Figurative Sculptures

Jupiter Ammon, Zeus Hammon, ceramic Jupiter, ceramic mascaron Jupiter Hammon -wall mask - hand-molded on refractory ceramic, bronze patina. dimensions: h 33 x 29 x 15 cm kg 4 origin...

Have the tastiest dessert in town this summer with this new Bomb Pop inspired by the classic frozen treat. Bands of red, white and blue color are added to a hot bubble before blowin...

Concorde Model Scale 1/36 sculpture, in resin fiber, on aluminium polished base. From Air France Agency. On base: height 110cm.

Exceptionnal polychrome wood virgin with child in the style of Salzburg’s Madonnas Origin : Central Europe Era : 19th century Measures: height : 123...

The jellyfish is the main element of the Mosche Bianche's "Medusa" Collection: fluid, delicate but also dangerous and deadly. It represents the water, the circle of life. Glass fusing...

Wonderful abstract bangle cuff. All in enameled chromium metal by Pierre Cardin haute couture - iconic and sculptural, this bangle is from the height of Cardin's creative output, 'Fu...

A wonderful example of a hollow-cast bronze octopus. This piece features wonderful detail and resemblance to a real specimen. An exotic piece certain to...

Vintage ceramic wall art. Brown earthenware with hand painted accents. Design of 8 figures in ceramic and glazed in the tones blue, gold, whit...

Born in 1992 in Macerata in the Marche region, the Italian artist carried out a path that between studies of Surveyor and Architecture led him to a long collaboration with a craft co...

Art deco sculpture circa 1930. Regulates silver and gold cold patina. All on a portor marble base. Small restoration on a cymbal. Signed on Limousin ...

Condition: Original Vintage Condition Designer: Terry Slonaker Manufacturer: Terry Slonaker Studio Materials: Glazed Ceramic Style: Native American Art

A French Patinated Metal Model Nude Body Builder After A Model By Rene Paris (1881-1970) Early 20th Century of the Model Edmond Desbonnet, a prominent figure in French physical cultu...

A cool verdigris bronze horse and chariot sculpture with trojan warrior from Greece, circa 1970s. The piece is in very good vintage conditione...

An impressive early 20th Century Austrian bronze study of a standing turkey with very fine naturalistic cold painted colours and excellent hand finished surface detail. Signed with t...

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

A finely carved soap stone sculpture of a wise ancient with a dragon on his shoulder standing on a braun soap stone base. In fine original conditi...

Louis Chalon (1866-1940) A Gilt and patinated Symbolist Art Nouveau Bronze Sculpture of an Egyptian Nymph Incredible emotion when standing in front of this beauty, not only the impre...

Carl Aubo¨ck Model #4867 'Egg' brass paperweight. Designed in the 1950s, this incredibly clean and refined Viennese paperweight is hand fabricated in polished brass by Werkstätte Car...

A wonderful hand carved head of Hardwood. A stunning sculpted and carved piece. A stand alone decorative piece or can be used as a large book end. Trul...

ABOUT Price is per collection. 4 collections available. (1st set, image #1 has sold) Please specify which set to purchase. Decorative only. Original cobbler's wooden shoe forms. S...

1930s Art Déco chryselephantine bone and bronze mounted knight sculpture with marble base by Alexandre Kéléty, France By: Alexandre Kéléty Material: bronze, bone, marble, stone, met...

Sculpture amethyst flower I on marble base with metal gold finish leaves, with minerals stones sticks and with amethyst stone in the heart of the flower.

Egyptian Painted Sarcophagus Mask, gesso over wood composite, mounted on metal base. Overall: 11" H x 7.5" W x 3.75" D. Provenance: From a Fifth Avenue Collection.

Fine French orientalist bronze statue of David after the battle with Goliath by Antonin Mercie. This subject received the Medal of Honour when it was shown at the Paris Salon des Beaux Arts. Late 19th century. 42" high. Please, contact us for shipping options. Presented by Joseph Dasta Antiques Antonin Mercie(1845-1916) Mercié entered the École des Beaux-Arts, Paris, and studied under Alexandre Falguière and François Jouffroy, and in 1868 gained the Grand Prix de Rome at the age of 23. His first great popular successes were the David and Gloria Victis, which was shown and received the Medal of Honour of the Paris Salon. The bronze was subsequently placed in the Square Montholon.[2] The bronze David...

Lladro Figurine Jockey with Lass #5036 Race Horse Derby Day Lady w/ Parasol 1979. Circa Late 20th Century. Measurements: 17.5" H x 15" W x 7.5" D.

A group of three fruit sculptures by Monique Gerber, French sculptor, ca' 1970's. Done is solid patinated bronze. Each one signed with engraving.

Porcelain fighting polar bears sculpture by Royal Copenhagen, circa 1936 (per hallmark line over "O" in "Royal" on the underside). The piece is in very good vintage condition with no...

This striking bronze sculpture, attributed to the legendary American artist Frederic Remington, captures the essence of the rugged frontier spirit with breathtaking motion and anatom...

A vintage Greco-Roman style bronze nude statue from the 20th century with verde patina and wooden pedestal base. Created with the traditional technique o...

Hans Bolling for Orskov & CO teak and beech wood figurine with furry mustache. Stamped on the bottom. Made in Denmark

A stunning green-patinated bust of Beethoven, sculpted by Pierre Le Faguays for Max Le Verrier. A masterpiece of French Art Deco from the 1920s, it captures the composer lost in the ...

Beautifully sculpted, cast and finished, this 1920s Swedish Grace relief sculpture is made from bronze and has an amazing patina. It was made in Sweden by an unknown artist. Art Deco...

Vintage statue, sculpture of the famous Moses by Michelangelo, a beautiful and correct representation of the famous statue from Rome, made of alabaster powder and resin, cast resin, ...

Set of four Borghese terracotta figures representing the Four Seasons, each modeled as a putto with seasonal motifs. Rich red clay with gilt wood bases adds warmth and contrast. A de...

Original Curtis Jere 3-D Brass Copper Flower Cart Sculpture Circa 1960's Signed with brass tag on edge of base as well as original label on bottom.

This striking contemporary sculpture depicts a headless male figure in a contrapposto stance, captured with an elegant forward lean. Crafted entirely from dark, welded metal fragment...

French Glazed Terracotta fish sculpture. Interesting antique French iridescent glazed terracotta fish sculpture. This French fish figure is executed i...

Fine and very detailed pair of Chinese turquoise glazed foo dogs from the mid-20th century. The hollow biscuit porcelain figures stand raised on a rectangular base and are looking si...

Excellent and rare Art Nouveau ceramic piece from a series of the four seasons: Naked putto in a wide stance, head tilted to the left and holding a cascade of flowers falling to the ...

At the base of a staircase, or in front of a fireplace, the silhouettes of this pair has a lifelike quality. Pharaohs light the way from atop their geometric base. The bronze Egyptian-style statues will dominate the entryway and the conversation. The silhouettes are stunning, on or turned off. The Art Deco style parcel verdigris bronze figural floor lamps...

Antique Italian Terracotta bust of a Greco Roman. Handsome large antique Italian terracotta bust of an ancient Greco Roman. This stunning s...

A striking and conversation-worthy piece, this antique sculpture features a stunning blend of green marble and beautifully patinated bronze, showcasing exceptional craftsmanship. Cre...

A Roman Marble Sculpture of Hercules, Circa 1st / 2nd Century AD The sculpture is nude except for the draped Nemean lion skin. Provenance: Sotheby's London, December 14, 1981, lot ...

Wonderful hand carved standing Baroque angel figure. Unique period piece with its original paint . Spain, circa 1650-1750 Weathered. small losses . Measurement here below includes ...

Made in Italy, the work of one of the most renowned companies in the sector, the "Ticke" company. Intact, 37 cm high, has a bronze base. Worked entirely by hand.

A gres polychromed ceramic figurines by Lladro, two Eskimo children huddle together for warmth. Originally designed by Juan Huerta and one of the first lines ex...

Let's Rest by Lladró Spain Sculptor: Francisco Polope Very nice large Lladró figurine . Little Country boy ,with its Dog . Gres Porcelain not longer in...

A pair of cast metal Sculptures, male and female. The finish is newly finished in black. The pair are heavy and substantial, but we do not believe them to be Bronze. They do make...

An entrancing Art Deco cold painted gilt bronze figure of a naked beauty wearing an oversized coat loosely draped to show her attractive figure, the bronze with excellent colour and ...

Charming Benin King Oba and his Queen. Terrific pair of Benin hand carved ebony hardwood figures. Intricate detailing on each of these super West African carvings Circa Mid 20th c...

Sculpture life-size Muckle Batman The Dark Knight Rises from studio OXMOX (6.2 feet tall). In mint condition and factory sealed. Casted sculpture f...

A captivating sculpture after Demetre Chiparus, this striking Art Deco dancer embodies the era’s fascination with movement, theatricality, and opulence. Inspired by the expressive pe...

Carl Auböck model #3603L large brass and leather bell. Designed in the 1950s, this incredibly refined and sculptural bell is executed in polished brass an...

1930s Torino glazed porcelain sculpture of seated Venus on shell over dolphins, manufactured by Lenci, Italy By: Lenci Material: ceramic, porcelain, enamel, paint, clay Technique: c...

Very sweet Lladro figurine of a fishing boat with a young boy, dog and grandfather figure. A collector's piece. In excellent condition.

Vintage ceramic sculpture "Artist" by Capodimonte made in Italy in the 1970s. The sculpture has the original manufacturer's label and signature of the master. The vintage sculpture ...

A stunning midcentury piece, this oversized blue and purple Lucite grape cluster on a natural driftwood stem is an elegant addition to any space. The grapes, each individually wired ...

Murano glass aquarium/reef featuring three fish gracefully swimming amidst captivating blue glass waves. It is rare to see blue glass waves surrounding the aquarium. Signed at the ba...

French Art Deco Ceramic Valkyrie Sculpture by Charles LEMANCEAU at Saint-Clement's, France, 1920s. Width: 22.6"(58cm), Height: 15.2"(38cm), Depth: 5.7"(15cm). Signed "Lemanceau" on t...

These stunning angel sculptures are sold as a pair. They were originally placed on an church altar, with one facing left and the other facing right. With their detailed facial features and sweeping wings, they are truly captivating works of art. They were designed by Daprato Statuary Company in the 1910’s. Daprato Statuary Company was founded in 1860 in Chicago by four brothers, who were statue-makers from Barga, Italy. By the 1890’s, the company had grown to be a worldwide ecclesiastical art...