French 1890s Rococo Revival Walnut Planter with Rocailles and Floral Motifs

A French painted wood planter from the late 19th century, with landscape scenes in medallions and tin liner. Created in France during the last decade of the 19th century, this plante...

This small 19th-century French planter is beautifully crafted from painted sheet metal, featuring delicate hand-painted floral designs on both sides. Set against a soft beige backgro...

This 19th-century French Louis XV-style walnut farinerio flour box exemplifies the perfect union of form and function. Crafted from warm-toned walnut, the box features intricately ca...

A French Provincial Anduze vase from the early 19th century with traces of green and brown glaze and nice rustic character. Steeped in rich history and displaying a rustic allure, th...

Louis XV wood planter cachepot jardiniere. Antique unpainted blonde wood Louis XV period cachepot planter of near square form with brass pierced gallery at top enclosing original zin...

This 1880s French wooden planter is a true testament to the ornate and meticulous craftsmanship of the era. Its elegant scrolled legs and intricate floral inlays showcase a deep, ric...

Stage your backyard or garden with this elegant antique planter. Crafted in France circa 1860 and oval in shape, the large jardinière stands on small scroll feet, over a serpentine f...

This fine painted decorated planter in the manner of Angelica Kauffman was created in England circa 1890 to 1900. Hepplewhite in style the planter was made in England during the Edwardian era. This time saw a great rise in revival styles and culminated with the out break of the first world war. Hepplewhite design is most often associated with fine detail contrasting wood veneers and inlay , delicate painted details and a definite reference to historical precedents. Referencing Kauffman herself the piece is reminiscent of works in her historical painterly style. She i known to have painted a number of commissions on furniture while living in England as well a being one of only two female founding members of the Royal Academy. She classified herself as a painter of historical imagery but is also known for her many significant painting and portraits and scenes of late 18th century upper class life. Many engravings used as pattern survive giving her style and work a great reach in paint decorated furniture...