Cameroonian Abstract Sculptures

A fantastically hand-crafted piece by the Kota (or Bakota) tribe who are located in the northeastern region of Gabon. This figure, which is a Mahongwe reliquary figure as exhibited with its truncated almond-shaped face, is made of wound copper, hammered brass and wood. Reliquary figures were used as guardians to protect the revered bones of venerated family ancestors and leaders and ward off unwanted spirits. These figures are meant to embody intense powers and were also commonly used in communal rites and ritual performances. This particular piece came from an American collector who traveled the African continent and collected African artifacts for over 50 years. This piece has a beautiful, organically aged patina acquired naturally over time and use. It is mounted on a custom wooden display stand. We believe it dates back to the early to mid-1900s but could be older. We are listing as 20th century because we did not have it appraised. This African Tribal Statue Osseyba or Reliquary Figure Kota (Bakota) Mohongwe Peoples decorative art would clearly stand out as part of a collection or by itself in any setting. Truly unique, eye-catching and engaging. Dimensions on stand: 25 3/4" High, 7" Wide, 5 1/2" Deep Kota Reliquary...

This mid-century era molded fiberglass wall sculpture is unsigned, but presumed to have been made in Canada in approximately 1960 in a Neoclassical Revival style. The relief depicts ...

A Swiss Black Forest hand carved wooden buck head wall sculpture from the turn of the century, with shield plate. Born in the early years of the 20th century...

This mid-century era molded fiberglass wall sculpture is unsigned, but presumed to have been made in Canada in approximately 1960 in a Neoclassical Revival style. The relief depicts ...

The blacksmiths and sculptors of the Mossi People were held in special regard by the tribe's ruling class. Their ability to shape bronze and other precious metals into currency and status symbols made them valuable members of the powerful tribe. The intricate design of this currency bracelet...

A single Yua Wenga currency from the early 20th century on custom iron stand. This antique tribal currency piece from Papua New Guinea has been carved ...

Time honored texture and form define this Nigerian copper sculptural object. The intricate geometry was achieved through a process known as scarification. The artisan would meticulou...

A piece from the 'Delta' abstract sculpture series by James Rowland made from Brazilian hard wood with brass inlay. Scottish Artist and furniture Designer-Maker James Rowland of K...

An African iron currency blade or sword from Nkutshu, the Democratic Republic of Congo (Zaire), of the Topoke, Songo and Meno peoples, which is nicely presented upon a custom metal stand. Such blades were used by various tribal groups in the Democratic Republic of Congo as a form of currency. They were used to close a variety of important transactions such as land deals or the proposal of marriage. This African sword...

Tribal Bronze Cache-sexe, Vere People, Cameroon/Nigeria Bronze alloy 4.5 (11.4 cm) to 2.25 (6.7 cm) inches high Late 19th century A set of bronze spikes forms this cache-sexe from t...

A scarce antique African tribal carved Hemba helmet mask, the Suku peoples, possibly Kwese culture, Democratic Republic of the Congo, Central Africa, early 20th century, surmounted by four-legged animal, over round face, with mouth ajar and incised jagged teeth exposed, protruding almond shaped eyes, scattered remnants of pigment, full raffia fiber fringe, mounted on wood stand. A superb museum quality example, this remarkable tribal folk art sculpture is a wonderful way to add rustic warmth, rich historical depth, and fascinating cultural interest to any space! Dimensions: (approx) Overall: 26" High, 9" Wide, 10.25" Deep; Mask only: 15" Tall; 7 lbs total Provenance / Acquisition: Acquired from the highly reputable auction house, Austin Auction Gallery, est.1983, Austin, Texas. Excellent Condition: Nicely aged distressed patina over the whole. Highly desirable wear consistent with age and indicative of use, including scattered losses, antique character marks and typical signs of aging throughout. Retaining scattered remnants of original pigment. Overall a superb museum quality example Primitive Arts Of Africa: Among the Suku of the southwestern part of the Democratic Republic of the Congo, masks plays crucial role in protecting boys during initiation, the vulnerable period between boyhood and manhood. The power contained in Hemba masks...

A male necklace from the Asmat Village, Papua New Guinea. Four rows of large polished white cowrie shells in two sizes, seamlessly sewn onto a cotton macramé base, which has been ha...