Steel Abstract Sculptures

Alekos Fassianos Estate and Carwan Gallery present the first retrospective of the late artist’s design works. Carwan Gallery will replicate new, small editions of most of Fassianos’s...

Claude Viseux est un peintre, sculpteur et graveur aquafortiste et lithographe français né le 3 juillet 1927 à Champagne-sur-Oise et mort le 9 novembre 2008 à Anglet. 'est dans les années 1959-1960 que la sculpture de Claude Viseux, qualifiée de « protéiforme, onirique, fantastique » — ami de Max Ernst, Man Ray, Francis Ponge et Henri Michaux, il ne désavoue pas une parenté avec le Surréalisme9 — se substitue à la peinture, ses premières réalisations étant les objets trouvés en bord de mer qu'il pétrifie dans la cire10 d'une part, les empreintes de pierres et d'algues coulées en bronze d'autre part. En 1960, il signe le Manifeste des 121 titré « Déclaration sur le droit à l’insoumission dans la guerre d’Algérie ». En 1961, ses expérimentations s'orientent vers les corps organiques, notamment avec sa série Ostéales constituée d'assemblages d'os fossilisés qu'il patine ou au contraire décape, qu'il visse, scie, assemble et plastifie. Les Concrétudes ou Coulées directes qui suivent en 1961-1962 sont obtenues à partir de coulées de métal en fusion dans le sable, générant des reliefs qu'il soude sur des plaques d'acier. Il va cependant adopter rapidement l'acier inoxydable — qu'il est avec Pol Bury parmi les premiers à employer en sculpture — comme matériau de prédilection. « Il assemble divers rebus industriels — tuyaux, écrous, boulons, cuves… — pour créer des sculptures à mi-chemin du mécanique et du biologique » restitue ainsi Sophie Serra11. Claude Viseux, qui fréquente alors Jean Tinguely, Piotr Kowalski, Michel Guino, Takis et César, confirme : « Ma récupération de l'élément industriel s'élargit vers les aciers spéciaux, avec un essai de vocabulaire formel : des barres, des profilés, des sphères, des rotules, des fonds de cuves, des chambres à combustion de Boeing, des tubulures, des soupapes de navire »9. « L'artiste entre au cœur de la réalité industrielle, prospecte dans les chaînes de montage de Renault et rôde dans les terrains vaques autour des usines », restitue donc l'encyclopédie Les Muses : « il récupère ferrailles, pièces détachées, débris de voitures, vieux châssis, toute une série d'éléments devenus inutiles. Ils les assemblent, tels quels, sans les modifier. Des créatures agressives ou pathétiques vont surgir de ce combat physique et dialectique que l'artiste livre avec la matière et entrer dans le domaine d'une poétique étrange, surnaturelle5 ». Dans les années 1967-1970, Les « structures actives » en acier inoxydable procèdent ainsi de la production industrielle de série. Elles se répartissent en familles de formes combinatoires composées par addition, soustraction, multiplication, division. Il confirme : « le monde industriel est ma nature, mon bouillon de culture, où je cherche des corps, des familles de corps, des genres, des espèces, dans un aller-retour de l'artificiel au naturel pour confondre les règnes, pour en inventer d'autres selon une géométrie organique qui féconde les différents types de structures, qui aménage la forme concernée par la forme à venir »9. En 1968, Claude Viseux s'installe à la villa Baudran à Arcueil, atelier qu'il conservera jusqu'en 1992. Si des corps imaginaires naissent ainsi des pièces mécaniques que Claude Viseux emprunte à l'automobile, à l'avion et au bateau, en 1972, « la symétrie de ces formes pures en inox », constate Lydia Harambourg, « l'amène à s'interroger sur la notion d'équilibre instable »12. Ses Instables sont de la sorte exposés à la Biennale de Venise en 1972 où, rappelle encore Lydia Harambourg, une salle entière est consacrée « aux dessins qui reprennent son vocabulaire mécanique identitaire de sphères, toupies, hélices, anneaux, astrolabes et balanciers »12. Les Instables sont de même, en 1973, présentés à la galerie Le Point cardinal à Paris où Claude Viseux avait déjà exposé en 1968 avec Henri Michaux et Joaquin Ferrer...

Sculpture made of steel forge.

A striking contemporary art piece that blends industrial elegance with artistic innovation. This sculpture showcases the bold, textured beauty of brushed and oxidised steel, which tr...

Contemporary American ceramic artists Richard Hirsch and Ken Baskin Ladle Presentation Sculpture was created in 2011. This piece is made of soda fired stoneware, saggar fired brick and steel. In the book "With Fire: Richard Hirsch, A Life Between Chance and Design" written by Scott Meyer, Ken Baskin said; "Working collaboratively is based upon a spirit of dedication and generosity, excellent communication, similar levels of ability and an alignment of passion and vision. Most importantly, the group must have mutual trust and respect. Without question, we all hold each other in the highest esteem. I have the utmost respect for everyone involved in The Crucible Project." This sculpture is signed by both artists and ships directly from the Crucible Show inventory located in Montevello, Al. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "Outside In, Collaboration" pgs. 106 - 121 / "Ladle Presentation" pictured on pg. 119) Richard Hirsch Brief Bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics. Frequently his work appears in book and magazine publications, such as; Overseas Contemporary Ceramic Art Classics by Baiming, China; Raku Investigations into Fire by David Jones, England; The History of American Ceramics from 1607 to the Present by Elaine Levin, New York; World Contemporary Ceramics by Baiming, China; and Firing, Philosophies within Contemporary Ceramic Practice by David Jones, England. Several museums have included his work for their permanent collections. These include; The Carnegie Museum of Art, Pittsburgh; The Renwick Gallery, Smithsonian Institute, Washington DC; The High Museum of Art, Atlanta; The Everson Museum of Art, Syracuse; The Nelson-Atkins Museum of Art, Kansas City, Missouri; The Taipei County Yinko Ceramics Museum, Taipei, Taiwan; and the George R. Gardiner Museum of Ceramic Art, Toronto, Canada. In 1984, Hirsch was elected as a permanent member of The International Ceramics Academy, a worldwide organization headquartered in Geneva, Switzerland. A recipient of a William J. Fulbright Research Scholar Award in 2002, Hirsch has also received several Individual Artists Grants. Most recently he was honored by The Rochester Institute of Technology, with the Board of Trustees' Outstanding Scholarship Award. Recently Hirsch collaborated with Dr. Scott Meyer on his biography, the book is entitled With Fire: Richard Hirsch and is published by The Cary Graphic Arts Press at RIT, ISBN-13: 978-1-933360-97-3. Amid the ever-shifting sands of change and new trends that is prevalent in contemporary ceramics, Richard Hirsch has maintained his steadfast personal aesthetic and continues to make a significant contribution to his field. Ken Baskin Brief Bio: Kenneth Baskin received his BFA from College for Creative Studies in Detroit, Michigan and earned his MFA from University of South Carolina. Presently he holds the position of Associate Professor of Art/Ceramics at McNeese State University in Lake Charles, Louisiana. In 2007 Baskin was honored as one of the recipients of one of the National Council on Education in the Ceramic Arts (NCECA) Emerging Artist Awards. Recently he was honored by being selected for a solo exhibition of his ceramic sculptures at the Taipei County Yingge Ceramics Museum, Taipei, Taiwan; in conjunction with this exhibition he was also invited as a visiting artist, workshop instructor and lecturer at: Tainan National University of the Arts in Tainan, Taiwan and National Taiwan University of the Arts in Taipei. Baskin’s work has also been included in numerous group and solo exhibitions both nationally and internationally. Baskin’s creative research was the topic for an essay titled “20th Century...

Strong and heavy raw metal sculpture by Bart Kelholt (Amsterdam 1946), The Netherlands 1980. Kelholt studied at the Gerrit Rietveld Academie in Amsterdam between 1970-1976. Very mini...

A statuette awarded in the 2013 edition of the Baja International Film Festival in Los Cabos, México. This is a patinated steel sculpture by Mexican artist Gabriel Macotela. The sculpture is signed on the base and the silver plastic plaque under it. Gabriel Macotela was born in Guadalajara, Jalisco in 1954. He is a painter, sculptor, engraver, scenographer, book editor and musician. He attended the National School of Plastic Arts (Academia de San Carlos), where he studied under Gilberto Aceves...

Immature Sculpture by Markus Friedrich Staab One of a Kind Dimensions: D 6 x W 23 x H 55 cm. Materials: Wood, paint, steel. Wood connection from Estonia, steel bar, wood base painte...

For its premiere collection, exhibited at the 2011 Milan furniture fair, Oeuffice proposed “totems for living”, a series of monolithic objects that dominate the habitat, yet remain e...

Toys Berlin Perception Untitled II Table Sculpture by Vaust Edition of 3 + 1 a.p. Dimensions: D 32 x H 44 cm Materials: steel, foam, Kara black marble, leather covered MDF, latex ...

Toys Berlin Perception Untitled III table sculpture by Vaust Edition of 3 + 1 a.p. Dimensions: D 32 x H 44 cm Materials: transparent acrylic glass, white lacquered MDF, insulation...

Small quartz vase by Aver Dimensions: D 16 x H 20 cm Materials: Quartz, Steel, Polyvinyl chloride, Resin.  

Blue large christmas tree by Zieta Dimensions: H 70 x W 70 x D 15 cm. Materials: Blue carbon steel. Different sizes (small) and colors available (...

Set of 3 White Matt Pin Wall Decor by Zieta Dimensions: Diameter 10, 12, 14 cm Material: Carbon steel. Finish: Powder-coated. Matt finish. Available in colors: Beige Grey, Graphite...

Set of 3 Moss Grey Pin wall decor by Zieta Dimensions: Diameter 10, 12, 14 cm Material: Carbon steel. Finish: Powder-coated. Available in colors: Beige Grey, Graphite, Grey Blue, S...

This is for a set of three steel oxidated cubes designed and made by Anne Rose Regenboog, Den Haag 2015. These cubes are made of steel and are finished with oxidation to provoke the ...

A fantastic vintage Boho steel sculpture. A beautiful female figure in a hooded cloak. An all over patina from time. Signed by the artist. Acquired from a Palm Beach estate.

Vissio is delighted to announce the launch of 2B1G, a new series of limited-edition works produced in collaboration by: Héctor Esrawe, Emiliano Godoy, and Brian Thoreen. 2B1G (2 ...

Incredible YUTAKA TOYOTA steel wall sculpture polychromed in blue in perfect conditions signed and dated 1982.

Incredible steel sculpture with wood base signed VL 74 to Nicolas Vlavianos 1974

Edition number 1 of 8. Marino di Teana originally trained as an architect and sustained an eclectic array of passions throughout his long career as ...

Examples of this patinated steel sculpture have been exhibited throughout Europe since the early 1980s, most notably as a tribute to the artist in 2008 in his birthplace and childhoo...

Important sculpture by Paul Evans, in welded and color enameled steel, New Hope, USA, 1965. Letter of Authenticity from Dorsey Reading and Provenance available on request.