Figurative Sculptures

A Memento Mori in wood with Chrismon, monogram of Christ. Valuable sculpture in fruit wood in almost true-to-life measurements, sculpted with art and finished with a wealth of detail...

Miguel Ortiz Berrocal "Mini-David" Puzzle Sculpture 4158/10K Offered for sale is a "Mini-David" puzzle sculpture by Miguel Ortiz Berrocal (Spain, 1933-2006). Miguel Berrocal blende...

Set of Hand Beaded Bird of Paradise Stems made in the late 1990's in France. Custom made in the 1990's of antique and new Czech beads. Set of 2 each: Flowerheads/ Matte black and iri...

A Transatlantic Glimmer: Chinese Export Porcelain Pair of Maiden Candlesticks, Circa 1760–75 This exceptional pair of Chinese Export porcelain can...

A wonderful example of a hollow-cast bronze crocodile skull. This piece features wonderful detail and resemblance to a real specimen. An exotic piece certain to invoke conversation. ...

19th C Spanish Colonial Wood Santo / Saint / Angel sold as found in vintage condition showing normal signs of wear and tear. Wonderful worn origi...

Entitled "Young Beethoven", this was a limited edition hand painted porcelain made in February 1997 and retired in 2005; manufactured by the Lladro Porcelain Company in Spain. This ...

This rare and highly sought-after collectors item is the 'Cesto di Dalie' umbrella stand by Piero Fornasetti, circa 1950s, signed underneath with a Fornasetti medallion label. This h...

The glass clown was designed and manufactured in the Mid-Century Modern era in Murano, Italy. It is in excellent condition with no chips, cracks, or chiggers.

This Carrara marble bas relief sculpture was hand carved in England in the late 1800s, in good condition. The antique relief sculpture depicts...

An extraordinary and wonderfully rendered 19th century Italian cast bronze depicting a seated Hermes, the Greek god of messengers, travelers, and merchan...

A masterwork of monumental lapidary craftsmanship, this exceptional sculpture presents Hvsang and his child attendants, an arhat of the Buddha, exquisitely carved from a single massi...

Lisa Larson for Gustavsberg. Stoneware figure from "All the world's children." Height 11 cm. In perfect condition. Marked.

Art Deco sculpture bronze panther signed by Charles Conrad. Foundry seal of Deroyaume fondeur. Model designed ca. 1935. Cast in 2008. Bronze with black patina. Literature: Dictio...

Classical Gilt and Patinated Bronze Sculpture of a Greek Woman, 20th century, the standing figure adjusting her dress, on a square plinth. 31.5" H x 8.5" W x 8.5" D.

Vintage "Solitaire" board game designed by Piet Hein for Danish wood manufacturer Skjøde, Skjern. Both the board and the pegs are made from teak. Designed and made ca. 1960s. This piece comes including the original leather bag for storing the pegs and the original instructions in Danish, German and English attached to the bottom. Marked on bottom: Piet Hein Skjøde...

Monumental Italian Serpentine Marble Grand Tour "Uffizi Wrestlers"

Bjørn Wiinblad (1918-2006). "Autumn" from the series "The Four Seasons", figurine in blue glazed earthenware. Model number M22. Signed with monogram and dated '64. In perfect conditi...

1960s Large Hand-Carved Wood Sculpture of Man Praying / Weeping Buddha Abstract Yoga Wrestler There is a story about two warriors associated w...

Ceramic sculpture female figure at the Favaro and Cecchetto bath, Italy, 1937 This refined ceramic sculpture, created by Favaro and Cecchetto in the 1930s, represents a female figure...

The Clesitera glass vase with pendant, was originally designed by Ettore Sottsass in 1986. The vase is blown glass, and signed on the base, for further information please see authent...

Asian Chinese (Tang Dynasty) unglazed pottery camel with an open mouth and head turned with a double hump back.

After the Antique Venus of Capua Patinated Bronze Sculpture, 20th century, possibly cast by Chiurazzi, the standing draped figure with outstretched arm, with a foot resting on a helm...

This whimsical little bronze shows 2 young children on a sled riding down a hill of snow and with one youngster waving to us. The bronze is finished in gilt and the sled is mounted on carved marble. That is marble, not alabaster, and if you ever tried to dig your thumb nail into marble vs. alabaster you will see how much harder that stone is comparatively. The bronze is signed by the noted German artist Paul Ludwig Kowalczewski...

Sculpture Majordome colonial in hand carved plaster. Original piece, on plaster base.   

A tobacco tasting pipe made of genuine carved meerschaum with a genuine amber mouthpiece. It depicts a single-masted sailing ship with unfurled sails and sailors. Original leather-li...

A serving dish in metal in lovely Art Nouveau-style designed at WMF Württembergische Metallwarenfabrik in Germany. It is 35 x 16...

A rare enamel, gold and rock crystal figure of Emperor Maximilian I by Reinhold Vasters, Aachen, In the Renaissance style, circa 1870. The g...

Large Wooden Sculpture of an Archer dated and Signed, France 1968 Wonderful decorative object, in good vintage condition. One hand is missing some fingers but we think gives this piece character. Dated and signed MB...

Sculpture Liberty Statue United States flag painted. Sculpture in melting. Unique and Exceptional Piece.

A well cast vintage Khmer, Angkor Wat style, bronze head of Shiva, circa 1970's, Thailand. Shiva, the Hindu god of creation, change and destruction, is identified by the third eye in the center of his forehead. His highly stylized face features alluring almond shaped eyes, a flattened nose, and broad mouth. Shiva is adorned with ornate earrings and an elaborate crown. The heavy earrings...

A magnificent and iconic piece that merges art and design, this gypsum sculpture will make a refined statement when showcased in any traditional or mo...

Exceptional polychrome wood low-relief depicting a werewolf and saint george after a woodcut by lucas cranach (“DER WERWOLF” 1512) Provenance : collection Brimo de Laroussihle colle...

This striking bronze sculpture portrays a young boy in a moment of poised concentration, just before releasing his sling. The piece captures silent tension and inner focus with remar...

A beautiful 9.25" tall Swarovski Crystal Macaw, chrome green, #685824 comes with original box and paperwork. This Paradise bird is made of green crystal and is beak is made of chrome...

Large Edouard Drouot, Siot-Decauville Fondeur Paris patinated bronze sculpture of a youth enjoying an oyster. The young boy stands on a rock formation, leaning forward to avoid the oyster juices on his body, with his left arm raised to his mouth holding the mollusk in its half shell. Clad in just a loin cloth, with his right hand jauntily perched on his hip, the youth is intent on enjoying the sea's bounty emblematic of life's pleasures. Rare, wonderful subject in excellent condition with lovely original patina. Interesting conversational centerpiece for a seafood feast raw bar...

18th century Italian cross mounted on a polished pink hematite quartz heart and adorned with aurora (sunset) quartz and a natural-forming cross shaped baroque pearl. The 18th centu...

Rare bronze sculpture by renowned Mexican artist Victor Hugo Castañeda (b. 1947), signed and dated Victor H. Castañeda, 1988, and marked Edition 1 of 20. This intimate and contemplat...

This is a fine antique pair of French Grand Tour patinated-bronze sculptures of the Marly Horses, Circa 1850 in date and signed to one base. The original Marly Horses were commissi...

A Figure of a 1st Century CE Roman ‘Narcissus’, 20th Century Description: The contrapposto male figure modelled from the So-Called Narcissus uncovered in Pompeii in 1862. The youth...

Antique Chinese Tang Dynasty-style terra cotta figure of a horse commonly used as a tomb figure for wealthy burials in the 7-8th centuries, and crafted with traditional tri-color gla...

PLAY BALL Unique and poetic work. Bird and Humans sculpture ceramic. Made by a French sculptor, painter and ceramist, Pierre KOPPE. Greige and cobalt blue color. Signed on the back...

Rose blossom sculpted entirely by hand starting from a solid block of rare rose quartz. Dimensions: approximately D 12 x H 12 cm. Available in different...

________________________________________ Transforming a piece of Mid-Century Modern furniture is like bringing history back to life, and we take this journey with passion and precis...

A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...

Offered is a Mid-Century Modern Greek patinated sculpture. This Etruscan Greek Statue is an iconic Mid-Century Modern item of decor. It would look fabulous on a console table, in a b...

Vintage "The Hands Of God" sculpture by Auguste Rodin / Alva Studios, circa 1990s. This is a great reproduction of Auguste Rodin's 1906-era sculpture, made by Alva Studios. The pie...

Decorative ebony well hand-carved African statue of a young women. Handmade in Kenya, Africa.

Antique Continental Bronze Napoleon Style Toothpick Holder Continental Bronze Late 19th Century Dimensions: H x D: 15 x 7cm Toothpick holders ros...

Bronze sculpture titled Sustraiak, created by renowned Basque artist Paulino Larrañaga in 2001, signed and numbered 13 of a limited edition of 50 pieces. Originating from the Basque ...

An exceptional and monumental white marble figural sculpture clock, "A Nubian Slaying The Lion" by Jean-Joseph Jacquet (Belgian, 1822–1898), c...

This dramatic tusk was realized by the esteemed Mid Century American design firm Maitland Smith, circa 1975. It features an elegant tusk in cream hued tessellated stone whose organic...

Nineteenth century bronze of the Borghese Gladiator, Italian or French, mounted on a richly figured Convent Sienna marble base.

Monumental Leza McVey Surrealist "Eye in Hand" Ceramic Sculpture, 1977 Partially glazed stoneware Signature: Signed "Leza" inside the hand Dimensions: 23¾" H × 14¼" W × 7¾" D Conditi...

A vintage amber lucite "Happy Buddha" sculpture, circa 1970s. The piece is in very good vintage condition and measures 3.5"W x 3"D x 4.5"H. A laughing or happy Buddha is the ultimate...

Sculpture life-size in Resin US Astronaut NASA. Made in 2018.

Outlaw, a cast bronze sculpture after American artist Frederic Remington's 1906 original, on marble base. Filled with a tremendous dramatic tension, this bronze sculpture depicts a s...

Art Deco cast bronze sculpture of a lady. Attributed to Guido Cacciapuoti (Italian 1892-1953). Featuring a stylised striking representation of an elegant yet mysterious lady. Dual to...

Beautiful porcelain statue of Mary with baby Jesus on her arm. The statue is hand painted in beautiful colors. The statue is marked on the bottom with t...

Antique Sculpture, 1930s, proposes a Warrior an Archer with bow and arrow expressing strength and power. The work proposed here is in Antimony Metal made in the first half of the tw...