Birdseye Maple Abstract Sculptures

Ronald Mylchreest Carved Wood Floor Sculpture Ronald Mylchreest was a South African Artist marble base shows wear

Ceramic totem designed by Alessandro Mendini, Italy. Stamped A.MENDINI Superego edition made in Italy, signed inside the base. (Lacquered wooden base included) Our main target is c...

The "Cortina" screen designed by Sebastiano Bottos is a sculptural piece of furniture handcrafted by assembling extroflexed wood elements, the result of an innovating processing tech...

Territorio 2.3.74 - VI We discovered organic plaster stucco when we arrived at our workshop in Seville. Artisans dedicated to the world of Holy Week in Seville work in the same sp...

"Composizione 40100 #11" (Maestoso con gioco), 2019, glazed earthenware, measures: H 41 x38 x 38cm Mix of hand-made and 3D printed - Unique piece Andrea Salvatori (Italy, 1975) is an internationally renowned visual artist working with the ceramic medium to realize often ironic and witty sculptures, sometimes involving a diverse selection of found objects, such as Murano glass vases, Meissen Porcelain miniatures or Ginori period ceramics sourced in flea markets around Europe. Salvatori’s works often begin with these items and proceed by the addition of elements masterfully created by the artist, generating an unexpected semantic shift. The result is unique, encompassing pop culture and kitsch aesthetics: a witty and effective way to turn reality upside-down and at the same time a powerful combination of exquisite craftsmanship and genuine irony. Andrea Salvatori was born on 3 of March 1975 in Faenza (Ra), Italy; he has graduated at the Istituto d’arte for Ceramic in Faenza in 1995, and he then graduated with a Degree in Sculpture at the Accademia di Belle Arti of Bologna in 2000. During his studies, Andrea learned the secrets of ceramics from the creative duo Bertozzi & Casoni having worked as an apprentice in their studio for many years at the same way as during Renaissance artists learned their practice with their Masters. Since 1997 he had several individual and collective exhibitions. In 2009 he won the first prize at the 56th edition of the prestigious Premio Faenza, the International Contest of Contemporary Art Ceramics, for which he classified second in the prior edition. In 2011 he classified second at the Sidney Myer Fund Australian Ceramic...

A functional mirror for a dressing room, or wooden masks and sculpture for your living or your entrance. The drop-shaped mask Bikita is made of solid beech wood stained Canaletto walnut, with a brass element on the mirror. The base is an iron stand black lacquered, but upon request it is possible to have a metal wall hook. The project Wise Mirrors recalls the 3 Wise Men...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

Italian Grand Tour model of the ancient Temple of Vespasian located in the Roman Forum, Rome. Carved from alabaster, this is a handsome example of a souvenir carving which would have been collected by a European or American sophisticate making a Grand Tour of the ancient sites of Italy. This wonderful architectural miniature is evocative of another time and place. Roma Templo Di Vespasiano' etched into the black marble base. It has been drilled to be wired, not the first time I have owned one of these that had been mounted as a lamp. The Temple of Vespasian and Titus is located in Rome at the western end of the Roman Forum between the Temple of Concordia and the Temple of Saturn...

A bespoken sterling silver necklace with five roundel bell shape of gradual sizes linked by joint chains, designed and made by Graziella Laffi, Lima, Peru, circa 1965. The subtly hammered roundels evoke a sense of history with the form found in pre-Columbian culture, yet the necklace appears beyond ethnic, it exuberates a confident and bold modernism. The necklace with Peruvian Cultural Ministry label to verso. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

TOTEM is an sculptural looking piece, formed by four different elements: two stackable wooden stools, a heavy concrete base and a wooden top tray. Both stools and the tray are made...

A pair of late 19th century Grand Tour Obelisks. The mouldings in Carara, the plint in Sienna, the plaque in Lapis Lazuli and the obelisks themselves in onyx.

A very fine antique Italian attributed grand tour bronze lidded censer applied with birds dating from around 1860. The censer stands raised on a square ba...