Cast Decorative Objects

Thisminiature sculpture was done by the renowned Franz Bergman of Austria in approximately 1900 in his signature Bessarabian style. The study is composed of cast bronze with a cold-painted finish depicting a young Arab woman...

A fine bronze casted sculpture of a Elephant with a calf, resting on a black Belgium marble base. The bronze has the original olive-brown patina. It is made in France, circa 1930-1940. Signed: Irénée ROCHARD. The sculpture has a beautiful patina and is in good condition. After casting the bronze is finely finished with fine chisels, for the fine details. This chiseling process was an enormously time-consuming job. Irénée Rochard was born in Villefranche sur Saône France in 1906, In a family of artists: his mother was a painter and his brother became The actor-singer Armand MESTRAL. When he chose the course of an artist’s life too, he soon turned to animal Sculpting in order to,as he used to say: pay tribute to animal. In 22 years, on leaving the Beaux-Arts School, he was the first prize-winner for A life-size panther...

Pair of colonial brass 3 light wall sconces. Classic 18th c design sand cast in beautifully patinated brass. They have never been wired.

Austrian Art Nouveau Three Rooster Diminutive Vase with Talon Legs Austria, Circa 1890s, Franz Bergmann School, Unmarked This rare and striking Art Nouveau vase exemplifies the o...

Beautifully handcrafted and meaningful religious plaque. This heavy and high quality bronze wall plaque depicts Christ with a realistic crown of thorns and a stylized Art Deco halo ...

Outstanding colours & design by one of the oldest famous German watch- and clock maker Diehl. Quite a futuristic approach, a masterpiece of mid-century design. Made in the 1960s, thi...

Antique museum quality bronze male sower on a marble base with signature, sculptor Max Valentin (1875-1931). This antique is for the collectors and connoisseurs, because the quality...

Dolbi Cashier Large Brass Swan Sculpture. Heavy for size. Superior Quality. Looks great on a bookshelf or table. Good hand polished condition, light...

A lovely pair of French diminutive cast iron planters/urns, featuring an attractive and classic fleur de lis pattern. Decorative balls not included. Dimensions 4.5ʺW × 4.5ʺD × 6.1ʺH

Striking and detailed bronze relief sculpture from Benin, now known as Nigeria, in Africa. This piece was modeled after ancient Benin bronzes, but is from the 20th Century. The intri...

Unique and handmade functional art in cast bronze. Handcrafted two-arm candelabra in cast bronze, featuring small sculpted motifs of an elephant and acacia tree in a verdigris patin...

German mahogany and ormolu bracket clock with gilt bronze pineapple finials, flanking figural floral corner mounts, arched floral side screens, hinged astragal shaped glass door with...

Fabulous and beautiful vase in lime green with concentric stripes in various colors with archaic impressions banding the perimeter. Aldo Londi for Bitossi vase , 12.5 x 5.5 in diamet...

Overall dimensions including the marble base: 5" x 8" x 12"

Stunning French bronze tazza with wine & Bacchus theme, by Ferdinand LEVILLAIN (1837-1905). Every time we find an antique of this extraordinary quality and beauty we wonder what p...

Pair of Large Silverplated Bronze Pheasant Table Ornaments/Sculptures Italy, Circa 1960s A striking pair of large silver-plated bronze pheasant table ornaments or sculptures, mad...

Pair of small Brutalist patinated cast bronze sculptures, representing two panthers on movement. Produced in France circa the mid 20th century. They are small but very beautiful in...

Inspired by many years in the bush spent in close study of my Africa's magnificent wildlife, my sculpture endeavours to pay tribute to Africa's rich wildlife heritage. This sculptur...

Tiny Sterling Cast of a Sitting Bear Item e7246 A lovely sculpture of a sitting bear casted in sterling silver, Germany 1st half of the 20th century. 17,1 gramm, 0,60 oz. A wonderful...

Geometric sculpture made in polished resin in variety of colors. It is a modern and colorful piece that will liven up any space. This sculpture is very versatile and fun! You can ...

An elegant pair of scissors designed and retailed by Hermès, manufactured by silversmiths Ravinet d'Enfert, Paris France. The handles are silverplate and the blades are in stainless ...

A very impressive 19th Century patinated bronze statue of 'Gloria Victis' with gilded highlights. Raised on a marble plinth. Signed; A MERCIE Stamped; F. BARBEDIENNE Gloria Victis wa...

Pate de Verre Paperweight in the form of a frog (Grenoulle) made for Daum in Art Nouveau period by Almaric Walter and Henri Berge. Signed in the mold in front and in the back.

Pair of Grand Tour-Style Bronze Male Caryatid Column Candlesticks  Italy, 20th century  A large pair of architectural Grand Tour-style bronze male caryatid column candlesticks from Italy, made in the 20th century, Each candlestick stands 16 inches high, 5 inches wide, and 2 inches deep, with a finely cast, aged patinated bronze. The architectural column form features a muscular mythological male god...

The striking and unique Hesse Vase in Mulberry Wine is handmade by artist Elyse Graham in her Oregon studio. This collection of vessels is inspired by our incredible and diverse mic...

Mid-late 18th century cast brass tobacco box, English. Eight sides with conforming cover with bell metal finial. 5 1/8" x 3 5/16" x 4.5" h. Whitehall Antiques is a family business t...

Vintage Patinated Solid Cast Brass Lion's Head Door Knocker. Vintage large solid cast brass Lion's Head door knocker. Georgian English style large hand cast bronze lion's head door k...

A young woman in a long dress with short sleeves, softly enveloping her body, with a scarf covering her hair and falling well over her face to protect her from the burning sun, walking across the field at a leisurely pace, holding out her apron with the seeds spread out in front of her with her left hand and making a sweeping gesture with her right. On a narrow, elongated natural plinth with rounded corners, with the artist's signature ‘Schork 99’ incised on the side, as well as the Goldscheider manufactory's pressed stamp, pressed model number and incised monogram ‘AH’ on the back behind the figure. This motif is particularly well known in France, where it adorned all French franc coins and postage stamps for many years and was continued in a stylised form on all cent coins of the euro after 2001. Louis Oscar Roty (1846 - 1911) This sower is very familiar to the French: she was depicted on the fifty-centime coin and on the one-, two- and five-franc coins until 2001, when a stylised version of her appeared on the ten-, twenty- and fifty-centime coins of the euro. The figure dates back to 1887, when Roty designed a prize medal for the Ministry of Agriculture, a project that was not pursued. When the Minister of Finance commissioned new coins in 1896, Roty was among the selected artists. He drew on the Sower of 1887, but transformed his robust farmer into a slender Marianne, who wore the Phrygian cap of freedom. The traditional profile of the Republic was abandoned in favour of a more active, standing figure. This effigy was criticised, but generally very well received: ‘The seeds she generously throws into the earth are the countless ideas that may one day germinate and flourish when we are no longer here’ (La Liberté, 8 October 1898). The gesture is more symbolic than realistic – we do not sow against the wind, which nevertheless makes the hair behind the sower flutter – but it makes the composition more dynamic. Originally, ‘The Sower’ was used on the fifty-centime to two-franc coins introduced in 1897 and 1898, before appearing on postage stamps in 1903. It is thus the most widely circulated work of art in France. Although not included in the Musée d'Orsay's medal collection, this wax drawing on slate, typical of the technique of a medallist, is one of the most beautiful pieces and demonstrates the virtuosity of Roty. (Musée d'Orsay, The Collections) Design by HANS SCHORK...

Cast iron low relief sculpture of 'Europa and the Bull' by The Bauhaus Sculptor Gerhard Marcks (German 1889-1981). Especially annotated on the verso and dated 1959. Signed with the ...

Art Nouveau gilded bronze nude statue by George Flamand. Very fine period work. Sits on 3 3./4" square base. Signed "FLAMAND"

Linear long centrepiece designed by Orfeo Quagliata. An object of fused and thermoformed glass, exclusive techniques from the artist. 100% handmade with most high quality material. F...

Vintage Bronze Cast Newly Refinished (Gilded) Resting Pug Dog Art Sculpture by Maitland Smith

Sterling Corinthian Column Candlesticks Sheffield, 1899, Martin, Hall & Co. A magnificent diminutive pair of late Victorian sterling silver candlesticks by Martin, Hall & Co., Sheff...

Polished bronze hand cast miniature Nécora velvet crab sculpture by artist Javier de la Rosa. Javier De la Rosa has created a series of bronze cast miniature sculptures that celebra...

Pair of 5-light candelabra in 925 sterling silver in neoclassical style. Candelabra formed by an iron eye stem and a Hellenic part in Ionic style in 925 silver. The iron eye is a sto...

Spectacular and very rare, this large, high style Art Deco bronze centerpiece with a beautiful verdigris patina, consisting of a semi-spherical dish richly decorated with a dense pat...

Vintage walnut box, trinket box, keepsake made in Japan for F.B. Rogers Silver Company, circa 1970. Made out of Silver Plate and Gold Plate Steel an...

Beautiful Singing Bird by Karl Griesbaum A unique masterpiece from the 1950s or 1960s, crafted by the renowned Karl Griesbaum in Germany. When activated, a bird elegantly emerges, ...

Set of two whimsical elephant sculptures in brass enamel in green verdigris finish in the style of Loet Vanderveen (Dutch, 1921-2015). Artistic green and gold bronze wildlife animal ...

Charpentier Bronze - Achille Brocot Table or Wall Incomplete Clock Tremendous and rare incomplete table clock by Charpentier and the clock works...

This large-scale sculpture is crafted from cast aluminum with a striking silver finish and a dark gray wash, giving it a beautifully aged appeal. The stippled surface enhances its un...

Circa 1950 Hand Thrown Japanese Ikebana Vase by Fujihira. Fantastic form and good condition with no damage.

Weight: 250 gr Socrates was a Greek philosopher born in Athens in 469 BC and died in Athens in 399 BC. Socrates, unlike the philosophers before him, not the natural world; He has ...

Large antique French Sèvres style porcelain and gilt bronze vase French, 19th Century Overall dimensions: Height 157cm, width 60cm, depth 44cm Vase: Height 141cm, width 60cm, depth...

The Venus of Milo is a symbol of Aphrodite and beauty. The name comes from the village of Milos where the statue was found. Venus is named after the plan...

Dimensions - H: 5 1/4 in W: 6 3/4 in D: 5 in This exquisite small antique Sevres porcelain urn is a stunning example of 19th to early 20th century French artistry and elegance. Fin...

Mid-20th Century Modern golden brass 8-days movement desk clock by Jaeger-LeCoultre, Switzerland By: Jaeger-LeCoultre Material: brass, copper, zinc, metal, glass, crystal Technique:...

A finely cast Chinese Shang style bronze ritual vessel known as a fangding. With faces on all four sides, this is a wonderful decorative piece which coul...

Large limited edition (44/500) Seated Cheetah bronze sculpture by Loet Vanderveen. Dimensions are 19 1/2" tall by 21 1/2" wide and 9 1/2" deep. Weighs in at a hefty 44.4 lbs. Nice green/blue patina. Nice vintage condition with only minor signs of wear. Born in Rotterdam, Holland Loet Vanderveen's childhood home was close to the zoo. It was during this period in life that he developed his love for animals. At night he would listen to the sound of the animals in the zoo, and fantasize about African safaris... fantasies which were eventually realized. During the WWII bombardment of Rotterdam the animals were destroyed as well as his home. These events led Vanderveen to a new phase in his life. He escaped occupied Holland for England, and was decorated for valor by Queen Wilhelmia. He served in the R.A.F. during the war. After WWII, Vanderveen lived in Zurich, London and New York working as a fashion designer. Creatively unsatisfied with his profession he began private ceramic studies with the head of the Far Eastern department of the Metropolitan Museum of Art in New York (Fong Chao). He mastered Chinese...

A gorgeous Tiffany Studios Zodiac pattern letter opener. These retains significant amounts of red colored patina and some green. And, although gorgeous, please note there is a ripp...

Carl Auböck #3974 "Slim" vase, Austria, 2022.

Life Size 1980s Crouching Monkey Sculpture, in White/ Cream Gold Representing Pop -Art of of the 1980s, we are pleased to offer this remarkable life-size monkey sculpture that embo...

Vintage French Art Deco Style Sculpture of Brass Ibex Antelope. Solid cast brass Ram decorative object or bookend, circa mid 20th century. B...

An interesting and well made bronze sculpture by Nelide Bertolucci, Brasil, ca' 1980's. Depicting a man and woman in a stylized abstracted way.

Margit Wittig has used her sculptural skills to create beautifully-crafted, well-proportioned contemporary candlesticks, which are compositions of her unique signature pearl-shaped d...

1960s Mid-Century Modern lucite and gilt brass sphere/ball paperweight clock with 15 jewel wind-up movement by swiss clockmaker Arthur Imhof By: Arthur Imhof Material: brass, copper...

An edition of 150 unique bowls, the concrete Series by UMÉ Studio expresses the tension between heavy concrete and its delicate edge generated by hand pouring. While one assumes conc...

Dancer by Demétre Chiparus 1886 - 1947 Large chrysoelephantine sculpture in gilt bronze Marble base. Signed "D. H. Chiparus". Measures: 66 cms. alt. without base 55, and 22cm aroung...

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

This exquisite Art Nouveau pewter bowl by Kayserzinn, designed by Hugo Leven, showcases the fluid, organic aesthetics of the Jugendstil movement. Crafted circa early 20th century, th...