Figurative Sculptures

Made in Italy, 1930s. These cherries are made by Napoleone Martinuzzi for Venini in Murano glass. This item might show slight traces of use since it's vintage as a chip on the top t...

The 1st century AD marble original of this bronze is now in the Vatican. That marble was excavated in 1865 near the Villa of Livia in the Prima Porta hills outside of Rome but there ...

The jellyfish is the main element of the Mosche Bianche's "Medusa" Collection: fluid, delicate but also dangerous and deadly. It represents the water, the circle of life. The speci...

Silvered bronze around 1925 on a marble base. s Signed on the marble P Philippe. In a perfect state Total height: 64.5 cm 25.39 in Depth: 15cm 5.9in Width: 20cm. 7.87in Bas...

Very stunning large Art Deco Statue by Cia Manna, Torino, Italy. C.I.A. Manna Torino Lenci Nel Palmeto ceramic sculpture. Semi nude form of young woman. Work...

Decorate a study or office with this elegant antique statue. Crafted in France circa 1870 and built of metal, the figure depicts the cardinal Mazarin ...

Chic vintage Italian palm tree object of art having tole leaves on a brass trunk in a classical porcelain planter with quartz stones.

This young sheperdess with her flock has been created by Axel Locker. Locker designed several pastural scenes for Bing & Groendal, for whom he started working at the end of the ninet...

"Sitting Kewpie" or "The Thinker", Car Mascot Hood Ornament, 1910´s. Made of silvered bronze, mounted over a green and white mrble base. Can de used as a desk paperweight. Originally appearing in the form of magazine illustrations between 1905 and 1909, Kewpie dolls...

This is a wonderful antique French Grand Tour bronze model of the Vendome Column, circa 1880 in date. This splendid bronze features Napoleon I standing atop in his 'redingote' coat...

Provenance : In the same private collection for several generations, Burgundy. The canonical Gospels describe briefly the episode of the Nativity. It comprises three parts : • The Preludes : the Journey to Bethlehem, the Census • The Nativity • The Announce to the Shepherds and the Adoration of the Magi Only the Gospel according to Matthew (2, 1-12) speaks about the Adoration of the Magi. Staying vague about their number it does say they brought the newborn gold, incense and myrrh. The apocryphals, the fathers of the Church and many other authors have filled in the gaps of the evangelic tale. The sobriety and symbolic of the story have been a huge inspiration to artists. Although one of the oldest depictions of the Adoration of the Magi dates from the 2nd century the theme became very popular in Christian art during the late 14th century. One of the reasons explaining this success is that it celebrates both the Virgin and Christ at the same time. This important walnut panel is carved in a strong relief and depicts the different steps of the story of Jesus’ birth. On the left, the donkey and ox that have accompanied Mary and Joseph from Bethlehem are depicted behind a trough. On the thatch roof appears the star that would guide the magi to the place of birth of Jesus. Mary is wearing a veil and is seating on a bed. She holds her baby at arm’s length to present him to the magi. Saint Joseph is by her side. The old man is holding a cane in his left hand while from the right hand he seems to uncover himself to greet the visitors. A woman assists to the scene. In front of the holy family the three magi stand behind one another to pay their homage to the newborn. The first magi has a pointed beard. He is already kneeling out of deference and has placed his crown to his feet. He gives the baby a hanap filled with gold coins. This is Melchior as the legend describes him with white hair and a long beard. Caspar, the second magi bears a cup of incense. He is looking at the third magi and with his right hand he points to the star that has guided them there. He has a short beard and wears crakow shoes, breeches and a wide sleeved doublet. Finally Balthazar, the elegant last magi proceeds proudly towards the holy family with his one hand on the saber’s hilt and the other holding a cup. He brings the divine child the myrrh. He probably just dismounted as the horse can be seen behind him. The scene is set in a very detailed and narrative decor. In the right part of the panel the shepherd receive the announce of Jesus’ birth. An angel comes down from heaven with a scroll bearing the good news in his hands. The herding dog sleeps peacefully while sheeps graze. At the top of the cliff we notice the gilded sheeps enclosure. The panel’s moulded frame is carved with a foliated decor. In it’s centre appears a coat-of-arms. It is the alliance of the three magi’s arms. Indeed as it was common for legendary figures the three of them received imaginaries coat-of-arms. Thus, on a field of azure stands a star for Melchior, a crescent for Caspar and a pennon for Balthazar. This high-relief panel is undeniably the work of a very skilled and imaginative artist. This key moment in the New Testament is transposed to a contemporary environment thanks to the figures’ clothing and the rural daily life scene. This way the universal dimension of the episode is highlighted allowing a better understanding for the contemporaries. The sculptor has represented the episodes of the Adoration of the Magi and the Announce to the Shepherd with great talent and numerous details giving life to a picturesque and narrative scene. The important traces of polychromy give those already very animated scenes a stronger pictorial power and a rich dynamism. Because of the picturesque and familiar realism so dear to the artists of the late Medieval era, of the didactic function of this type of panel as well as the quality of the sculpture this piece is an astounding example of Burgundian art of the 15th century. Literature Louis Réau, Iconographie de l’Art chrétien...

A very beautiful 19th century French wasp waist mannequin by Stockman of Paris. With original black linen fabric and ebonised turned wood stand. The stand is fully adjustable and wor...

Sculpture La Ferrari with all structure in assembled aluminium pieces (4mm thickness), all painted with original Ferrari rosso corsa paint. Limited Editio...

18th Century Monumental Marble Sculpture Representing Neptune

This stunning cast bronze figurine is made in a rare and original interpretation of Degas' famous work - "Little Dancer of Fourteen Years" (French: La Petite Danseuse...

Investing in the 20th Century C. Kauba Bronze Sculpture "Peace" is an opportunity to acquire a masterpiece that embodies both artistic excellence and prof...

This highly rare bronze of a nude male athlete preparing to left a heavy kettlebell weight was sculpted by an Austrian artist, Franz Seifert, in 1922. Although Seifert is known for his nude figures straining to accomplish physical tasks -- such as carrying a large bucket or splitting a stone -- this sculpture is the only example known to exist. A decade after this sculpture was cast, Seifert carved a marble portrait of Siegfried Marcus, inventor of the gasoline-powered car, for a monument in Vienna, which includes a nude male figure in bas relief racing forward on the upper edge of an automobile wheel. He also created a large sculpture grouping honoring Empress Elizabeth...

Chinese Blanc de Chine Dehua Porcelain Guanyin Sculpture, with acolyte seated on lotus flower. 10.5" H x 4.75" W x 3.75" D.

This is a mid-century vintage sculpture of a female ballerina. The sculpture has a glossy black patinated bronze finish to the surface. The sculpture is of an elegant ballerina and i...

This large bust, depicting the Countess du Barry, was made after the 18th century original by Augustin Pajou. It is in the Louvre collection. He was ...

18th century French hand carved and painted wood statue still shows vestiges of its original painted finish. Depicting a nun reading a bible, the n...

A beautiful bronze female nude crafted in France during the 19th century. The composition is well balanced, the figure in a classic stance to show off the artist's ability to recreat...

Provenance : - Kunsthaus Heinrich Hahn, Frankfurt am Main, sale 16, June 17, 1930, lot 16. - Sotheby's, Amsterdam, Feb. 26, 2006, lot 201. HISTORIC Located between Moselle valley and Meuse valley, framed by the Vosges Mountains on the south side and the duchy of Luxembourg on the north side, the duchy of Lorraine is the result of several partitions. It starts with the 9th century when the Carolingian empire is divided, with Lothar 1st inheriting Lotharingia. In 959 this territory was in turn divided in two; Lower and Upper Lotharingia, the latter being the forebear of the duchy of Lorraine. This duchy was under the rule of the Holy Roman Germanic Empire until 1736 when it was absorbed by the kingdom of France. All along its history the duchy of Lorraine has found itself in the midst of many conflicts. Alliances and feuds marking European history were always particularly sensible in Lorraine where instability was frequent. Because of its geographic position the duchy of Lorraine was also an artistic crossroad. Hence the duchy of Lorraine becomes from the 13th century onwards an important artistic centre where a particular type of Virgin and Child appears. According to professor J. A. Schmoll the characteristics of Lorraine sculpture burgeon around 1280-1300 in the Aube region. It presents “vigorous volumes, restrained movements, rare but solemn gestures and a strong interiorised and stern expression”. Those Virgins look similar with a wide forehead, a shield- or oval-shaped face, large neck, small lips and a cleft chin. This model is particularly in favour during the 13th century because of the revival for Marial worship and for the theme of the Virgin and Child. It bears witness to a new religious sensibility with a more intimate vision of religious practice. DESCRIPTION The important 14th century Virgin we present to you is one of the most beautiful examples of sculptural art from Eastern France, with her fascinating distant gaze. Her contrapposto posture is induced by the weight of the child she carries high on her left side. The child has a chubby face framed by blond hair with well defined curls and he wears a long red V-collared tunic from which emerge his feet. The fabric is animated by long folds. The position of the right foot turned to the back is a detail we can notice on several Virgins from Lorraine. He holds a bird that seems to be pecking his thumb. “The bird /held by the child in his hands/ has been read as a reference to an episode from Christ’s childhood when he has moulded sparrows with clay before giving them life. It appears in the apocryphal gospel of Pseudo-Matthew (ch. 27) and later in the Quran (III, 43, v. 110). However the iconography seems to be more influenced by the concept of Redemption or of Eucharist, the bird symbolising the soul of the Christian about to be redeemed or revitalised.” Mary wears a long dress with two rock crystal cabochons remaining from the original five. She is covered by a red cloak enriched with old-gold motifs draped as an apron falling in long pleats along her left hip. The relief treatment and the volume of the cloak developing a network of concentric pleats contrast with the the flat pleating of her dress. They nevertheless suggest the curve of her bent right leg. She wears a floret crown securing a short thin veil carved in very low relief. From it emerges her blond curled hair characteristic of the 13th century. The large face with almond-shaped eyes, straight nose, small lips and cleft chin casts its gaze afar in a fashion typical of 13th century Virgins. In her right hand she holds a lily flower. In a very refined manner the artist has carved a band on her right ring-finger. In the back, carefully sculpted, spreads the minutely detailed short veil. COMPARATIVE STUDIES This sculpture of great quality presents obvious similarities with Virgins from Lorraine, designated by William Forsythe...

Set of six water/drink/wine glasses color Millefiori - Murano glass - Made in Italy. These individual Murano glasses are inspired by the classic "Goto" Murano glass. Other colors a...

A wonderfully sculpted Thai/ Siam Southeast Asian bronze Buddha head on a custom wood and lucite stand. The Buddha's eyes are closed in serene medi...

Did you now the unicorn is Scotland's national animal? They could have picked Nessie, but went with the most magical creature ever conceived. We're not certain if this brass beast ...

Antique Parian Ware Classical Bisque Porcelain Figure of A Woman Holding Fruit C1880 Measures - 13"H x 4"W x 4"D

POLYCHROME CARVED WOOD VIRGIN AND CHILD FROM THE 15TH CENTURY   ORIGIN: SOUTH GERMANY, SWABIA, NUREMBERG REGION PERIOD: 15th CENTURY   Height: 94,6cm Width : 28 cm Depth : 18 cm   Lime wood Original Polychromy Good state of conservation     From 1430 onwards, sculpture underwent a profound stylistic renewal which continued until 1530, the so-called late Gothic period. In the Germanic countries, original sculptures flourished in an expressive and sensitive vein.
This renewal was inspired by the art of Nicholas of Leiden, who was active in Strasbourg in the 1460's. His style broke with the refined and delicate art of the international Gothic style in force throughout Europe around 1400. The figures became more authentic and realistic. The bodies became denser. Clothes are animated by deep, broken folds, the fabrics are heavy and have a great decorative value. In addition, the polychromy is intended to be illusionistic. The painting makes it possible to restore the texture of the materials, the richness of the textiles and the natural skin tone of the characters.   The dissemination of images through engraving and the great mobility of the artists led to the success of this style, which conquered the Upper Rhine, Swabian, Tyrolean and Franconian regions, contributing to the formation of a common stylistic identity in these regions. The economic boom in the flourishing German cities was conducive to the development of original production. Attracted by this prosperity, numerous workshops were set up in order to meet the orders of religious communities, the Church and the laity, including a clientele of middle-class rockers.      This precious Virgin and Child is depicted standing on a crescent moon, her head encircled by a crown of tall flowers. Her long wavy hair spreads over her shoulders, framing her beautiful oval face. Under fine eyebrows drawn with a brushstroke, her almond-shaped, slightly drooping eyes look at the Child with infinite softness. She is dressed in a long red dress with a rounded neckline, belted under the chest. The heavy fabric of her dress spreads out in broken folds at her feet. On her shoulders she wears a golden cloak. The drapery has deep folds. She holds out her right hand while she holds the Christ Child with her left.   Christ, with his well-defined hair, is naked. His cheeks are highlighted with red, he holds an apple in his left hand and with the other hand makes a sign of blessing towards the faithful.   Virgins with Child on a crescent moon were very popular in the second half of the 15th century, especially as the central subject of altarpieces in southern Germany and Austria. The crescent moon on which Mary is standing is reminiscent of the Woman of the Apocalypse. Often equated with the Virgin Mary.    This episode is taken from the Book of Revelation (12:1-6)   1 Then a great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. ; 2 She was pregnant, and she cried out because she was in labor, in pain from giving birth. ; 3 Then another sign appeared in heaven: it was a great fiery red dragon, with seven heads and ten horns, and seven royal crowns on his heads. ; 4 His tail swept down a third of heaven's stars and threw them to the earth. The dragon stood in front of the woman who was about to give birth so that when she gave birth, he might devour her child. ; 5 She gave birth to a son, a male child who is to rule all the nations with an iron rod. Her child was snatched up to God and his throne. ; 6 Then the woman fled into the desert, where God has prepared a place for her. There she will be taken care of for one thousand two hundred sixty days.   Some theologians see in this woman a reference to the Virgin Mary and in the child, Jesus.    
This remarkable work is a very fine example of sculpture from Swabian workshops in the last decades of the 15th century. It presents all the characteristic stylistic elements: a highly girdled silhouette, an abundant drapery with angular folds, but also a great physical presence accentuated by the polychromy that restores the anatomical details. This group is made of a wooden log. The deep folds of the drapery highlight the movement of the Virgin holding the child.       Bibliography :   Sophie Guillot de Suduiraut, Dévotion et Séduction, Sculptures souabes des musées de France, vers 1460-1530, Paris musée du Louvre-Éditions somogy, 2015   “Revelation 12 -   Common English Bible...

Wonderful a silver metal sculpture of horned mask (Maschera Cornuta) designed by Gio Ponti for Sabattini. Made in Italy in the 1978.

A large and exceptional late 19th century Italian Grand Tour sculpture of the ‘Seated Hermes’ attributed to the Chiurazzi Foundry, Naples, Italy. The sol...

Miguel Ortiz Berrocal Sculpture Omaggio Ad Arcimboldo 827/1000, 1976-1979 Offered for sale is a puzzle sculpture by Spanish artist Miguel Ortiz Berrocal (1933-2006). This three-dim...

An Austrian 19th-20th century Orientalist terracotta bust of a young girl in Middle-Eastern Garb. The young smiling beauty wearing a head scaft and shawl tied with a broche-pin brooch pin and jewlry around her neck, raised on a circular ebonized wood stand. Probably by Friedrich Goldscheider (Goldscheider'sche Porzellan-Manufactur und Majolica-Fabrik) - The backside stamped: "T - No. 258". circa 1900. The Goldscheider Manufactory and Majolica Factory (German: Goldscheider'sche Porzellan-Manufactur und Majolica-Fabrik, (now) Goldscheider Keramik) is an Austrian ceramic manufactory. In 1885, Friedrich Goldscheider came from the small Bohemian city of Pilsen to Vienna and founded the Goldscheider Manufactory and Majolica Factory. It became one of the most influential ceramic manufactories of terracotta, faience and bronze objects in Austria with subsidiaries in Paris, Leipzig and Florence. For over half a century Goldscheider created masterpieces of historical revivalism, Art Nouveau (Jugendstil) and Art Deco. Famous artists such as Josef Lorenzl, Stefan Dakon, Ida Meisinger and the two perhaps best known Austrian ceramic artists Michael Powolny and Vally Wieselthier worked for Goldscheider. Several of the artists who worked for Goldscheider also worked for other Viennese studios, such as Augarten, Keramos or for the German brands Rosenthal and Meissen. The Goldscheider family emigrated in 1938 to United Kingdom and USA. Walter Goldscheider startet a new factory in Trenton, New Jersey and returned to Vienna in 1950. Marcel Goldscheider went to Stoke-on-Trent and produced figurative ceramics for Myott and opened his own studio in the 1950s in Hanley. Both brothers died in the early 1960s. More than 10,000 different models were created over a period of three generations. Since the very beginning many of these won first prizes and gold medals at innumerable world fairs, exhibitions and trade fairs. Goldscheider figures...

Art Deco bronze sculpture male bust by Ugo Cipriani. Patinated bronze. Belgian black marble base. France 1930. Literatuur: “Art Deco sculpture” Alastair Duncan.

"Horned Mask" Gio Ponti by Sabattini, 1978 Openwork metal sheet.

Rare Mid Century "Gemini" Zodiac sculpture by Fred Press, bronze.

PAIR OF PORTUGUESE COLUMNS 17th Century in chestnut wood with carvings, decorated with plant motifs, putties. Small flaws, traces of treated woodpeckers. Dim.: 141 x 22 cm. very go...

Indian style bronze statue of a Hindu goddess with gilt accents having intricately patterned attire and headdress Condition: Good; Wear consistent with age and use

This rare 19th Century French gilt wood and rope fragment is a captivating piece of history as well as a striking standalone decorative accent. This unique sculpture features organic...

A lovely green bronze sculpture in shape of a jumping frog. The frog is 26 cm (10.4") tall and in excellent condition. Marked A.P.G below.

The figurative sculpture "Clarté" is the most important work of Max Le Verrier. The nearly life-size floor lamp shows a nude lady holding a lighted glass ball. Famous, very decorative Art Deco Style object...

AGATHON LÉONARD (FRENCH, 1841-1923) Danseuse au Cothurne Signed 'A Léonard' (on reverse) with Susse Frères foundry cachet, further stamped 'M' Gilt Bronze, light brown patina 21 i...

Gorilla sculpture by Pulpo Dimensions: D20 x W15 x H21 cm Materials: bronze A crash, a tower, a herd, a flock. However you name this group, they...

Early to mid century danced light wood round mask from the Yela or M'bole people, Democratic Republic of Congo, Africa. Finely carved mask with carved raised eyes and diagonal scarif...

A beautifully carved antique statuary Carrara marble statue of Adonis. The male figure is depicted in the nude leaning against a tree. Adonis was the mortal lover of the goddess Aph...

Antique 32" Spanish Latin Polychromed Carved Wood Figure Depicting Madonna and Child. Item features is a tall impressive form, hand carved details with weathered gilt polychromed fin...

Set of six water/drink/wine glasses color Arlecchino - Murano glass - Made in Italy. These individual Murano glasses are inspired by the classic "Goto" Murano glass. Other colors a...

China, finely carved wooden statue. Carved with Shou Lau, Chinese longevity god. We are not sure about the age because we didn't find any reference p...

A pair of wonderful late 19th century Staffordshire porcelain and gilt mantel figures depicting Scottish highland hunters dressed in kilts and traditional hunting dress, each with a ...

Cowboy, a cast bronze sculpture after American artist Frederic Remington's original, on marble base. Filled with a great dramatic tension, this bronze sculpture depicts a scene from the American Old West...

Handcarved and remarkable work of art of the 'Dying Gaul’ or 'The Dying Galatian'. If you are a collector of rare and good quality antiques then this rare and wonderfully hand carve...

19th Century Bronze Sculpture of Joan of Arc by Adrien Étienne Gaudez, Signed, 61.5 cm Description: This exceptional 19th-century bronze sculpture, titled Jeanne d’Arc portant son étendard (Joan of Arc Carrying Her Standard), is a masterful work by the renowned French sculptor Adrien Étienne Gaudez (1845-1902). Standing at an impressive 61.5 cm (24.2 inches) in height, this piece captures the heroic essence of Joan of Arc, also known as "The Maid of Orléans," in a dynamic and emotive composition. Gaudez depicts Joan of Arc in full armor, her right arm triumphantly raising a banner inscribed with intricate detailing, while her left hand gestures forward, symbolizing leadership and resolve. The flowing drapery of her skirt and the textured standard add a sense of movement, showcasing Gaudez’s meticulous attention to detail—a hallmark of his work often described as "photographic representationism." The sculpture is signed by the artist on the base, which also features a cartouche with the inscription "Jeanne d’Arc, 1894," adding historical context to this piece. Crafted during the late 19th century, a period when Joan of Arc was celebrated as a symbol of French patriotism, this sculpture reflects Gaudez’s skill in blending classical themes with the emerging Art Nouveau style. Gaudez, a pupil of François Jouffroy at the École des Beaux-Arts, was a celebrated sculptor who exhibited at the Paris Salon and won numerous accolades, including gold medals at the Exposition Universelle of 1889 and 1900. His works are held in prestigious collections worldwide, including museums in Valence, Louviers, and Clermont-Ferrand. Condition: The sculpture is in excellent condition for its age, with a rich, dark patina that enhances its intricate details. Minor wear consistent with age and use, including slight rubbing on the banner, which remains securely attached. The base is stable, with no significant damage or repairs noted. Dimensions: - Height: 61.5 cm (24.2 inches) - Base Diameter: 15 cm (5.9 inches) Provenance: Acquired from a private French estate, this piece has been carefully preserved and comes with a certificate of authenticity. Shipping: Global shipping available. The sculpture will be professionally packaged to ensure safe delivery. Please contact us for a shipping quote tailored to your location. Why We Love It: This bronze is a rare opportunity to own a signed work by Adrien Étienne Gaudez, capturing a pivotal historical figure through the lens of 19th-century French artistry. Perfect for collectors of fine sculpture, historical art, or those seeking a statement piece for a sophisticated interior. Keywords: Adrien Étienne Gaudez, Joan of Arc sculpture...

Very beautiful art deco statue in cracked ceramic representing a woman coming out of the bath. Signed Louis Rivet on the base. Very good quality and large s...

An eye catching late 19th Century French cameo glass vase decorated with raised deep burgundy trees against a blue mountainous landscape against a variegating yellow field. Exhibitin...

Finely modeled and cast antique (19th century) patinated bronze sculpture depicting Pauline Bonaparte as Venus Victrix after the original model by the Italian master, Antonio Canova....

Vintage Hand Carved and Handcrafted Sandstone Primitive Decorative Design Stone Sculpture by Timor Island Design, the Sculpture Mounted on a Black Iron Stand Detail Dimensions: Top: ...

Hollywood Regency Italian glazed Terracotta Lion. Great Hollywood Regency Italian glazed terracotta lion figure or statue. Realistic Italian glazed terracotta animal...

This impressive Fluorite obelisk, sourced from China, showcases the enchanting hues and translucent qualities characteristic of high-grade Fluorite. The mineral’s natural color zonin...

Vintage watermelon hand carved sculpture set, decoy decor, Trompe L’Oeil, hand painted melon sculptural set. Gorgeous. Signed by artist. Largest pie...

Mid Century Modern female statue in Bronze. Unknown artist. Ca 1950 - 60s France.

This refined Fluorite obelisk originates from China, a well-known source of exceptional mineral formations. The piece features the captivating natural colors that Fluorite is famous ...