles It is of German origin and dates from around 1920. Unsigned. This b...

Antique Vienna bronze sculpture of a cat by Bergman. Stamped FB and Geschutzt. Cold painted patina. This model is illustrated in “Antique Vienna bronzes” by Joseph Zobel. Schiffer. M...

French Bronze Circa 1905 upon a Marble Oval Base From our Sculpture collection, we are pleased to offer a French Bronze Belgian Shepherd Figure. The figure mounted upon a green marble base with a convex rim and ormolu border. The bronze cast as a large ormolu recumbent Belgian Shepherd dog with its head to one side wearing an ormolu collar. The bronze beautifully finished with a lifelike look showing its coat with individual strands and peaked ears. The Bronze dates to the turn of the 20th century circa 1905 after the evolution of the Belgian Shepherd in circa 1892. Belgian Shepherd (also known as the Belgian Malinois...

Majolica white swan jardinière Nimy, circa 1900. Stamped: Nimy Faiences imperiale 1789-1951 Belgium. A real treasure for the ceramics' collector. ...

Classic early 1910s Desk Catchall figurine. This polychromed cold painted metal is probably something you need if you’re a Vienna bronze or a dog figure collector. Also nice as a gif...

This lovely bronze is the epitome of art nouveau movement. The stylized nature themes, flowers, movement, and a young girl who has butterfly wings and is holding a bird in her hand....

An art nouveau pewter ornamental vase with glass cabochons. Stamped - B&G Imperial Zinn Design Period - 1900 to 1909 Style - Art Nouveau Detailed Condition - Good with minimal d...

Pompeiian Bronze Co bronze clad figural bookends circa 1920's. Depiction of a seated man with a book.

Classic 1920s Art Deco Winners Lantern lighter on Marble Pedestal Ashtray. This exquisite German Art Deco ashtray is a testament to the opulence and c...

French bronze sculpture by Henri Désiré GAUQUIE (1858-1927), France, ca.1910. The sower. Height : 18.25"(46.4cm), Width : 7.9"(20cm), Depth : 8.1"(20.5cm). A sharp line, an indisputa...

Terracotta sculpture by Paul Adolphe Lebègue, Early 20th Century. Terracotta sculpture by Adolphe Lebègue (1833-1928), signed and dated 1924 with the title "Too late for soup". H: ...

Pair of Orientalist sculptures, forming a jardinière, Ottoman Art. Pair of jardinières decorated with Orientalist sculptures in regula, The Sultan and the Sultana at a dance, Ottoma...

Large Blue Majolica Butterfly Wall Pocket Fives Lille, circa 1900.

An endearing French bronze study of a worried rabbit reading from a sign telling him 'Hunting Season is now Open' with excellent hand chased surface detail and very fine rich brown &...

Terracotta Cat Tobacco jar. A Tobacco jar - humidor with a cat or puss on top of the lid. This tobacco jar in the shape of a barrel looks great ! The cat who peeps out of the barrel has yellow glass eyes, wears a bow around the neck and leans on his 2 front paws on the barrel. This tobacco storage box or humidor looks like wood but is made of pottery - terracotta. Due the wood-look / faux bois with the yellow glass eyes, it's in the style of the black forest figural tobacco jars and humidors. The barrel humidor - cigar barrel is numbered under 2404. This great looking cigar box is a beautiful addition to your collection of tobacco jars, a stunning piece on your desk, in your mancave or cigar bar or a collectable object for someone who collects cat sculptures. Antique tobacco jars...

Fine Bronze of a small bull on a black belgian marble base. The Original Bronze figure propably dates from the Art Nouveau or early Art Déco period in France. These small bronzes wer...

A fine French 19th-20th century Art Nouveau polychromed terracotta bust of "Crépuscule" (Twilight) After Henri Jacobs (Belgian, 1864-1935) version of Crépuscule, depicting a young ma...

This beautiful young woman is a fine example of the creations of the noted French sculptor, Emmanuel Villanis (1858-1914). You will find his works to be predominantly art nouveau wo...

A very sweet early 20th Century American bronze group study of three sleeping bunnies nestled together. The bronze with very fine rich brown & green pat...

A charming late 19th Century French animalier bronze group of a family of hounds. The bronze of three seated dogs including a mother, father and pup exhibiting excellent rich brown p...

Dimensions- H: 75in W: 37in D: 20in This Italian signed Eduardo Rossi (1867-1926) Art Nouveau life size bronze sculpture of a woman is an exceptional sc...

An Art Nouveau stunning French porcelain statue of the goddess of Fortune, Tyche, depicting the goddess holding a cornucopia overflowing with gold coins, surrounded by a cherubim and...

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

"Deux Chiens en Arret" by A L Barye A dramatic mid 19th Century French bronze animalier group of a pointer and setter as they iflushing pheasants in a naturalistic undergrowth. The bronze with excellent autumnal (green, brown, and orange) patina and intricate hand chased surface detail, signed Barye. A rare bronze subject from the artist’s own atelier (workshop). Additional information Measures: Height: 12 cm Width: 25 cm Depth: 8 cm Condition: Excellent Original Condition Circa: 1860 Materials: Bronze Book Ref BARYE Catalogue Raisonne des Sculptures by Michel Poletti – Alain Richarme Page no. 150 Description Antoine Louis Barye “The Michelangelo of the Menagerie” These are the words of Théophile Gautier in praise of Barye’s genius. Throughout his life Barye endeavoured to capture the fundamental nature of the animal kingdom in all its diversity, wild or tame, exotic or familiar, cruel or gentle, bringing to life the roaring, trembling, living beasts. The son of a goldsmith, apprenticed to a steel engraver at a young age, Barye found himself making moulds for ornaments, acquiring knowledge that he would later build on to produce his exquisitely chased bronzes. When he was called up at seventeen, he joined the army’s topographic brigade where he used clay to model raised relief maps...

Maurice Bouval’s "Woman with Iris" is a nude gilt bronze bust of a woman. The woman’s hair clings to her face and body as if wet. The delicate sloping...

Material cast iron

SAINT FLORIAN   ORIGIN: SOUTH GERMANY, SWABIA PERIOD: END OF THE 15th CENTURY   Height : 100,5 cm Width : 34 cm Depth : 17 cm 
Polychromed lime wood Good state of conservation   
Sin...

VIRGIN AND CHILD IN MAJESTY, ALSO KNOWN AS "SEDES SAPIENTIAE"   ORIGIN : SPAIN, CATALOGNE PERIOD: EARLY 13th CENTURY   Height :  95 cm Width : 32 cm Depth : 28 cm   Softwood No polychromy     In the middle of the 12th century, the Virgin took her place in churches, seated in Majesty, serving as a throne for her son Jesus. She is then called Sedes Sapientiae, meaning the Throne of Wisdom. At that time, she is not represented for herself and only exists because she has been designated as Theotokos, the mother of God, at the Council of Ephesus in 431, where the divine nature of Christ was proclaimed from his birth.   The upright and perfectly hieratic bust of this Virgin and Child in Majesty is seated on a throne-bench. She is dressed in a tunic with a rounded neckline and covered with a fine mantle placed on her narrow shoulders. The supple and natural drapery follows the lines of the body.   Large curls frame her face with delicate and regular features, a long straight nose, almond-shaped eyes, and small lips.   She supports the Infant Jesus with her left hand. Like his mother, he is dressed in a long tunic, and his little feet are visible in the folds. He holds a small sphere in his left hand, while with his right hand, he gestures in blessing. The face of Christ bears a strong resemblance to his mother’s one, and he gives a slight smile.   The position of the Child is no longer as hieratic, nor frontal or central as in the early 12th century, but his face still turns towards the faithful.   The 13th century indeed emerges as a period of transition in the artistic domain. The statuary, while retaining certain characteristics still belonging to the habits of the previous century, also develops new formal solutions.   As a result, Mary maintains a hieratic and frontal position, while her son shifts to place himself well to the left on her knee. Similarly, while the Virgin seems perfectly still, Jesus, on the other hand, appears much more animated, especially in the positioning of his hands. His left hand holds the orb, and judging by the raised right arm directed towards the faithful, one can easily imagine that he was making a gesture of blessing.   The influence of the Sedes Sapientiae from previous centuries still seems particularly prevalent in this work.   These few characteristics allow dating this Spanish Virgin...

Carrara marble bust sculpture signed H. Moreau, France, circa 1890.

Maurice Bouval (French 1863 - 1916), Patinated Bronze Figure Of An Art Nouveau Woman Bronze on Marble Plinth.

A naturalistic shaped and fine detailed elephant figurine from the Art Nouve era dating to around 1910. The elephant is marked with a green unidetified manufacturer's mark.

SAINT WOMAN IN POLYCHROME CARVED WOOD   ORIGIN : ITALY PERIOD : late 13th century   Height : 103 cm Length : 28  cm Width : 16 cm  Remains of polychromy   ...

This is a Lalique Crystal Peacock sculpture. It depicts a clear and frosted crystal sculpture. The peacock appears to be confident and proud standing o...

French Antique Bust of a Young Girl in Plaster A pretty polychrome plaster bust of a young girl wearing a headscarf with her eyes cast downwards. The piece features carvings of b...

Very rare Meissen Art Nouveau porcelain figure group: Two barefoot girls in summer clothes, the older one in a green-brown skirt and white long-sleeved shirt with blue stripes, her hair pinned up in two side bunches, the younger child in a red-purple dress sitting on the ground, holding her by the arm and pulling her up. The model is part of a series of beach motifs by Alfred König. Based on a white round base with a relief structure on the side and a gold rim. Very lifelike and loving representation of the characters and the details Designer: ALFRED KÖNIG (1871 - 1940) studied at the art academy in Dresden, since 1897 he worked in the Meissen manufactory as a designer and modeler. The artist specialized in the design of human figures in various variations, such as genre figures, children, athletes, soldiers etc. Model B 290...

Magnificent and very impressive bronze group entitled ‘Theseus and the Centaur’ by Antoine L Barye. The bronze with rich autumnal green, black, brown and orange patination and excell...

Magnificent late 19th Century French Animalier bronze study of a standing thoroughbred with rich brown patina and excellent crisp surface detail, raised on a stepped integral base, s...

Majolica Chicken jardinière Italy, circa 1960. Stamped: Italy A real treasure for the ceramics' collector. With best wishes, Geert.  

Late Victorian period Italian 900 coin silver hand carved shell cameo brooch or pendant; the right facing young woman is wearing long barrel curls, or ringlets popular at the time. ...

An Art Nouveau Bronze Figural Ewer Modelled With A Water Nymph by Auguste Ledru, Cast by Susse Frères. Inscribed 'Susse F. Paris Edt.', stam...

Important lost wax cast bronze sculpture with dark patina depicting Dionysus as a child. The god holds his characteristic attributes in his hands: a laurel branch in his left hand, s...

Scultura italiana, fauno, scultura marmo, scultura fauno Scultura di un "Fauno dormiente" scolpito su marmo egiziano Giallo Cleopatra. Attaccato su bas...

Wall-Mounted Weather Station in Art Nouveau Style Carved Oak By R. Krengel 1910s Eupen Belgium High quality mechanism with jeweled movement barometer and thermometer (in centigrade)...

Delicate and rare Meissen Art Nouveau porcelain group: Skating couple in elegant winter clothing: The lady in a long, white skirt with a green decorated hem, green jacket and white cap, and long ermine scarf, the gallant in a fine, sporty, brown checkered suit...

Beautifull Lalique Crystal Female Figurative Sculpture A French Lalique crystal female figurative sculpture piece, circa 1970's, France. A nude crystal female figure sculpture on bl...

Very rare Meissen Art Nouveau porcelain figure group: Girl and child in clothing from around 1900, the girl in a blue patterned long-sleeved dress with a white apron kneeling on the ...

Art Nouveau gilded bronze nude statue by George Flamand. Very fine period work. Sits on 3 3./4" square base. Signed "FLAMAND"

To take care of your property and the lives of our customers, the new wiring has been done. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982....

Large, decorative and top quality workmanship brass, copper and bronze bucket. This one is for the connoisseurs, because it ticks all the Arts and Crafts boxes. The first owner who would have had this piece custom made or who bought it from one of the best craftsman/manufacturers in the early Arts & Crafts era (1890-1900) simply had incredibly good taste. This likely German made antique is among the best workmanship pieces that you will ever see and both design and materials wise it is most likely made by WMF (who need no further introduction). The artisan metal worker who crafted this lidded bucket took things to a whole new level, because this is a true work of art and a statement piece of unsurpassed quality, size and detail. 'Casually' on display next to a fireplace or perhaps used as a planter or other type of bucket, the first owner was communicating that money was not an object and that he was a worldly individual. Especially 125 years ago this would have been a very rare and desirable, work of art bucket that only very few people could afford. Its perfect balance, its stunning embossed Arts and Crafts floral...

We mounted this Gothic architectural fragment on a custom iron stand. In this new context it becomes a sculpture with a almost abstract f...

Model #8190. Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery f...

Art Nouveau Gilt and Patinated bronze figural bud vase by well listed sculptor Charles Korschann. Signed at base.

Wax young girl bust sculpture by Mme Arondelle, 2 rue du Louvre, Paris, France, ca.1900. Polychrome wax. After the famous Wax Head from the Lille ...