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'Cavalier Arabe' (Arab Huntsman on Horseback) After Alfred Barye
$9,320
£7,073.74
€8,153.07
CA$13,061.27
A$14,577.50
CHF 7,669.43
MX$177,076.43
NOK 97,227.97
SEK 90,993.20
DKK 60,849.21
About the Item
'Cavalier Arabe' (Arab Huntsman on Horseback) After Alfred Barye
Alfred Barye (1839–1882)
A magnificent 20th-century posthumous casting of "Cavalier Arabe" (Arab Huntsman on Horseback) by the renowned sculptor Alfred Barye (1839–1882). Born in Paris, France, into the esteemed artistic lineage of his father, Antoine Louis Barye, Alfred carved his own niche in the world of sculpture. Despite residing in the shadow of his renowned father, Alfred's craftsmanship and creativity were unparalleled.
This exquisite bronze sculpture captures the essence of Orientalism, depicting an Arab huntsman astride a majestic horse landscape. Standing at an impressive height of 31 inches and measuring 24 inches in width and 14 inches in depth, this piece commands attention and admiration. The sculpture was signed with 'Bayre' along with a French foundry mark, further adding to its authenticity and provenance. Resting atop an elegant oval marble base.
Weighing between 100 and 150 pounds, this substantial work of art is both imposing and substantial, making it a focal point in any collection or space. Whether displayed in a private residence, corporate setting, or museum, "Cavalier Arabe" serves as a testament to Barye's mastery of the medium.
- Creator:Alfred Barye (Artist)
- Dimensions:Height: 31 in (78.74 cm)Width: 24 in (60.96 cm)Depth: 14 in (35.56 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:20th Century
- Condition:Wear consistent with age and use.
- Seller Location:West Palm Beach, FL
- Reference Number:Seller: SDHU5T17441stDibs: LU2592339477952
Alfred Barye
Alfred Barye was a French sculptor, of the Belle Époque, pupil of his father the artist Antoine-Louis Barye. He learned his craft of animalier sculpture under the watchful eye of his father who was one of the original pioneers of animal sculpture in the mid-to-late 19th century. The younger Barye didn't always get along with his father, there were times when the two of them were not on speaking terms because until instructed not to do so, Barye was signing some of his bronzes as "A. Barye" which the senior Barye objected to because it created confusion as to which Barye, father or son, created the sculpture.
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