Strangely Interesting Experimental Studio Pottery Vase 1970s

Zoomorphic Mid Century Studio Pottery Phantasy Animal, Europe, 1960s. This is a fantastic mid century phantasy animal in studio pottery - reminds us of the works by Etie van Rees an...

Anthropomorphic Stoneware Vase In The Style of Jacques Pouchain, mid 20th century, probably French. Very interesting and unusual anthropomorphic stoneware vase which resembles works by the French pottery artist...

Colorful Mid Century Studio Pottery Vase, Bay Keramik, Germany, 1960s. This is a quirky and wonderful mid century studio pottery vase by the famous maker Bay Keramik, 1960s. Great c...

Jaap Ravelli mid century studio pottery pitcher vase. The Netherlands, mid 20th century. Very distinct and special pottery pitcher vase by renowned pot...

A big ceramic vase to La Borne. Perfect original conditions. circa 1970. Signed at the base.

Mid-Century Don Reitz studio art pottery vessel. Circa late 1960s, measuring 23 inches tall x 20 inches wide. Weighs approximate 70lbs. Unsigned, as far as I can find, but unmistakab...

Ceramic Sculpture Vase by Francisco Fernández Navarro – Spain, Circa 1970 Discover the artistry of Francisco Fernández Navarro, a talented student of the renowned Massana School, wi...

Although unsigned, this magnificent Austrian expressionist art ceramic sculptural vase with three receptacles is attributed to Vally Wieselthier for Wiener Werkstatte, ca. 1920. Valerie "Vally" Wieselthier (Austrian-American, 1895 – 1945) was an outstanding ceramic artist. She was born to a Jewish family in Vienna, Austria. Her father, Wilhelm Wieselthier was a lawyer. Valluy attended theWiener Frauenacademie in Vienna from 1912 to 1914 and studied at the Vienna School of Applied Arts with Rosalinda Rothhansl, Kolo Moser, Jodef Hoffmann and Michael Powolny from 1914 to 1920. In addition, she worked as an auxiliary nurse during the First World War. From 1917 to 1922, she worked for the Wiener Werkstatte. From 1922 to 1927, she ran her own ceramic workshop in cooperation with the Augarten porcelain factory, which was newly founded in 1923, but also with other companies such as Friedrich Goldschider, Gmundner Keramik and Lobmeyr. Her expressive and humorous porcelain figures attracted attention at the Exposition Internationale des Arts Décoratifs et industriels modern in Paris in 1925 and are considered typical examples of the Art Deco style style. From 1928, the artist increasingly moved her center of life to the United States. She went to the International Exhibition of Ceramic Art in New York City in October 1928. In 1933, she moved to Chicago with Paul Lester Wiener...