Dimetri Chiparus Bronze "Accident De Chasse" Woman and Dog, circa 1925

François-Emile Decorchemont Pate-de-Verre Glass Mold Of A Female Ladies Face. A rare, large and very heavy sculpture of either a mask or a modeled face. At 3.5 inches thick in glass with a peach, pink or rose color; this statue was exhibited in the Brooklyn Museum, New York in 1971. With much research; I haven’t seen or heard of a similar form by Decorchemont. The original Brooklyn Museum loan sticker is on verso with the Decorchemont stamp on her left cheek. For serious collectors or rare Art Deco, Art Nouveau glass. Circa 1910 Molded Signature DECORCHEMONT Height: 7 Inches (13.3 cm) Width:. 5.2 Inches (16.5cm). AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. François-Emile Décorchemont French, 1880-1997 François Décorchemont, originally an accomplished painter and potter of recognized ability, turned to the making of glass in 1904. Pâté de verre was the medium in which he excelled and for which he is best known. After studying decorative art in Paris, François Décorchemont returned to his native Conches in 1910 to develop new techniques in stained glass, particularly in the use of crystal to give multicolored and faceted panes. After 1909, while continuing to produce fine glass paste pieces, Francois Decorchemont began to experiment with a new casting technique. François Decorchemont, Emile's son and also an artist, helped out in his father’s studio, in particular helping him to research the possibilities of creating jeweled adornments in pates d'email (enamel pastes) for Gerome's polychrome sculptural creations. Francois Décorchemont, a potter and painter at the outset of his career, became fascinated with the IDEA of developing and utilizing a thin translucent glass material in his work. It was in essence the revival and an adaptation of a long forgotten Egyptian glass-making process using colored crystal powdered glass, metallic oxides and an adhesive paste. This "new" material, known as pâte de verre was developed around the turn of the century, principally at the Sevres porcelain factory, by a number of artists working there, notably Henri Cros and Albert Dammouse. The end of the 19th century was an illuminated period in the history of art. Impressionist painting appeared and created an interest in glass as material. Traditional sculpting materials such as bronze and marble made way for glass with its possibilities of light and color. Henry Cros and François Décorchemont became the leaders of French pâte de verre and facilitated the proliferation of this colorful glass. His first major work, in 1934, was inn the Eglise Sainte-Odile near Porte Champerret in Paris, some 300 square meters of brilliant colors. After the war, he devoted his work to churches in the Eure, including of course Beuzeville where, thanks to the generosity of the local council, the church is lit at night so that his work can be admired from outside. During the first half of the 20th century a number of French artists became famous for their work in pâte de verre, and Francois Decorchemont among them. March 2014, 20th Century’s Greatest Art Dealer Felix Marcilhac’s Collection Privee at Sotheby’s - Chang Yi Entrusts Antoine Leperlier in the Bidding of a Francois Decorchemon's Original. It has been reported that Felix Marcilhac’s Collection Privee auction at Sotheby’s brought in 33,125 Euros (28,000 RMB), three times the estimated price. Marcilhac is considered the greatest Art Deco dealer...

Another rare pate de verre item by Henri Cros in collaboration with his son Jean Cros. A very nice size at 10.75 Inches by 8.65 Inches. translucent; this plaque can be lit up from be...

Possibly Khmir period but probably just after. Bronze buddha seated in bhumisparsha mudra on stepped base, remnants of earlier gilding throughout, I have been dealing in ancient bronze Buddhas...

Han Dynasty life size Terracotta sculpture of a dog. Buried in a tomb for thousands of years; this mingqi companion has decided to come back and accompany the living. I’m actually taking a liking to this pup; most probably a fierce pit bull...

A gilt bronze figure of Chakrasamvara and Vajravahari, 17th-18th century Tibet, 18th century. The two in embrace striding in alidhasana atop a lotus base with a beaded edge. He is holding vajra and ghanta and is adorned with a long garland of severed heads and skulls, the face with a third eye below a skull tiara, the hair pulled into a high chignon. She is holding a flaying knife and skull cup...

Francois Decorchemont Pate-de-Verre Chameleon Paperweight sculpted with orange and clear bubbled glass. Francoise Decorchemont pioneered the pate de Verre industry in the turn of the...

Demétre Chiparus - An Art Deco bronze sculpture Table Lamp, France circa 1925 "Delhi Dancer", the bronze dancer mounted on a substantial brown marble base with an illuminated honey o...

1920s solid bronze sculpture of a seated flapper girl. She is solid bronze with a gold and silver and green patina on a marble base. Signed by the artist, Demetre Chiparus. The marble is Beige with a pink cast to it. Romanian artist Demetre Chiparus (1886-1937). Demetre Chiparus was considered one of the main sculptors of the Art Deco movement, his ability to imply movement worked well with the playful dancers he so often sculpted. His Art Deco pieces produced in Paris between 1913 and 1933 are of chryselephantine, a type of figural sculpture in which the flesh was made of ivory and the drapery of gold and he was considered one of the most important realist artist of his time. In 2007 his Les Girls...

Superb sculpture by Demetre Haralamb Chiparus (1886-1947) of an elegant woman with her greyhounds. Group in gilded and patinated regule, the oblong base in black marble. Signed on the terrace. Excellent condition, some slight oxidation. Dimensions: H. 46 cm, L. 67,5 cm, D. 18 cm Sent via a company specialised in art shipping...

Demeter Chiparus was the leading sculptor of the Art Deco period . His sculptures are not , like so many other sculptors, academical representatives . They are testimonys of it...

This charming treatment shows a girl of perhaps seven or eight sheltering from the rain under a large umbrella. Chiparus is celebrated for his exciting exotic dancers in bronze and i...

"Saint Thérèse de Lisieux" by Demetre H. Chiparus (1886-1947). Bronze and ivory on marble base. Alberto Shayo (2016) "Chiparus Master of Art Deco" p. ...