French 19 Century Gilt Bronze Figural Group Titled Pro Patria by Edouard Drouot

A late 19thC French Empire style candelabra in yje manner of Thomire featuring a finely chased patinated bronze statue of Nike or Winged Victory holding aloft five gilt bronze can...

The subject is a young voluptuous partially draped nude Amazon woman who stands on a rocky outcrop, her left foot on top of an open Helmet, a quiver with arrows beside her; her torso...

A very fine cast and chased bronze showing a beautiful standing nude nymph, parting and emerging from between tall bull rushes at the edge of a stream. At her feet is a water jug. Th...

A palatial scale late French Empire mantel (fireplace) clock depicting cupid and Eurydice. The rectangular patinated bronze base sits on four lions paw feet ...

A very fine French antique patinated bronze figural group titled Pro Patria by Edouard Drouot (French, 1859-1945) late 19th century. Depicting a figure of winged Victory with a ...

Patinated and gilt bronze sculpture "Pax Labor" by Edouard Drouot (French, 1859-1945). Having a gilt finish bronze sculpture depicting a young man who is holding an olive branch and ...

An Incredible and Large Gilt and Patinated Bronze Group of Gloria Victis, a Winged Figure of Victory with a Fallen Warrior. This incredible bronze piece was cast after a model by Maarius-Jean-Antonin Mercié, This model is signed 'F. BARBEDIENNE FONDEUR PARIS' demonstrating that it was cast by Ferdinand Barbedienne's foundry, the best bronzier of the 19th century. The base is further signed 'A. Mercie' and stamped 'Réduction Mécanique' with an inscription of '659'. The figure is mounted on a Belgian noir marble base with various stepped edges. Gloria Victis is one the most well-known and important bronze casts of the 19th Century. The quality of this particular model is absolutely incredible and all the marking indicate that this particular piece is one of the finest produced by the Foundry. A student of Jouffroy and de Falguière at the Ecole des Beaux-Arts, Marius-Jean-Antonin Mercié (1845-1916) won the Grand Prix de Rome at 23 years old with his work Thésée vainqueur du Minotaure. In 1872, he sent the plaster model of his work David vainqueur to the Salon, for which he won the first class medal. At the same time, he received La croix de la Légion d'honneur at the Villa Medici. His return to Paris, in 1874, issued in a long and brilliant career with numerous commissions, notably the monuments for Louis-Philippe and Queen Marie-Amélie for the Royal Chapel at Dreux (1886). By the age of 30 Mercié was already very well-known and his Gloria Victis received resounding success when it was exhibited at the Salon, in 1874 (in plaster) and in 1875 (in bronze). This work exalted the heroism and the patriotic sentiments aroused by the disasters of 1870. His predilection for patriotic subjects is shown in many of his works such as Quand même...

Antique 19th Century French Patinated and Gold Bronze Sculpture, Neoclassical Figures, signed with "A. Carrier" Foundry Mark. French artist Albert Ernest Carrier-Belleuse 1824-1887.