Japanese Meiji Period Gold White Porcelain Sleeping Cat Sculpture, circa 1910

Exquisite Japanese Meiji period signed Imari ribbed porcelain deep charger, circa 1860, extremely intricately hand-painted on both sides in cobalt blue un...

Extraordinary Japanese contemporary porcelain bear sculpture, hand-painted in green, blue, orange purple in a dramatic pattern set against a gold background, by Japanese artist from the historic Imari-Arita region of Japan. This stunning bear is from the limited edition series of four bear...

Superb pair of Japanese large Meiji period Fukagawa signed porcelain vases (circa 1900). Intricately hand-painted in cobalt blue underglaze with polychrome and gold overglaze on a st...

Mesmerizing signed contemporary decorative porcelain mask, intricately hand painted on both sides. It's a signed masterpiece by award-winning master por...

Antique Meiji period Japanese porcelain temple jar with intricate hand painted decoration and gilt. The jar in Classic Kutani colors with floral and phoenix birds all over the top an...

3-726 vintage Japanese hand painted ceramic cat sculpture

This is a good quality and very decorative Japanese porcelain dish or plate, which we date to the Meiji period, circa 1870. The dish is well potted on a low foot with a frilled wav...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...