Amalric Walter Pate De Verre Parrot Bird Paper Weight

Almeric Walter and Henry Mercier Pate De Verre Art Nouveau Figure of a Nude Cherub or boy seated with his hand on his head. A wonderful pâte-de-ver...

Gabriel Argy-Rousseau Pâte de Verre Chevalier Paperweight, Circa 1920 Art Nouveau - Art Deco period mottled glass is shades of red, pink, orange and purpl...

Francois Decorchemont Pate-de-Verre Chameleon Paperweight sculpted with orange and clear bubbled glass. Francoise Decorchemont pioneered the pate de Verre industry in the turn of the...

Another rare pate de verre item by Henri Cros in collaboration with his son Jean Cros. A very nice size at 10.75 Inches by 8.65 Inches. translucent; this plaque can be lit up from be...

A rare and large pate de verre molded sculpture of the mythological God Pan. Very thick and heavy; this glass piece is primarily bluish green with yellow, reds and orange. The likeness is uncanny with perfectly modeled facial features and traces of his goat horns. This piece was said to exhibit at the Brooklyn Museum in 1971 but there is no documentation. The mask is stamped Decorchemont on his right cheek. For serious collectors of Art Deco - Art Nouveau rare and beautiful glass, circa 1915. Measures: Height: 7.75 inches (19.75 cm) Width: 5 inches (12.8 cm) AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. François-Emile Décorchemont...

François-Emile Decorchemont Pate-de-Verre Glass Mold Of A Female Ladies Face. A rare, large and very heavy sculpture of either a mask or a modeled face. At 3.5 inches thick in glass with a peach, pink or rose color; this statue was exhibited in the Brooklyn Museum, New York in 1971. With much research; I haven’t seen or heard of a similar form by Decorchemont. The original Brooklyn Museum loan sticker is on verso with the Decorchemont stamp on her left cheek. For serious collectors or rare Art Deco, Art Nouveau glass. Circa 1910 Molded Signature DECORCHEMONT Height: 7 Inches (13.3 cm) Width:. 5.2 Inches (16.5cm). AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. François-Emile Décorchemont French, 1880-1997 François Décorchemont, originally an accomplished painter and potter of recognized ability, turned to the making of glass in 1904. Pâté de verre was the medium in which he excelled and for which he is best known. After studying decorative art in Paris, François Décorchemont returned to his native Conches in 1910 to develop new techniques in stained glass, particularly in the use of crystal to give multicolored and faceted panes. After 1909, while continuing to produce fine glass paste pieces, Francois Decorchemont began to experiment with a new casting technique. François Decorchemont, Emile's son and also an artist, helped out in his father’s studio, in particular helping him to research the possibilities of creating jeweled adornments in pates d'email (enamel pastes) for Gerome's polychrome sculptural creations. Francois Décorchemont, a potter and painter at the outset of his career, became fascinated with the IDEA of developing and utilizing a thin translucent glass material in his work. It was in essence the revival and an adaptation of a long forgotten Egyptian glass-making process using colored crystal powdered glass, metallic oxides and an adhesive paste. This "new" material, known as pâte de verre was developed around the turn of the century, principally at the Sevres porcelain factory, by a number of artists working there, notably Henri Cros and Albert Dammouse. The end of the 19th century was an illuminated period in the history of art. Impressionist painting appeared and created an interest in glass as material. Traditional sculpting materials such as bronze and marble made way for glass with its possibilities of light and color. Henry Cros and François Décorchemont became the leaders of French pâte de verre and facilitated the proliferation of this colorful glass. His first major work, in 1934, was inn the Eglise Sainte-Odile near Porte Champerret in Paris, some 300 square meters of brilliant colors. After the war, he devoted his work to churches in the Eure, including of course Beuzeville where, thanks to the generosity of the local council, the church is lit at night so that his work can be admired from outside. During the first half of the 20th century a number of French artists became famous for their work in pâte de verre, and Francois Decorchemont among them. March 2014, 20th Century’s Greatest Art Dealer Felix Marcilhac’s Collection Privee at Sotheby’s - Chang Yi Entrusts Antoine Leperlier in the Bidding of a Francois Decorchemon's Original. It has been reported that Felix Marcilhac’s Collection Privee auction at Sotheby’s brought in 33,125 Euros (28,000 RMB), three times the estimated price. Marcilhac is considered the greatest Art Deco dealer...

Pâte de verre vide-poche by Amalric Walter. Born in Sèvres on May 19, 1870, Walter first worked at the Manufacture nationale de Sèvres, near Paris, where he decorated and glazed ear...

Decorative pâte-de-verre vide-poche: bowl in yolk yellow, one side overflowing in dark blue, swimming around each other, plastically formed goldfish couple. Signed 'AWALTER NANCY' on the top. Manufactory: Amalric Walter, Nancy, Lorraine, France Dating of manufacture: circa 1920/1925 Designer: VICTOR AMALRIC WALTER (1870-1959) was a French glass manufacturer mainly known for his pâte de verre pieces. In the Cristalleries Daum at Nancy, France, he met the designer and modelist HENRI BERGÉ, with whom he produced the first pâtes de verre, which at the time were only signed with "Daum Nancy". After the war he continued to work with Henri Bergé. From 1919 to 1935 he cast no fewer than 500 models with Bergé and other famous sculptors or designers, always in few numbers due to the sophisticated technique of glass kiln casting. Technique: Pâte de verre (English glass paste) is a technique used in the production of multi-colored glass. A cold-formed paste made of glass powder and dyes is filled into a refractory mold and then fired in a muffle furnace, whereby the glass melts into the desired shape. To achieve polychrome color effects, the process is repeated with other colors. The technique was already known in ancient Rome and Egypt. Particularly in the Art Nouveau period and later in the Art Deco period, she found artistic use again in works by French glass artists such as Gabriel Argy-Rousseau, Henry Cros...

Amalric Walter and Alfred Finot, a seated female figure with a shawl and a necklace, Nancy, c. 1910 Gorgeous pâte-de-verre figurine in shades of jade, dark green and violet-blue colours; inscribed A. Finot A. Walter Nancy...

Almeric Walter (1870-1959) A fine and well executed Pâte-de-verre (glass) work of art, by Almeric Walter, France, circa 1920 the mottled yellow-brown ...

Fish in glass paste in a gradient of green and blue, signed A Walter Nancy Good general condition, small chip at the mouth of the fish and below the tail Art Nouveau Amalric Walte...

A ravishing compromise between the Art Deco and Art Nouveau styles, this hexagonal pâte de verre vide poche by Amalric Walter and Henri Bergé features a strong architectural shape softened by a lush vortex of pastel colors. A flying fish with raised spine and rigid ribbing on its splayed fins swims languidly through a shallow pool of aqua ripples and speckled kelly green kelp, its body twisting into a serpentine "S," perfectly filling the space within the hexagonal form. Item #: P-20232 Artist: Amalric Walter, Henri Bergé Country: France Circa: 1920 Size: 1.25" height, 7.75" width, 7.25" depth Materials: glass Literature: A similar vide-poche is pictured in Amalric Walter (1870-1959), by Keith Cummings, Kingswinford: Broadfield House Glass Museum, 2006, p. 44, cat. no. 66 The pâte de verre technique is an ancient form of kiln casting, used since the time of the Egyptians, and literally translates to "paste of glass...