Antique Renaissance Style Wooden Carved Pieta Sculpture with Mary & Christ

A very fine bronze of the 'Martiniquaise' or 'Woman of Martinique' sculpture after Paul Gauguin. This bronze was modeled after the 'Woman of Martinique' or 'Femme de la Martinique' ...

A fine antique bronze sculputre. Depicting the Venus de Milo. After the ancient model by Alexandros of Antioch. Bearing an Achille Collas reduction seal and a Barbedienne mark. P...

A carved wooden cubist sculpture of a seated nude woman by Boris Blai (1893-1985). This carving likely dates to the 1920s-1930s (during Blai's time in Philadelphia). Most likely constructed of sections of laminated basswood stained with a dark stain, it has an integral plinth with button feet and a carved signature the base. The sharp angular lines of the body are starkly contrasted by the soft-edged, almost nondescript depiction of the head and face. Blai was born in Russia and studied in academies in St. Petersburg, Paris, and eventually under Auguste Rodin. After WWI, Blai emigrated to the US, where aside from his prolific art production, he was also instrumental in the founding of the Tyler School of Art at Temple University, the Long Beach Island...

A fine antique limestone carving. Modeled as a Madonna. With her head slightly tilted, holding an orb in one hand, and with her other hand resting on her breast. By repute ...

Immerse yourself in the poignant beauty of this significant carved wood and polychrome sculpture depicting the iconic scene of the Pieta. Crafted possibly in Spain during the 19th century, this artwork stands as a striking testament to sacred art and artistic mastery of the era. The sculpture, executed with exceptional quality, captures the delicacy and devotion of the Pieta scene, where the Virgin Mary cradles the body of Jesus Christ after the crucifixion. Despite some minor losses, as shown in the accompanying photos, these do not significantly diminish the value or beauty of the piece. Measuring 108x60x55 cm, including the wooden base, this sculpture possesses an imposing presence that will command attention in any space. The expressiveness of the figures and the meticulous attention to detail attest to the sculptor's talent and deep understanding of the religious theme. Whether as the centerpiece of a sacred art collection or as a standout element in a devotional space, this Pieta sculpture...

BEAUTIFUL GERMAN PIETA KNOWN AS “VESPERBILD” ORIGIN : GERMANY PERIOD : 15th CENTURUY Height : 74 cm Width : 43 cm Depth : 22,5 cm Good condition Oak wood This beautiful 15th-c...

IMPORTANT GERMAN PIETÀ FROM THE 14th CENTURY ORIGIN: GERMANY, REGION DE COLOGNE PERIOD: BEGINNING IF THE 14th CENTURY, ca. 1330 Height: 98 cm Length: 45 cm Depth: 33 cm Polychromed linden wood Good condition of conservation Provenance : particular Alsatian collection The theme of the Pietà or Vesperbild appears in Germany at the end of the 13th century, reflecting the mysticism of the late Middle Ages. Although the theme does not exist in the Gospels, it was often mentioned in contemporary devotional literature. Indeed, during the first half of the 14th century, mystical thought and devotional practices changed under the impulse of a number of religious, among them Heinrich Suso and St Bridget. In his writings, Suso placed important emphasis on contemplation and meditation in the footsteps of Christ's martyrdom. This will have great impact in the field of art, especially in Germany and later in France. The emphasis will from now on be on grief, death is shown in a straightforward way. The wounds of Christ are gaping and bloody. The suffering of Christ and the seven sorrows of the Virgin Mary are meditated upon. This piece demonstrates the interest of the faithful in these representations where pathos reigns. The virgin is represented seated in a frontal position. The bust is very elongated. She is wearing a red dress with a simple neckline and a blue mantel...

Pieta. Resin sculpture. White and Black Colors. 20eme Century.