Steel Abstract Sculptures

A memorable 19th century American steel dog collar with spiked edges and a lock, on a custom steel mount.

Width: 61 cm - Height: 78 cm - Depth: 31 cm Material: steel, brass, agate stone, slate Finish: patina, varnish, mineral wax Lighting: 5 x 1w LEDs ___ This sculpture captures our...

Bending Radiance: A Dance of Form and Shadow This 40cm Brazilian masterpiece isn't merely a sculpture; it's a defiant, sun-kissed blaze of defiance against gravity. Constructed from...

The series PXME pulses with the vibrancy of neoconcretism. A fiery red equilateral triangle rests atop a crisp white square base, their contrasting forms sparking visual tension. P...

A Cosmic Conjunction: Embrace the Neoconcretist Vision The realm of pure geometry and vibrant hues with this mesmerizing 40cm sculpture by Olavo Machado Neto. From the first glance,...

A Slice of Infinity: Experience the Neoconcretist Vision This arresting 40cm sculpture, crafted from vibrant green powder-coated steel, slices through the ordinary, offering a glimp...

Giuseppe Rivadossi (Nave, 8 luglio 1935) Piccola Arca in legno di Tiglio anno 1974 cm 10 x 32,5 x 22,5 opera ideata ed eseguita dal Maestro Giuseppe Rivadossi Immagine archetip...

The "Blue Ribbon" is a piece from a series developed and made by hand by the artist Olavo Machado Neto in his workshop / atelier in Minas Gerais Brazil. The series continues the stu...

The "White Ribbon" is a piece from a series developed and made by hand by the artist Olavo Machado Neto in his workshop / atelier in Minas Gerais Brazil. The series continues the st...

An "Etude in Blue" is a piece from a series developed and made by hand by the artist Olavo Machado Neto in his workshop / atelier in Minas Gerais Brazil. The series continues the st...

Here is an uncommon artwork by a lesser known Italian artist named Lino Tiné. Crafted from three sheets of steel, each decorated with a different pattern, it has a nice materic appea...

The "White Ribbon" is a piece from a series developed and made by hand by the artist Olavo Machado Neto in his workshop / atelier in Minas Gerais Brazil. The series continues the st...

The "Red Ribbon" is a piece from a series developed and made by hand by the artist Olavo Machado Neto in his workshop / atelier in Minas Gerais Brazil. The series continues the stud...

This edition was created specifically for The Glass House Art Editions Program. Every artwork purchased contributes to preservation projects on site and allows us to provide engaging...

Artist John Brevard's Thought-Provoking Sculpture Series Unveiled During Art Basel in Miami 2023 — Designer John Brevard and digital artist Trippy present "Thoscene-Deceptive Realities," a thought-provoking art installation crafted from recycled steel. This creation challenges societal divisions, acting as a mirror to reveal the theatrical nature of political discourse. Brevard's unique fractal design captures the complexities of human experience, encouraging viewers to look beyond surface appearances and reconsider interactions with divisive narratives. "Thoscene" symbolizes the fleeting nature of political stories, urging a more unified understanding of our collective psyche. This installation invites audiences to contemplate the illusions within political discourse and reevaluate narratives shaping perspectives. "Thoscene-Deceptive Realities" highlights the transformative power of art in challenging societal norms and fostering a harmonious collective consciousness. The installation will soon head to Korea. The outside finish can be in different styles: recycled grey steel, off-white, or wabi-sabi with raw, unglazed, and untreated clay. About John Brevard John Brevard is an American architectural designer and artist who draws inspiration from the principles of natural order. After a near-death experience at the age of 14, Brevard developed a fascination with fractals, sacred geometry, biomimicry, and the subtle energies of spaces. This curiosity propelled him on a research journey that has significantly influenced his design practice and philosophy. Brevard is a global speaker and member of the Council of Fashion Designers of America (CFDA). About Trippy Labs / @trippy Trippy, a digital artist and founder of Trippy Labs, commands a vast following in the digital art scene with 1.4 million Instagram followers. His studio, Trippy Labs, is deeply engaged in the crypto art...

This round stone disc originated as an early 20th-century threshing wheel. Secured to a wooden axel that ran through the center, the stone was rolled across stalks of wheat to separa...

Table No. 5 - Coffee J.M. Szymanski d. 2023 This coffee table is composed of stark, perpendicular planes that have been notched and precisely slotted together. Its hand-carved rough...

1970’s Brutalist Abstract welded steel sculpture on a wooden base. In original vintage condition. Measurements: 19” Wide, 10.5” Deep, 20.5” High. Base is 11.5” Wide, 4” Deep.

Tree in the Jere Artisan house " raindrops " style . Many varying sizes of sheet metal discs welded to steel wire branches . On this tree the steel branches are attached to natural ...

A fantastic vintage Boho steel sculpture. A beautiful female figure in a hooded cloak. An all over patina from time. Signed by the artist. Acquired from a Palm Beach estate.

An incredible vintage Boho steel sculpture. A chic Abstract Expressionist piece with a playful geometric design. Freshly powder coated an Hermes orange. Acquired from a Palm Beach es...

Set of 6 Graphite pin wall decor by Zieta Dimensions: Diameter 10, 12, 14 cm Material: Carbon steel. Finish: Powder-coated. Available Powder-Coated in colors: Beige Grey, Graphite, ...

Upon discovering a weathered steel drum that had been warped to resemble the sleeve of a garment, artist Gordon Chandler was inspired to embark on a series of kimono sculptures forme...

One of a kind Atomic Age large Mid-Century Modern style wall sculpture made of round black painted bent iron rod, in zig-zag form or atom rings with assorted metallic colored orbs (a...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has taken heavy gauge wire and formed it into a simple dog and placed it upon a salvaged steel cylinder. These repurposed items combine to form this small simple sculpture that will sure to bring a smile to its owner. Jim Rose Objects No. 04 Found and Collected Objects 6.50h x 6w x 10.50d in 16.51h x 15.24w x 26.67d cm JR0291 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2023 Jim Rose CODA, Gallery Victor, Chicago, IL 2020 Unseen, Gallery Victor Armendariz, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2023 Intersect Palm Springs, Gallery Victor, Palm Springs, CA 2018 SOFA Chicago 2018, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art on Paper, Gallery Victor, Metropolitan Pavilion, New York, NY 2017 - 2019 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

This stunning Brutalist Steel Sculpture in Oil and Waxed Finish is by the artist Jan Van Deckter and originates from the United States, Circa 1970. Features a towering composition in...

Nothing goes unseen anymore. Anonymity is history. And secrets do not exist. How safe do you feel? This sculpture raises questions about privacy, personal space, and the boundaries ...

Pieter Obels Large Sculpture in Rusted Corten Steel, The Netherlands. Beautiful and large sculpture in corten steel made by famous artist Pieter Obels. It is quintessentially Obels ...

Set of 6 Graphite pin wall decor by Zieta Dimensions: Diameter 10, 12, 14 cm Material: Carbon steel. Finish: Powder-coated. Available Powder-Coated in colors: Beige Grey, Graphite, ...

Model for Americas Tower by the American Postwar & Contemporary artist Peter Lobello. Titled "3 Monoliths". Signed and Dated on base top and bottom. Made out of painted steel. This s...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of spare parts come together ...

Red lacquered abstract steel table sculpture, unsigned. Brazil 1980s.

Large Modern Curtis Jere Style Oversized Pop Art 50" Metal Wisk Wall Art Sculpture. I was unable to find the signature so the maker and age is unconfirmed. Believed to be Late 20th C...

Metal rings were used to create the unusual stepped sculpture, shown here, from Italy c. 1970s. Arranged in ascending and descending order, the coils are soldered in place to creat...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of spare parts come together ...

Metal rings were used to create the unusual stepped sculpture, shown here, from Italy c. 1970s. Arranged in ascending and descending order, the coils are soldered in place to creat...

Brutalist abstract sculpture in steel and aluminum by renowned Israeli sculptor Bert Schwartz titled "Prometheus and Pandora". The sculpture was exhibited at the Brooklyn museum in N...

Set of 6 white matt pin wall decor by Zieta Dimensions: diameter 10, 12, 14 cm Material: Carbon steel. Finish: Powder-coated. Matt finish. Available powder-coated in colors: beige ...

Alexander Liberman Sculpture A large Unique Example. Signature Red Surface Signed with artists' initials and Date Original Mica Sculpture Stand Available

Set of 3 Graphite Pin wall decor by Zieta Dimensions: Diameter 10, 12, 14 cm Material: Carbon steel. Finish: Powder-coated. Available in colors: ...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here, a beautifully rusted tobacco box, a steel egg...

Alessio Tasca for Fusina Acrylic Prism Sculpture, 1970s.

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has welded together various washers and cyl...

This round stone disc originated as an early 20th-century threshing wheel. Secured to a wooden axel that ran through the center, the stone was rolled across stalks of wheat to separa...

This round stone disc originated as an early 20th-century threshing wheel. Secured to a wooden axel that ran through the center, the stone was rolled across stalks of wheat to separa...

This round stone disc originated as an early 20th-century threshing wheel. Secured to a wooden axel that ran through the center, the stone was rolled across stalks of wheat to separa...

Vintage Phyllis Mark 40" Polished Steel Chrome Hanging Wind Chime Sculpture. Circa Late 20th Century. Measurements: 40" H x 40" Diameter.

Claude Viseux est un peintre, sculpteur et graveur aquafortiste et lithographe français né le 3 juillet 1927 à Champagne-sur-Oise et mort le 9 novembre 2008 à Anglet. 'est dans les années 1959-1960 que la sculpture de Claude Viseux, qualifiée de « protéiforme, onirique, fantastique » — ami de Max Ernst, Man Ray, Francis Ponge et Henri Michaux, il ne désavoue pas une parenté avec le Surréalisme9 — se substitue à la peinture, ses premières réalisations étant les objets trouvés en bord de mer qu'il pétrifie dans la cire10 d'une part, les empreintes de pierres et d'algues coulées en bronze d'autre part. En 1960, il signe le Manifeste des 121 titré « Déclaration sur le droit à l’insoumission dans la guerre d’Algérie ». En 1961, ses expérimentations s'orientent vers les corps organiques, notamment avec sa série Ostéales constituée d'assemblages d'os fossilisés qu'il patine ou au contraire décape, qu'il visse, scie, assemble et plastifie. Les Concrétudes ou Coulées directes qui suivent en 1961-1962 sont obtenues à partir de coulées de métal en fusion dans le sable, générant des reliefs qu'il soude sur des plaques d'acier. Il va cependant adopter rapidement l'acier inoxydable — qu'il est avec Pol Bury parmi les premiers à employer en sculpture — comme matériau de prédilection. « Il assemble divers rebus industriels — tuyaux, écrous, boulons, cuves… — pour créer des sculptures à mi-chemin du mécanique et du biologique » restitue ainsi Sophie Serra11. Claude Viseux, qui fréquente alors Jean Tinguely, Piotr Kowalski, Michel Guino, Takis et César, confirme : « Ma récupération de l'élément industriel s'élargit vers les aciers spéciaux, avec un essai de vocabulaire formel : des barres, des profilés, des sphères, des rotules, des fonds de cuves, des chambres à combustion de Boeing, des tubulures, des soupapes de navire »9. « L'artiste entre au cœur de la réalité industrielle, prospecte dans les chaînes de montage de Renault et rôde dans les terrains vaques autour des usines », restitue donc l'encyclopédie Les Muses : « il récupère ferrailles, pièces détachées, débris de voitures, vieux châssis, toute une série d'éléments devenus inutiles. Ils les assemblent, tels quels, sans les modifier. Des créatures agressives ou pathétiques vont surgir de ce combat physique et dialectique que l'artiste livre avec la matière et entrer dans le domaine d'une poétique étrange, surnaturelle5 ». Dans les années 1967-1970, Les « structures actives » en acier inoxydable procèdent ainsi de la production industrielle de série. Elles se répartissent en familles de formes combinatoires composées par addition, soustraction, multiplication, division. Il confirme : « le monde industriel est ma nature, mon bouillon de culture, où je cherche des corps, des familles de corps, des genres, des espèces, dans un aller-retour de l'artificiel au naturel pour confondre les règnes, pour en inventer d'autres selon une géométrie organique qui féconde les différents types de structures, qui aménage la forme concernée par la forme à venir »9. En 1968, Claude Viseux s'installe à la villa Baudran à Arcueil, atelier qu'il conservera jusqu'en 1992. Si des corps imaginaires naissent ainsi des pièces mécaniques que Claude Viseux emprunte à l'automobile, à l'avion et au bateau, en 1972, « la symétrie de ces formes pures en inox », constate Lydia Harambourg, « l'amène à s'interroger sur la notion d'équilibre instable »12. Ses Instables sont de la sorte exposés à la Biennale de Venise en 1972 où, rappelle encore Lydia Harambourg, une salle entière est consacrée « aux dessins qui reprennent son vocabulaire mécanique identitaire de sphères, toupies, hélices, anneaux, astrolabes et balanciers »12. Les Instables sont de même, en 1973, présentés à la galerie Le Point cardinal à Paris où Claude Viseux avait déjà exposé en 1968 avec Henri Michaux et Joaquin Ferrer...

Claude Viseux est un peintre, sculpteur et graveur aquafortiste et lithographe français né le 3 juillet 1927 à Champagne-sur-Oise et mort le 9 novembre 2008 à Anglet. 'est dans les années 1959-1960 que la sculpture de Claude Viseux, qualifiée de « protéiforme, onirique, fantastique » — ami de Max Ernst, Man Ray, Francis Ponge et Henri Michaux, il ne désavoue pas une parenté avec le Surréalisme9 — se substitue à la peinture, ses premières réalisations étant les objets trouvés en bord de mer qu'il pétrifie dans la cire10 d'une part, les empreintes de pierres et d'algues coulées en bronze d'autre part. En 1960, il signe le Manifeste des 121 titré « Déclaration sur le droit à l’insoumission dans la guerre d’Algérie ». En 1961, ses expérimentations s'orientent vers les corps organiques, notamment avec sa série Ostéales constituée d'assemblages d'os fossilisés qu'il patine ou au contraire décape, qu'il visse, scie, assemble et plastifie. Les Concrétudes ou Coulées directes qui suivent en 1961-1962 sont obtenues à partir de coulées de métal en fusion dans le sable, générant des reliefs qu'il soude sur des plaques d'acier. Il va cependant adopter rapidement l'acier inoxydable — qu'il est avec Pol Bury parmi les premiers à employer en sculpture — comme matériau de prédilection. « Il assemble divers rebus industriels — tuyaux, écrous, boulons, cuves… — pour créer des sculptures à mi-chemin du mécanique et du biologique » restitue ainsi Sophie Serra11. Claude Viseux, qui fréquente alors Jean Tinguely, Piotr Kowalski, Michel Guino, Takis et César, confirme : « Ma récupération de l'élément industriel s'élargit vers les aciers spéciaux, avec un essai de vocabulaire formel : des barres, des profilés, des sphères, des rotules, des fonds de cuves, des chambres à combustion de Boeing, des tubulures, des soupapes de navire »9. « L'artiste entre au cœur de la réalité industrielle, prospecte dans les chaînes de montage de Renault et rôde dans les terrains vaques autour des usines », restitue donc l'encyclopédie Les Muses : « il récupère ferrailles, pièces détachées, débris de voitures, vieux châssis, toute une série d'éléments devenus inutiles. Ils les assemblent, tels quels, sans les modifier. Des créatures agressives ou pathétiques vont surgir de ce combat physique et dialectique que l'artiste livre avec la matière et entrer dans le domaine d'une poétique étrange, surnaturelle5 ». Dans les années 1967-1970, Les « structures actives » en acier inoxydable procèdent ainsi de la production industrielle de série. Elles se répartissent en familles de formes combinatoires composées par addition, soustraction, multiplication, division. Il confirme : « le monde industriel est ma nature, mon bouillon de culture, où je cherche des corps, des familles de corps, des genres, des espèces, dans un aller-retour de l'artificiel au naturel pour confondre les règnes, pour en inventer d'autres selon une géométrie organique qui féconde les différents types de structures, qui aménage la forme concernée par la forme à venir »9. En 1968, Claude Viseux s'installe à la villa Baudran à Arcueil, atelier qu'il conservera jusqu'en 1992. Si des corps imaginaires naissent ainsi des pièces mécaniques que Claude Viseux emprunte à l'automobile, à l'avion et au bateau, en 1972, « la symétrie de ces formes pures en inox », constate Lydia Harambourg, « l'amène à s'interroger sur la notion d'équilibre instable »12. Ses Instables sont de la sorte exposés à la Biennale de Venise en 1972 où, rappelle encore Lydia Harambourg, une salle entière est consacrée « aux dessins qui reprennent son vocabulaire mécanique identitaire de sphères, toupies, hélices, anneaux, astrolabes et balanciers »12. Les Instables sont de même, en 1973, présentés à la galerie Le Point cardinal à Paris où Claude Viseux avait déjà exposé en 1968 avec Henri Michaux et Joaquin Ferrer...

This is a curated collection of Dansk Pepper Mills Designed to be displayed symmetrically to resemble one side of a chess board. All of the grinders ...

Feliciano Bejar Magiscope industrial glass and steel tall sculpture signed. Item features rare and large form , heavy substantial round gear base, and magiscope round glass upper; si...

Incredible YUTAKA TOYOTA steel wall sculpture polychromed in blue in perfect conditions signed and dated 1982.

A textural wall sculpture made with black polypropylene straps which sprout from a tubular steel frame. This sculpture affixes to the wall and includes hanging hardware. Erin Vincen...

This sculpture grouping titled "Caryatids" was created in 1977 by listed American artist Gerald DiGiusto. The inspiration for Gerald DiGiusto to create these incredible pieces was f...

This large scale antique armillary sundial on a terracotta pedestal is a Blanchard original, stamped at the base with a maker’s mark. The co...

Incredible NICOLAS VLAVIANOS brazilian steel 1970 abstract sculpture with wood base.

Acrylic, blackened steel, brass, LEDs, stainless steel, shellac, and woven reed Sexual selection requires the use and continual modification of a lure. Sometimes a lure is a behavio...

Michael Gitter, Phu Truong Interlocking Hearts Sculpture "Rust" in Solid Steel Offered for sale is an interlocking hearts sculpture in solid steel by Michael Gitter and Phu Truong. ...