figurative ceramic of the Virgin unidentified artist

Beautiful bronze sculpture by the Portuguese artist Gloria Morena from 1977. Very good conservation and general condition for this bronze representing ...

Really nice French ceramic from 1960s.

Sculpture in patinated steel by artist Donna in a Brutalist style. The entire sculpture is hand-crafted with steel parts welded together. Very graphic, modern work. Unique piece, sig...

French Brutalist sculpture in chamotte clay. Hand-crafted, hand-made ceramics. Nice vintage condition, please note slight traces of age (see photos). Unidentified artist.

This is a porcelain plaque of the Holy Virgin Mary. It depicts an oval shaped medallion adorned in the center by a high relief profile of the Virgin Mary. Around the medallion is pie...

Roger Capron French (1922–2006) large ceramic tile evocative of a prehistoric fossil fish, executed in intricate, dimensional detail and finished in...

"Romanesque Sculpture of the Virgin – 15th Century" Period: 15th century Romanesque Technique: Carved and polychromed solid wood Dimensions: 124 x 36 x 17 cm Impressive Romanesque s...

VIRGIN OF CALVARY ORIGIN : ITALY PERIOD : SECOND HALF 13th CENTURY Height : 75 cm Length : 19 cm Depth : 13 cm Polychrome wood carved in the round This rare sculpture of a Virgin of Calvary originally belonged to an ensemble depicting the Crucifixion. The Virgin would be accompanied by a sculpture of the apostle John, both flanking the Christ. Depictions of Joseph of Arimathea and Nicodemus could complete the ensemble. The portrayal of the Descent from the Cross had to be a touching and moving scene for the viewer. Quite rare during the 10th and 11th centuries this particular scene of the Passion was very much in favour during the 12th century before other scenes took over in turn. Mary is standing with her head slightly tilted to her right shoulder. In a gesture of intercession she raises her left hand – note the long and delicate fingers – towards the missing Christ while with her right hand she holds her cloak around her elbow. Those calm and restrained movements break with the hieratism of Romanesque sculpture...