Sculptures

Dia is a sculptural chandelier inspired by the heterophony of natural sound. Each frame (or melody) is hand-rolled with all joints cleverly concealed within the circular light source...

1970s Carved Rosewood Swirl Sculpture on Rosewood Base Small chip on underside of base (as shown)

White Bowerbird couple is a contemporary double-shell hand-built ceramic pendant lamp finished in a matte white glaze with a warm glow reflecting off of a round joyful form. Each shell is individually hand formed and unique, creating a pleasant rhythm when installed as a pair. The hand-built ceramic canopy, finials and socket cover add an enjoyable character. Component dimensions: Shell 4-6 diameter x 12-14 height in. / 10-13 diameter x 30-36 height cm; 2 lbs / 1 kg each Custom drop length, please specify 5 in. / 12.5 cm diameter ceramic canopy Materials: Shells, canopies, socket covers and finials in hand-built ceramic in a warm-white matte glaze, off-white nylon-covered SVT lamp wire, brushed brass hardware, and electrical components Light source: 1 x E-12 candelabra base per shell 25W incandescent lamp included Compatible with LED replacement lamps Additional info: Each lamp is individually hand-built without using a mould to create an enjoyable uniqueness and spatial balance within each form. Variations in dimensions, forms, and finishes are expected. The story: White Bowerbird collection is from Courtship behaviour, a project inspired by the curious behaviour of the Satin Bowerbird, the eastern Australian birds...

Modern nude male sculpture made of solid Lucite and finished in the manner of Yves Klein's blue pieces of art. This particular shade of blue, called IKB (International Klein Blue...

Majolica white swan jardinière Nimy, circa 1900. Stamped: Nimy Faiences imperiale 1789-1951 Belgium. A real treasure for the ceramics' collector. ...

Large Pair of Maitland Smith Tessellated Stone, Brass Fish Offered for sale is a handsome and large, life sized pair of tessellated fish made by Maitland Smith. The tessellated mar...

CONSOLE NO. 2 J.M. Szymanski d. 2018 A refined and sleek design, this console table is carved out of blackened and waxed steel. The legs are finely tapered and make this elegant co...

The now iconic bronze duck neck vase from the Rick Owens bronze relic collection. This is shown in the nitrate patina. Each bronze is handcrafted in Fra...

Original chair in golden oak, satin finish. Flared legs, backrest and seat upholstered in a textured cream fabric by Dedar.

The piece is a unique representation of an Horse in a modern way. The animal is gently handcrafted starting from clay and all hand worked. All the pieces from Mosche Bianche are uniq...

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

This abstract sculpture was made in Los Angeles, California, in the 1980s. It was handcrafted and hand-painted by an artist. The sculpture is made of foam, a metal spoon, a metal fau...

A fine and substantial 18k gold, amethyst and natural pearl pendant. The pendant modelled in gold as a crown is of the very highest quality, the gem is set with five imposing oval fa...

We offer this fantastic set of four spheres circa 1990 chromed metal by Diego Matthai in perfect vintage conditions. The three spheres inscribed 'Mattai'.

Sculpture representing the bust of a Roman soldier, 21st century. Sculpture on base of a bust of a Roman soldier, Gladiator, in plaster and patinated resin, 21st century, modelled o...

Fabulous Mexican Taxco abstract modernist .970 silver bracelet by Antoñio Pineda, circa 1960s. This piece is not only a ready to wear creation but also a dynamic piece of modern scu...

A wonderful example of a hollow-cast bronze octopus. This piece features wonderful detail and resemblance to a real specimen. An exotic piece certain to...

A turn of the 20th century Emmanuel Villanis styled Virgin Mary bust sculpture exudes the ethereal grace reminiscent of the virgin saint in an Art Nou...

This Murano Glass Figure of a Tropical Fish is a stunning and iconic piece of art that embodies the artistic spirit of the era. Murano glass, hailing from the famous glassblowing isl...

Sculpture of a head of Apollo in the Hellenistic style, 21st century. Sculpture on base of a head of Apollo, in patinated plaster and resin, 21st century. H: 65cm, W: 52cm, D: 50cm

Beautiful tall bronze & marble base by listed artist Charles Renee Masse, signed title Jeune Arabe, this piece its part of a series that have many auction results. Signed dated " Ch....

Dia is a sculptural chandelier inspired by the heterophony of natural sound. Each frame (or melody) is hand-rolled with all joints cleverly concealed within the circular light source...

This is a Girl with Wheat bronze sculpture by Hippolyte F. Moreau. He is famous for his bronze statues of young women. He is also the son of another renown French sculptor named Jean Baptiste Moreau. It depicts a young lady with long curly hair who is dressed with a see-through robe. She is holding a basket of wheat with one arm and some branches of them with the other one. She appears to be in the countryside and is observing a pair of doves that are on the ground. The bronze sculpture is standing over two...

'Bohemienne' An Art Nouveau bronze sculpture by Emmanuel Villanis (1858-1914), depicting an elegant young woman holding a lyre with her other arm raised behind her head with robes fl...

CONSOLE NO. 4 J.M. Szymanski d. 2020 A sleek table, bent from a seamless piece of 3/8” thick steel. The table appears to float on a single peg. The table is attached to a wall from...

From its very first year in 1964, Seletti in Cicognara, Mantova, has followed its principle of professionality service and constant research to strive for betterness innovation and o...

Sculpture representing the bust of a Greek sportsman in the Hellenistic period, 21st century. Sculpture on base of a bust of a Greek sportsman, in patinated plaster and resin, 21st ...

Last in the current series, a table lamp of mother and baby elephant is hand crafted molded and cast . A whimsical functional sculptural table lamp of elephants strolling along with...

Sculpture of Diana the Huntress, 21st century. Sculpture on base of Diana the Huntress, in patinated plaster and resin, 21st century, model from the Musée du Louvres, Paris. H: 32c...

A highly coveted Franz Bergmann Vienna Cold Painted Bronze Figure of an Arab Snake Charmer on an alluring carpet of alluring colors and patt...

A stunning sculpture of a cherub holding a cornucopia, after Auguste Moreau. French, early 20th century. At 35" high, this is a beautifully substantial bronze in excellent condition....

Oiva Toikka's "Crow" (Varis) is a stunning glass bird from his renowned "Birds" (Linnut) series, designed in 1982. This handcrafted, mouth-blown piece showcases a rounded shape in bl...

French artist Xavier Feal designed this beautiful stainless steel dynamic modernist artwork, often known as the candle tree, for Inox Industries circa 1970. The brutalist design features a streamlined shape that fully rotates, giving this sculpture a varied appearance. This kinetic sculpture is very decorative with a glossy polished metal finish and is a real conversation piece. There is no visible signature. The sculpture is in excellent condition, with limited wear on the metal. Measurements: When the piece is flat: 8.69 in wide (22 cm) x 2.94 in deep (7.5 cm) x 11.44 in high (29 cm). When the piece is in 3D: 9.07 in diameter (23 cm) x 11.44 in high (29 cm). Note: Xavier Féal Under the alias Xavier Feal, this young graduate from the Ecole Boulle and the Arts Décoratifs in Paris would create a collection of stainless steel furniture for the manufacturer Inox Industrie. This product was available for purchase from 1969 to 1974 and composed of seating, tables and coffee tables, lighting, shelving elements, and decorative objects such as desk and chimney accessories and candlesticks. Unbreakable, rot-proof, and unchanging, stainless steel was Féal’s first choice of material. It was created in 1913 but did not appear in the French decorative arts until the early 1960s. Thus, by incarnating the “Parisian chic” and a form of avant-garde, stainless steel was used by some of the most well-known designers of the time, such as Joseph-André Motte, Michel Boyer, and Maria Pergay. Many renowned companies such as Uginox, Kappa, and Inox Industrie contributed to popularise stainless steel. It is the latter that manufactured Xavier Féal’s designs. Féal’s training as an interior architect opened the doors to some important projects. International, as well as in France, the projects included hotel planning, embassies, and private apartments. The Xavier Féal collection, with its radical designs, was realized in a small series and directed towards an enlightened clientele. In his designs, the steel is folded into curves or projecting edges. He plays with light by using brushed or high-polished finishes. Although his designs perfectly incarnate the style of the 1970s, his creations conserve their modernity even today. From 1975, Xavier Féal slowly abandoned the universe of furniture. He began, under his real name, voluntarily undisclosed, a brilliant career in industrial design. He worked in various fields, one of which was precision engineering. Even though his period of production in the decorative arts was brief, he made an undoubtful and lasting impact on the field in France. (Credit: Galerie Meubles et Lumiéres)

This beautiful young woman is a fine example of the creations of the noted French sculptor, Emmanuel Villanis (1858-1914). You will find his works to be predominantly art nouveau wo...

A translucent Tiffany blue and clear acrylic abstract sculpture on a black base.

Dia is a sculptural chandelier inspired by the heterophony of natural sound. Each frame (or melody) is hand-rolled with all joints cleverly concealed within the circular light source...

Standing Woman by Nita Sunderland, Features an abstract form of a Standing women. Circa 1960s Mounts via iron pipe along base. Dimensions: 60"h x 9.5" x 8"

Apple Sculpture Green Lacquer Antique Copper Stem Hand Repoussé Limited Edition Can be placed outdoors but copper stem would patina over time. Repoussé is the traditional art of han...

"Fancy! WTF!"—the latest limited-edition pill sculptures by Edie Nadelhaft. In a world of upheaval, one sentiment rises above the rest: "WTF!" From breaking news and freak storms to ...

Ceramic foot with geometric relief produced by the Jean Roger workshop in Paris. Available in different colors for the foot, and different fabrics for the oval lampshade...

Jack Charney Black and White Striped Acrobatic Sculpture. Charney (1927-2014) was an American artist best known for his work in ceramics, particularly for creating abstract sculpture...

An impressive mid 19th Century Animalier bronze study of a jockey standing with his horse exhibiting fabulous rich brown patina and excellent surface detail. Raised on naturalistic b...

Made in France with hand-turned, flared oak legs. Upholstered backrest and seat in a textured cream bouclette fabric (LG.FB-89).

Limited edition dragon sculpture in matte porcelain with gold lustre. A symbol of power and prosperity in Eastern culture, this magical creature, the bearer of good luck, is the protagonist in this spectacular High Porcelain limited edition. The hundreds of scales covering its skin are individually hand painted with gold lustre, an extremely laborious technique requiring the expertise of the finest artists. The luminosity distinguishing its spectacular embellishment is attained by combining gloss and satin finishes, united by an iridescent metallic hue on the chest and a vivid turquoise hue on the crest. The complexity of the dragon´s...

Sculpture of a male torso in the Hellenistic style, 21st century. Sculpture on base of a male torso in the Hellenistic style, plaster and patinated resin, 21st century. H: 74cm, W:...

Mounted on a Black Marble Plinth From our Black Forest collection, we are delighted to introduce this Swiss Black Forest Lucerne Lion Carving. The Lucern...

Lima bean sculpture Brass Hand Repoussé Limited edition Repoussé is the traditional art of hand-hammering decorative relief onto sheet metal. The ...

The jellyfish is the main element of the Mosche Bianche's "Medusa" Collection: fluid, delicate but also dangerous and deadly. It represents the water, the circle of life. The speci...

Resin Erotic Sculpture of a Woman in Bondage Kneeling and Tied Hands In Antique White Finish

The now iconic bronze duck neck vase from the Rick Owens bronze relic collection. This is shown in the black patina but other patinas are available by order. Each bronze is signed. ...

8 Assorted spherical blown glass fishing floats in rope netting (3.75-5.5")

Ki I Chair by Ayse Zelal Tugrul One of a Kind Dimensions: D 45 x W 45 x H 67 cm. Materials: Copper, marble. Ki means “earth, place, territory” in Sumerian, it represents firmness an...

Ceramic masks on walnut and oak frame, Tom R PORTER, London. Walnut frame 26.5 x W17 cm Ceramic Mask H12 x W8.5 cm Ceramic Mask H3 x W2 cm From the series Countenance or Cara, pre...

From the series "Additions to the family" by Eindhoven artist, Tessa Koot, originally exhibited in 2012 at Tuttobene during the Salone Internazionale del Mobile in Milan. Three individual chairs sculpted by the artist into figures that seem to belong in a Salvador Dali fantasy landscape. Soft textured...

🎨 Rare Contemporary Steel Sculpture by Alessandro Tagliolini! 🎨 Dive into the world of exquisite artistry with our latest addition – an extraordinary steel sculpture crafted by th...

A fine antique German Art Nouveau figurine. Entitled the Grape Bearer: By Rudolf Marcuse for Rosenthal Porcelain. Model no. 477. Modeled as a half-nude young woman seated on a pl...

Bronze figurative sculpture after Salvador Dali (1904-1989) mounted on black marble pedestal. Measures: 17.75" High x 4.25" Deep x 8.50" Wide This eye-catching bronze figurative sc...

Arnaldo Pomodoro Johnson Foundry, Milan 1979 Gilded Bronze Ed. 344/600 Excellent Condiction