Robert Sestok "Cass Corridor Artist" Detroit Abstract Welded Steel

SALE ONE WEEK ONLY UNTITLED is an abstract blackened steel sculpture that has a continuous lively movement. The positioning of the heavy metal is suggestive of dance. There are similarities to the sculptors, Robert Sestok and Tony Smith, who both worked in bronze and painted steel with similar cut out pieces and abstract designs. Untitled has a joyous aura and its small size makes it a charming intimate piece. It might have been a maquette for a much larger piece. The design works in this 14" height as it would in a 14' height. There is a Letter of Certification that will accompany the sculpture. Tony Rosenthal (1914 - 2009) is best known for creating a staggering list of monumental public art sculptures. For over seven decades Tony Rosenthal created an arc of sculpture in a variety of sizes, styles and media, including wood, steel, bronze, brass, cement and aluminum. Every day millions see, enjoy and interact with art created by Rosenthal in cities around the world. In New York City alone, five Rosenthal public art sculptures have been beloved and visible 24/7 for over four decades, yet Rosenthal is not a household name. Art dealer Joseph K. Levene, told The New York Times, Tony Rosenthal "reminds me of a character actor. You know the face but not the name. With him, you know the art." Tony Rosenthal dedicated his life to creating art and actively created sculpture everyday in his Southampton, New York studio until he passed away at the age of 94, July 28, 2009. At nine Rosenthal learned the fundamentals of carving sculpture when his mother, an opera singer enrolled him in children's classes at the Art Institute of Chicago where he learned how to carve sculptures in soap. In 1936 Rosenthal earned a B.F.A. from the University of Michigan, and in 1952 became the first instructor of sculpture at the University of California, Los Angeles. In 1950 Rosenthal was recipient of the San Francisco Museum of Modern Art’s sculpture award; in 1967, Rosenthal received the outstanding achievement award from the University of Michigan and in 1963 a Ford Foundation Grant. 
After graduating from the University of Michigan, Rosenthal became studio assistant to Alexander Archipenko, the figurative master sculptor, casting bronzes in exchange for sculpture lessons; at night, Rosenthal taught evening classes in drawing and sculpture. In 1939, Rosenthal enrolled at Cranbrook Academy of Art, studying with Carl Milles, Cranbrook's sculptor in residence; there, Rosenthal forged friendships with husband and wife designers Charles Eames and Ray Eames and the sculptor Lilian Swann Saarinen the wife of architect, Eero Saarinen.   Decades later Rosenthal acknowledged his gratitude to Cranbrook by donating his archives to them. The Cranbrook Cube, 1984, a 90" painted aluminum cube is in the Cranbrook Museum collection. In 1942, Rosenthal was drafted into the U.S. Army; while stationed in Paris Rosenthal forged friendships with George Braque, Andre Derain, Le Corbusier and Constantin Brancusi, routinely organizing and accompanying groups of soldiers on studio visits. Through multiple visits to Brancusi's Paris studio, Rosenthal learned to create and forge metal sculpture...

"Voyeur" is a sculpture that sets out to provide one of the links in the love symbolism of the ‘key-lock’ sequence – the artifact of visualizing a love affair. There are famous images by Degas of women taking a bath and drying themselves afterward and here is how he (Degas) explained the secret of such compositions: “Naked figures are usually depicted posing for the viewer. I, however, paint the ordinary modest women, who are busy taking the usual care of their bodies… It is like watching them through a key-hole.” In this sculpture the watcher, having previously been in the dark, turns into a certain link in the love chain and becomes an artifact. In the present triad of key, lock and keyhole, every symbol acquires its own meaning in time and shape. - per Vladimir Kush "Vladimir Kush was born in Russia, in a one-story wooden house near the Moscow forest-park Sokolniki. At the age of seven, Vladimir began to attend art school until late evening where he became acquainted with the works of great artists of the Renaissance, famous Impressionists, and Modern Artists. He entered the Moscow Higher Art and Craft School at age 17, but a year later he was conscripted. After six months of military training...

SALE ONE WEEK ONLY The "Untitled" abstract sculpture by Robert Sestok has a very deliberate aura of strength in its columnar shape. It does become more ...

Vintage welded steel sculpture by Acton, MA artist, John Livermore, circa 1970s. Abstract architectural form on mahogany pedestal. Sculpture measures: 7...