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Tea 1750 Collection Surf Board Replica by AMBER x IÑIGO CALLEJA
$16,949.59per item
£12,636.68per item
€14,290per item
CA$23,277.72per item
A$26,052.37per item
CHF 13,603.40per item
MX$317,840.41per item
NOK 172,677.34per item
SEK 163,860.16per item
DKK 108,845.18per item
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About the Item
Tea 1750 Collection Surf Board Replica by AMBER x IÑIGO CALLEJA
Dimensions: W 180 x D 50 x H 10 cm.
Materials: Old Beams and nails, epoxy case. Polished thoroughly.
Iñigo Calleja is an engineer, designer and soulful maker born in Spain. He landed his first graduate job at European engineering leader BMW in Munich and developed a successful career in different companies that took his places all around the world. He found his inner entrepreneur living in Sydney and self developed his woodworking skills by chance and need. Once he realized he could build almost anything that he sketched he knew were about to get really exciting. In 2017 he decided to lay roots in coastal Cádiz, a city founded in the year 1000BC that hosts a breathtaking history and constructions that have seen human civilizations grow. Iñigo feels an unstoppable attraction for rare timbers he finds in many derelict buildings that were built centuries ago that are being demolished or renovated and becomes attracted to the stories those fine timbers treasure within.
“The century old beams that we salvage from historic buildings in the tri-millenary city of Cádiz have always been around since our beginnings and are essentially our trademark.
We were lucky to recover a batch of roof rafters from the old British Embassy in Calle Sagasta nr.1 whose construction dates back to 1750! A time when the Port of Cádiz was the main harbor of mainland Spain, enjoying the virtual monopoly of trade with the Americas.
The common purpose of the designs in this collection is to achieve a high end looking sculptural and beautiful piece whilst exposing cracks, wrinkles and other superficial imperfections that these structural beams have garnered over their colossal career. By doing so we honor the lives of all people and characters that have dwelled this magnificent building over its almost 300 years of existence.”
- Dimensions:Height: 3.94 in (10 cm)Width: 70.87 in (180 cm)Depth: 19.69 in (50 cm)
- Style:Post-Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2025
- Production Type:New & Custom(Limited Edition)
- Estimated Production Time:7-8 weeks
- Condition:
- Seller Location:Geneve, CH
- Reference Number:1stDibs: LU1219243380272
Galerie Philia
Galerie Philia is an international contemporary sculptural design and art gallery representing emerging and established designers and artists. The gallery is the brainchild of two brothers who share a lifetime passion for art, literature and philosophy. Their distinct academic background sets them apart from their peers, as it sees them following a rhizomatic and transcultural approach in the way they select works. This involves combining elements from multiple cultures in what becomes a network of harmoniously interconnected roots, ultimately revealing the beauty of each unique creation. The gallery’s non-hierarchical curation sits apart from the ephemerality of trends and focuses instead on the true aesthetic quality of the piece – alluring and timeless. Unlike others, Galerie Philia does not focus on a single style – whether minimalist, organic or raw – but rather embraces heterogeneity. The Galerie Philia takes pride in discovering new talents, providing them with multiple international platforms to showcase their latest creations. As well as propelling the newest generation of 21st century collectible design, Galerie Philia also works with internationally known design artists. Galerie Philia has a strong international presence, with galleries in Geneva, New York and Singapore. In addition to their permanent spaces, the gallery organizes temporary group exhibitions and artists residencies in first-class locations around the world.
Made to order creations can be done: please contact us for any request.

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