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French Grotesque Medieval Plaster Releif of Monkey Architectural Fragment

$1,096List Price

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Medieval Architectural Fragment Cornice, Corbel
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A fragment of a sandstone corbel with flat upper face, moulded transverse ledge and two protruding lobes with reserved trefoil detailing. The lower edge has fine dentiled carving and...
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Plaster Model of Male Bust with Markings, France, 19th Century
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Plaster bust on base. Preliminary study for marble carving with markings for the stonemason. France, 1850-1880. A very decorative piece.
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Curious Architectural Model, France, circa 1960s
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French Caen Stone Architectural Fragment
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H 19.3 in W 27.56 in D 3.94 in
Gothic Architectural fragment abstract sculpture
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We mounted this Gothic architectural fragment on a custom iron stand. In this new context it becomes a sculpture with a almost abstract f...
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French 17th Century Weathered Carved Oak Christ Fragment
Located in Buisson, FR
Very nice carved oak fragment of a Christ figure with a strong expression. Beautiful weathered , France circa 1600-1700. Weathered, and losses. Measurement with the base
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$836 Sale Price
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H 14.97 in W 3.55 in D 3.55 in
Antique Neoclassical Plaster Grotesque Herm Statue
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An early 19th century plaster grotesque herm statue in the neoclassical style circa 1820. Once used as architectural interior decoration, it has a distressed look and depicts a figur...
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William Theed the Younger 1804-91 Marble Bust of William Ewart Gladstone 1868
Located in Lowestoft, GB
A very finely carved marble bust of William Ewart Gladstone dated 1868 and signed W.Theed SC William Theed was born in Staffordshire, his father, William Theed the elder being a sculptor and a craftsman at Wedgwood, known for his major work, Hercules and the Thracian Horses for one frontage of the Buckingham Palace complex. The younger Theed studied at the Royal Academy Schools, then worked for the sculptor E. H. Baily. Five years on, in 1826, he went to Rome, where he was to stay a total of 22 years, during that time working in the studios of Thorwaldson and John Gibson. Returning to London in 1848, Theed enjoyed a good reputation, being a favoured sculptor of Queen Victoria, and was commissioned to produce many portrait statues, busts, and large monuments. He showed work in the 1851 Great Exhibition, and among other high points were a group for the Albert Memorial, and five standing figures on the Inland Revenue side of Somerset House, representing Manchester, Edinburgh, Glasgow, Belfast and Dublin. Theed's statues may be seen in St Paul's (Henry Hallam), Manchester (Monument to Chetham in the Cathedral, Gladstone and Thomas Bright for the Town Hall, and James Watt in Piccadilly Gardens), Huddersfield (Robert Peel), Winchester (David Williams monument in the Cathedral), and Prince Albert statues for Grimsby, and in Australia in Macquairie Street, Sydney. He was also responsible for three of the portrait statues (Bacon, Locke, Adam Smith...
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19th Century Plaster Phrenology Bust by Vago of London, 1869
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A collection of four late 18th century replica wax seals, encased in plaster and housed in softwood boxes. They also retain their original pointed oval and circular hand written labe...
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19th C Scientific James DeVille L N Fowler Phrenology Plaster Bust Head Curio
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