Figurative Sculptures

Bronze Sculpture of a Sitting Man. Wonderful little sculpture in bronze depicting a sitting man. Great pose and very well proportioned. Interesting from...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his travels. In his ongoing series of memory jugs, Thompson adorns stoneware vessels with a kaleidoscope of ceramic shards, found objects, and pocket-sized trinkets he collected over the course of his life. Also known as forget-me-not jugs or spirit jars, memory jugs are African American folk art objects that honor a loved one who has recently passed. Small tokens and mementos of the deceased are gathered and affixed to the exterior of a jug or vase, an abundance of memories that celebrates a life lived to the fullest. Michael Thompson applies this tradition to his own practice, creating tactile assemblages of this and that. Formed in the manner of collage, each jug honors the lost memories of generations past and his own memories of personally discovering each item. With varied sources for materials including Kyoto, Turkey, and Mexico, a great number of the found shards are 18th and 19th century ceramics...

Abstract bronze figural sculpture depicting lovers. Signed and dated 1993. Artist unknown.

This rare and damaged copper repoussé relief 18 people in erotic play involving French soldiers of various rank and state of undress. The artwork has a horizontal crack across the center of the scene. The relief is backed by a sold bronze...

This entirely made-by-hand sculpture presents a mixture of plaster and cement mortars. It can be hung to the wall through a special recess at the back, which allows the sculpture to ...

Large and remarkable, phoenix arms, five-light chandelier with unique, stylish and multi-colored alabaster shades. This rare and stunning antique chandelier is made in France and it embodies everything that European craftsmanship stood for in the early 1900s. With all its ancient and less ancient châteaux, its many Gothic churches and with all the monasteries, France is the country where most of the European Gothic Revival art and antiques were created. This sizeable, Medieval style chandelier is very impressive for two very good reasons. First of all, the design is unlike anything you ever saw. The five large and flying phoenix sculptures with their detailed wings, their long necks, their fierce looking heads and their pointy-flame-tails truly make this chandelier a work of lighting art. Secondly, when you realize that this chandelier is entirely handcrafted and put together with bronze parts only then you get an idea of the workmanship that it took to create this work of art. To make it even more impressive and special, this antique bronze light fixture...

A patinated bronze sculpture after German sculptor Otto Schmidt Hofer (1873-1925). Titled, "The Enemy Below." A figural work featuring a handsome nude male Greek...

Carl Auböck model #4273 'Foot' brass paperweight. Designed in the 1950s, this incredibly clean and refined Viennese paperweight is hand fabricated in polished brass by Werkstätte Car...

Sculpture of St. Michael the Archangel in gilded bronze, 20th century. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY SENDING AN EMAIL. Indicat...

This is a highly collectible Bibendum Michelin Man bronze car mascot, Hood Ornament, Mascotte voiture. It´s approximate 4 inch tall depiction of ...

Unique table crucifix and a wonderful work of religious art. For us the most powerful statement will always be 'the truth will set you free'. It is what we have learned most from th...

Murano glass aquarium/reef featuring three fish gracefully swimming amidst captivating blue glass waves. It is rare to see blue glass waves surrounding the aquarium. Signed at the ba...

An amazing earthenware Kwan Yin statue with lamp and reverse incense burner by master potter Liu Li Hui. Seated dhayana asana on wood ledge, Kwa...

A wonderfully sand stone-carved Asian deity figure / sculpture likely from Cambodia. The detailed head is likely that of the divinity deity Shiva, sometimes referred to as the smiling God-King. The features are clearly reminiscent of the carvings found at both Bayon Temple at Angkor Thom...

'L'Etoile du Matin', an Art Nouveau patinated bronze sculpture by renowned French sculptor Adrien Etienne Gaudez (1845 – 1902). This evocative piece depicts a mythological lady in fl...

Lady and the Bee From our Bronze Sculpture collection, we are delighted to offer this beautiful French Bronze Sculpture by Eutrope Bouret. The Sculpture modelled in bronze with a su...

Gorgeous sculpture depicting a female nude in bronze with an ochre finish that has been achieved using a technique called “Patiné à l’acide”, which consists of applying acid to the b...

Sculpture of Saint Francis made of hand-carved and polychrome wood with gold leaf embellishments. Valladolid, Spain, 17th century. Circa 1650

A fine and stunning pair of Sevres porcelain figures, mid 19th century, of a female fruit picker and a male grape harvester, the bottoms with underglaze Sevres marks. Sevres porcelain at its best in this magnificent pair. A fine example from a New Orleans home in the lower garden district...

18th century Italian silver and gold leaf crucifix adorned with baroque pearls and mounted on a mica cluster and a calcite crystal. The mica specimen is from the Great Smoky Mountain...

Modern nude male sculpture made of solid Lucite and finished in the manner of Yves Klein's blue pieces of art. This particular shade of blue, called IKB (International Klein Blue...

These masterfully hand-carved wooden bookends feature the main characters of the famous Spanish novel "The Ingenious Nobleman Sir Quixote of La Mancha", or just "Don Quixote" by Miguel de Cervantes - Don Quixote and Sancho Panza...

This is a wooden Jizo Bodhisattva statue made in the late Edo period in Japan. It is thought that they were not carved by Buddhist sculptors living in central cities such as Kyoto or...

A very cool set of three 9.5" tall bronze Japanese geisha figurines, circa 1960s. The pieces are very heavy and solid and have a gorgeous dark patina; they would make a great mid-cen...

Concorde Model Scale 1/36 sculpture, in resin fiber, on aluminium polished base. From Air France Agency. On base: height 110cm.

Amazing Handblown Murano Clown by well known Artist Pinot Signoretto Lovely Vivid Colours This Sculpture has tons of Character juggling the Balls and C...

A scarce antique African tribal carved Hemba helmet mask, the Suku peoples, possibly Kwese culture, Democratic Republic of the Congo, Central Africa, early 20th century, surmounted by four-legged animal, over round face, with mouth ajar and incised jagged teeth exposed, protruding almond shaped eyes, scattered remnants of pigment, full raffia fiber fringe, mounted on wood stand. A superb museum quality example, this remarkable tribal folk art sculpture is a wonderful way to add rustic warmth, rich historical depth, and fascinating cultural interest to any space! Dimensions: (approx) Overall: 26" High, 9" Wide, 10.25" Deep; Mask only: 15" Tall; 7 lbs total Provenance / Acquisition: Acquired from the highly reputable auction house, Austin Auction Gallery, est.1983, Austin, Texas. Excellent Condition: Nicely aged distressed patina over the whole. Highly desirable wear consistent with age and indicative of use, including scattered losses, antique character marks and typical signs of aging throughout. Retaining scattered remnants of original pigment. Overall a superb museum quality example Primitive Arts Of Africa: Among the Suku of the southwestern part of the Democratic Republic of the Congo, masks plays crucial role in protecting boys during initiation, the vulnerable period between boyhood and manhood. The power contained in Hemba masks...

Striking and detailed bronze relief sculpture from Benin, now known as Nigeria, in Africa. This piece was modeled after ancient Benin bronzes, but is from the 20th Century. The intri...

Italian Classical bronze sculpture of Narcissus with a verdigris patina, believed to by Chiurazzi, or a similar foundry, Naples, circa 1900. Narcissus is shown nude except for a pai...

I Primera sculpture by Joel Escalona. Dimensions: D 45 x W 45 x H 190 cm. Materials: oak wood, metal. Also available in natural o...

Nice small figurine of a little girl in dress and flowers, made by famous German manufactory Meissen. The model was created in 1770s by Johann J. Kändler as a part of "Gärtenkinder"...

Ancient Sculpture of Diana the Huntress in Terracotta signed Patiano terrra d'impruneta. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY SENDING ...

Large Hollywood Regency brass tang horse sculpture. Stunning large vintage brass Tang horse sculpture. Our Mid-Century Modern brass horse figure ...

Green patinated bronze sculpture of an archer by Michel Decoux (1837-1924). This petite Art Deco sculpture beautifully captures the elegant formal language of the period. Crafted in ...

"Maternity" Angelo Biancini Morelli Ceramics 1930s Ivory Ceramic Figure Rare Sculpture of Angelo Biancini by Morelli Manufacture 1920-1930 "Morelli" Sign under the base

A gres polychromed ceramic figurines by Lladro, two Eskimo children huddle together for warmth. Originally designed by Juan Huerta and one of the first lines ex...

A pair of Chinese Qing Dynasty period hand-carved temple corbels from the 19th century, mounted on black bases. Created in China during the Qing Dynasty...

This German nude strongman archer is one of the finest examples of a nude male figure that I have seen in my 50 years of selling antique bronzes. His musculature is perfect and rema...

Rosenthal Porcelain Figurine, No 295 "Liebesfrühling, Der Kuss / Spring of Love, The Kiss", by Richard Aigner München. A kissing couple - a sitting woman k...

Nineteenth century Italian bronze model of Seated Hermes, stamped 'GIORGIO SOMMER FOUNDRY, NAPLES', set on marble plinth base. Dimensions: 44cm (17¼") High, 42cm (16½") Wide, Base 2...

19th Century Gilt Bronze Statue in Yab-Yum, a representation of the primordial union of wisdom and compassion. Yab-Yum represents the union of male and female principles with Vajrabh...

A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...

Dimensions: 7.5 x 12 x 18.5 cm Material: Pottery Name: Kitanoumi Period: Showa (1980s) Kitanoumi Toshimitsu (May 16, 1953 to November 20, 2015), born Toshimitsu Obata (Obata Toshi...

Charming pair of porcelain white seated Bulldogs holding a pair of puppies each from their mouth in a straw basket with a blue bow around their necks; mounted on a blue base. Conditi...

Khadim Diop, the Senegalese artist renowned for his bronze sculptures that adorn many private collections worldwide, has crafted two captivating and expressive pieces that showcase his mastery of the medium, a rare find in the market outside Africa! The first sculpture portrays a dynamic figure playing the Djembe drum...

This stunning table-top display features a large cameo created by the talented artist Raffaele Pernice. The cameo is set in a beautifully engraved gold mount, which adds a touch of l...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy. This purple and blue hydrangea is handmade in glazed porcelain, with handpainted copper leaves ...

Crucifix Lombardy, mid-17th century Bronze, iron, and wood Sculpture: 33 cm height x 35 cm width x 10 cm depth at the knees; Cross: 42.12 in height x 19.68 in width (107 cm x 50); Ba...

A German Expressionist bronze sculpture "Polospielers" (Polo Players). Signed and marked 'Fred Voelckerling, 1919' on the base. In very good condition, normal wear and patina. Dimensions: 45x28x36.5 cm The aesthetic composition is depicting two polo players on horseback, in full competition. The horses' movement has a special elegance and sobriety, and the finish is of remarkable sensitivity, the anatomical elements are distinguished, without the stylization becoming of a trivial naturalism. The polo players are caught in a moment of maximum tension, struggling to keep both the horses in check and the clubs in play. The whole ensemble exudes the emotion of movement and competition, being a perfect example for the expressionist sculpture. Alfred (Fred) Hans Voelckerling (1872-1945) was a German artist who worked as both a sculptor and a painter. He has created many works of art that have been exhibited in different countries. His works are very impressive and often show people or animals in different situations. Voelckerling's art is well known and admired by many people around the world. After graduating from the Dresden school for arts and crafts where he worked in the studio of Robert Diez...

Large art deco illuminating sculpture, circa 1930. Spelter sculpture on marble base. Opalescent glass ball soap bubble. In perfect condition and electrified Length: 17,5 cm Diam...

Unique Hand-made. French Art Deco Mother & Child Statue by René Mercier, France, 1930s. This exceptional Art Deco piece, crafted by the talented French sculptor René Mercier in the 1...

Beautiful vintage hand-blown Art glass sculpture by Kosta Boda. This sculpture, shaped like an egg and in soft and bright hues of blues, lavender and whites was created by Monica Bac...

Italian ceramic terracotta sculpture Depicting Madonna , Virgin & Child religiousstatue Material: Earthenware terracotta, tin glaze and partially gilded Modeled and painted by h...

A massive vintage green resin "Happy Buddha" sculpture, circa 1970s. The piece is in very good vintage condition with a few small chips around the hand...

Stunning and rare Lladro retired serious clown with guitar by Salvador Furio. This is titled "Serious Clown with Guitar' and was sculpted by Salvador F...

An extraordinary antique Elkington and Co. copper electrotype centerpiece of the Battle of the Amazons by the renowned French silver smith Antoine Vechte. This copy of Antoine Vechte's 'Battle of the Amazons' was made sometime after the original had been presented and much lauded at the Great Exhibition of 1851. It’s not known how many were made...

This is truly a spectacular work A beautifully sculptured Buddha head (the features and finial suggest that it is Thai/ Siam) on a custom display stan...

Pair of table decorations, of metal, having a distressed finish, each fashioned as a leafy pineapple, set upon a classical fluted urn, on round foot and square plinth. Can be made in...

Maitland-Smith bronze sculpture depicting the Goddess of Peace, Aurora, after Jules Felix Coutan. The winged figure is adorned with a helmet and holding a sword, mounted on a marble ...

After Frederic Remington (American, 1861-1909), The Buffalo Signal, cast bronze signed in the base, on a black marble plinth with brass Remington Art Museum plate. This is a genuine ...

This captivating Art Deco ceramic group, dating from around 1925, features two cabaret dancers captured in mid-performance, mimicking a military march. The figures are beautifully ex...

Antique Classical Cast Bronze Sculpture ff Hermes C1900 Measures- 8.5"H x 5.5"W x 8"D

The word tzompantli or tzompantle comes from the Náhuatl (Aztec) language and means skull rack or scaffold of skulls. In different Mesoamerican cultures, skulls from the sacrificed w...

Stone busts of Roman Emperors onyx with white Carrara marble head. ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND SHIPPING INFORMATION CAN BE REQUEST BY SENDING AN EMAIL Indicative s...

A wonderful hand carved head of Hardwood. A stunning sculpted and carved piece. A stand alone decorative piece or can be used as a large book end. Trul...

Beautiful tall bronze & marble base by listed artist Charles Renee Masse, signed title Jeune Arabe, this piece its part of a series that have many auction results. Signed dated " Ch....

A charming early 20th Century Art Deco cold painted bronze figure of a young girl in period attire standing holding a hoop behind her back , raised on a shaped marble plinth and sign...

19th century, Italian. A fine quality Grand Tour Brooch. Featuring a high relief carved lava stone with large central putti figure adorned with grape vines and roses. An intriguing ...

Stylized Art Deco standing sculpture of Jesus Christ (may be influenced by Christ the Redeemer "Cristo" in Rio de Janeiro, Brazil) by Austrian desig...

An attention-grabbing bottle stopper „Eye", model #4538, designed by Carl Aubock II back in the early 1950s. A charming object, handcrafted by Werkstätte Auböck in Vienna / Austria. ...

Resin Erotic Sculpture of a Woman in Bondage Kneeling and Tied Hands In Antique White Finish

Antique Italian figurative sculpture signed P. Bazzanti, Florence offers carved alabaster Classical woman, artist signature as photographed, 19th century Measures - 22"h x 8"w x 6.2...

Surrealistic Pomme Bouche brooch by Claude Lalanne, created in 1975. Bronze with a dark brown patina and a verdigris leaf and stem, signed with editions mark and monogrammed Arthus-B...