Sculptures

Dimensions: 8cm W, 6.5cm H, 2.5cm D Condition: Mint Period: 1990’s Material: Glass Color: Orange

The intuitive result of an educated dancer, choreographer and large-scale ceramicist transferring his love for the human body into clay. With extensive studies during the mid 70’s in...

The intuitive result of an educated dancer, choreographer and large-scale ceramicist transferring his love for the human body into clay. With extensive studies during the mid 70’s in...

This is an early pair of petite Victorian style English staffordshire spaniel dogs. The pair are unmarked.

The intuitive result of an educated dancer, choreographer and large-scale ceramicist transferring his love for the human body into clay. With extensive studies during the mid 70’s in...

The intuitive result of an educated dancer, choreographer and large-scale ceramicist transferring his love for the human body into clay. With extensive studies during the mid 70’s in...

Bertil Vallien for Kosta Boda Sweden miniature sculpture , 1990’s

Bertil Vallien fo Kosta Boda Sweden miniature sculpture Stair ”Entrance” 1993

Bertil Vallien for Kosta Boda miniature sculpture Bird , 1990’s

A pair of finely molded and hand painted English Staffordshire dogs. This pair features full body reclining hounds with the most charming of hand painted faces and colors. On their o...

Gorgeous small art glass bird paperweight / sculpture by Nuutajarvi of Finland, circa 1980s. The sculpture is mouth blown and is in great vintage condition with no chips or cracks. T...

Hunting Dog Bronze Sculpture.English Spaniel Pointer Hunting Dog.This beautifully executed cast bronze figure of the hunt canine sculpture depicts a...

Dimensions: 9cm W, 4.5cm H, 2.5cm D Period: 1990’s Condition: Mint Material: Glass

A most unusual pair of late 19th century bronze figures depicting caricatures of a jackdaw and crow, each with human bodies including torso, legs and arms, and tail feathers with a ...

A pair of late Staffordshire figures of a School Boy carrying a satchel, and a girl carrying a book, Circa: 1870 Size: 12" H x 3-3/4" W X 3-3/4" deep

A hand decorated antique English heraldic tile depicting the coat of arms of Queen Victoria, dating from 1881. This porcelain tile is one of 14 similar we are selling removed from th...

Lisa Larson for Gustavsberg. Stoneware figurine "Öst" (East) from the series "All världens barn" (Children of the World). Perfect condition. Marked. Dimensions: H 12.5 cm x D 7.5 cm.

Gunnar Nylund "Iller" Stonewear Weasel with stand for Rörstrand Sweden 1960's A beautiful vintage weasel in stoneware by Gunnar Nylund for Ro¨rstrand, Sweden, circa 1960 in perfec...

Beautiful bronze statue "Valentin". Nicely chiseled and wonderfully gilded, in a very good condition. Depiction of an aristocratic man with a sabre in his hand.

Lovely Set of 7 Scandinavian Wooden Woodpecker Corkscrews + 2 WIne Corks, 1960s

Ceramic vase designed by Bjørn Wiinblad, with design no. V18 from 1975, produced in Denmark. This vase represents Wiinblad's distinctive style, which often included imaginative and c...

The intuitive result of an educated dancer, choreographer and large-scale ceramicist transferring his love for the human body into clay. With extensive studies during the mid 70’s in...

A late 19th century glazed buff terracotta mask head of a putto or cherub by Lipscombe & Co, modelled after Francois Duquesnoy (1597-1643). The expressive face of this antique sculp...

The intuitive result of an educated dancer, choreographer and large-scale ceramicist transferring his love for the human body into clay. With extensive studies during the mid 70’s in...

Lisa Larson for Gustavsberg. Rare "Johanna" figurine in glazed ceramics. Late 20th century. Marked. In perfect condition. Dimensions: 15.5 cm x 10.0 cm.

A hard to find porcelain owl sculpture by Lillemor Mannerheim for Arabia of Finland, circa 1980s. Signed on the underside by the artist, the p...

A lovely Bronze sculpture by the Swedish artist Bengt Amundin designed in 1957. The sculpture is called "Urfågeln" (The Primeval Bird). The sculpture is 36 cm (14.4") high including ...

Lisa Larson for Gustavsberg. Stoneware figurine from "Children of the World" series. Boy with a bucket. In perfect condition. Marked. Dimensions: H 12.5 cm x D 9.0 cm.

Wonderful recreation of François Auguste Rodin's world-renowned French impressionist sculpture, "Young Girl with Roses on Her Hat" (1865-1870) produced by New York's Austin Productio...

This Scandinavian Modern earthenware hedgehog from the 1960s exudes charm with its glazed zigzag pattern on beige fur. The unglazed brown face adds a distinctive touch to its feature...

Our large, antique winged lion, known as a Chimera from Greek mythology, is exquisitely sculpted from rock crystal (quartz). Likely of Austrian origin and dating from the late ninet...

Antique Carved La Favola Della Nonna Italian Alabaster Statue Sculpture "Tale of Grandma" by Eugene Battiglia. Item features Ornate details, entitled "La Favola Della Nonna" which lo...

This antique patinated bronze cast spelter table lamp was designed by A. Renieri and made in France in circa 1890 in the Victorian style. The casting is quite detailed and is entitle...

Unique bronze sculpture by Leo Laukkanen Sweden 1960 Nice patina, good condition. More photos available Leo Olavi Laukkanen (11 October 1913 Helsinki - 1 November 1978 Helsinki) was a Finnish sculptor. He is particularly known for his abstract miniature sculptures, most of which are made of granite. Laukkanen studied at the Central School of Art and Design from 1931 to 1933. Although the best-known part of Laukkanen's output consists of abstract sculptures, in the early and late stages of his career he also made figurative sculptures in both stone and bronze, including female figures. In 1980, Helsinki Art Hall hosted an extensive memorial exhibition of Laukkanen's works, which he had bequeathed to the Finnish Artists' Association. Laukkanen was an assistant to the sculptor Wäinö Aaltonen...

This is an antique portrait bust. A French, decorative bronze female statue, dating to the late Victorian period, circa 1900. Striking portrait bust with superb tonality and charact...

Kristian Solmer Vedel Family of Oak Birds, circa 2006. Measures: Large: 4.88" Deep x 4" Wide x 4" Tall Medium: 4.38" Deep x 2.75" Wide x 4.75" Tall Small: 2.63" Deep x 1.75...

Beautiful Antique Cold Painted Vienna Bronze Owl A very fine early 20th Century Austrian bronze figure of a barn owl standing on an integral bronze plint...

A real vintage classic - the elephant by Kay Bojesen. Made in Denmark. Early example from the second half of the 20th century.

An English Victorian period carved wooden duck sculpture from the 19th century with nicely detailed plumage and brown eyes. Step back into the qu...

"Pässi" sculpture by Kaija Aarikka in charcoal-painted wood, an emblematic piece of Finnish design created in 1973, vintage Aarikka edition. "In 1954, Aarikka co-founded together wi...

Rare Vintage Monumental Porcelain Horse Drawn Victorian Carriage centerpiece group Capodimonte Porcelain, after a model by Giorgio Galletti Naples, Italy; second half of the 20th century Porcelain Approximate size: 37 (w) x 15 (h) x 10 (d) in. This beautiful and elaborately detailed porcelain group features an ornately modeled carriage drawn by four horses. The coach features a driver seated on his perch wearing a tricorn hat and a lovely lady is seated in the coach box wearing a light blue dress with intricate gesticulating openwork porcelain lace...

This is a very large and unusual pair of mid-19th century Victorian Staffordshire Dairy Cows that were originally used as trade signs in a milk shop. The inscription at the base of the figures reads "Milk Sold Here". Both pieces are in very good condition with one base showing a minor crack on the internal rim. These Staffordshire cows...

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

This Yellow Golden pheasant's in-flight pose is the perfect way to showcase all of those amazing feathers, it's a wonderful addition to any collection, perfect for town or country.

Sculpture 'Puppy in the World' by Sonja Petterson, Sweden, 2000. Signed. Sonja Petterson was a Swedish sculptor. She studied at Konstfack—the Stockholm University of Arts, Crafts a...

Pair of Cats in Black Lacquered Wood by Laurids Lønborg, 1960's Additional Information: Material: Black lacquered wood Style: Mid century, Scandinavian Produced in Denmark Dimension...

Agate Slice, elegantly presented on a custom-crafted base. Revered as the "stone of balance and harmony," agate possesses remarkable properties that offer emotional healing for the m...

Mid-century Swedish Brutalist fire screen by Olle Hermansson for Husqvarna. Capture attention with this extraordinary mid-century Swedish Brutal...

This Narwhal Tusk replica measures an impressive 90 inches in length, making it a striking and eye-catching decorative piece. The tusk itself is intricately detailed and crafted to r...

Swedish glass artist. Four Dala horses in clear mouth-blown art glass. Approximately from 1970. Perfect condition. The largest measures: H 16.0 cm x L 14.5 cm. The smallest measures:...

This a monumental clam shell displayed on a Victorian black wrought iron plant stand. Both are very heavy and in very good condition. Plant stand: 12” triangle x 39.75”H.

Beautiful sculpture by Karl Hultström, Sweden, early 19th century. Wear and patina consistent with age and use. Glue residue on cheek and neck, see last 3 pictures. Engraved on the b...

This Narwhal Tusk replica measures an impressive 90 inches in length, making it a striking and eye-catching decorative piece. The tusk itself is intricate...

Staffordshire Pottery Figure of Lincoln on Horseback Mid-19th Century The figure depicts President Abraham Lincoln sitting on horseback, his head turned towards the viewer, on an ov...

Unusual Victorian porcelain scent bottle in the shape of a clam shell. The silver lid is stamped with the hallmarks of Sanders and Shepherd and ...

Swedish glass artist, four Dala horses in clear mouth-blown art glass. Approximately from 1970. Perfect condition. The largest measures: H 16.0 cm x L 14.5 cm. The smallest measures:...

We are delighted to offer for sale this lovely original Victorian Pitch Pine Carousel horse A very well made and good looking piece, it was originally made for a carousel as ment...

Mari Simmulson for Upsala Ekeby, Sweden. Ceramic owl sculpture. From the 1960s. Model number: 6058. Marked with the manufacturer's mark. In perfect condition. Dimensions: Height 17.5...