Ceramic Planters, Cachepots and Jardinières

Our French jardiniere in the Louis XVI style dates from the late nineteenth century and features the figures of frolicking putti in relief, and jasperware band depicting neoclassical...

Exceptional Chinese porcelain planters circa 1925 Original pedestals. Porcelain measures: Height: 26 cm. Diameter: 63 cm. Total height: 139 cm.

Pair of 19th century Paris Porcelain cachepots with yellow ground & floral decoration.

Mid-Century Modern Stig Lindberg handmade planters for Gustavsberg. Lindberg designed "Silur" series in 1962 for Gustavsberg. Typical for Swedish design at this time is the geometric...

Kähler. Ceramic wall-mounted plant holder. Glaze in light tones. Floral motif. Approximately 1930. Stamped. In perfect condition. Dimensions: Height 11.7 cm x Length 17.5 cm.

A small studio pottery vessel by significant 20th Century ceramicist Otto Heino. This piece features the buttery yellow glaze Heino perfected after his wife’s death, a continuation o...

19th Century Large English Leaves & White Flowers Jardiniere. 15.5 by 7.5 inches. H / 7 inches.

Small Majolica cache pot in two parts decorated with orchids Fives Lille, circa 1890. H / 3.5 inches , D / 4 inches.

Important porcelain planter and decorative dish attributed to Samson & Cie. They are decorated with golden and red friezes of intertwined lotus, fruits and flower cups, fans and two...

We are very pleased to offer a gorgeous majolica jardiniere or centerpiece bowl by Sarreguemines France, circa the 1920s. The Sarreguemines pottery was founded around 1784 by brother...

Decorate a shelf of a console with this elegant colorful majolica vase. Sculpted in Vallauris, France, circa 1890, and signed by the artist Pierre Perret, the ceramic vessel has an u...

The oversized Ceramic vessel was handmade by ceramicist Jay Strommen. The rough exterior of the piece is rustic and weathered yet when one looks down into the piece the bottom appear...

Based on vessels fired in ancient Chinese kilns, this jar's perfect proportions haven't changed much since the Bronze Age. Keeping in the tradition of its predecessors, this early 20th century ceramic vessel is glazed with a slip of red clay, yielding a warm, terracotta coloring. Two small strap handles sit on the high shoulders of the jar's otherwise unadorned round form. Originally used as a soup...

A fine quality late 19th Century Meiji period (1868-1912) Japanese Satsuma vase, with wonderful gilded decoration, depicting various scholars, tradesman and courtiers. Ring-drop hand...

Gary DiPasquale Contemporary Asymmetrical Elongated vessel in White Bark Textured Exterior and Black Interior

Louis XV-Style Blue and White Ceramic, Ormulu Mounted Cache Pot

Italian midcentury ceramic elephant planter. Beautiful lines and stark white. Would be a good choice for white on white rooms where you're loo...

Measurements: 21" H x 16" Diameter (larger one) 19.5" H x 13.5" diameter (smaller one) Dating back to the 19th to early 20th century, these pots were originally used in metalwork...

An unusually large Vietnamese celadon glazed stoneware bowl with carved lotus petal design, Ly or Tran Dynasty, 13th - 14th century, Vietnam. The large bowl or offering vessel of generous proportions, rising on a short, unglazed foot ring, revealing the reddish buff stoneware body. The globular body elegantly tapered. The lower section deeply carved with a traditional stylized lotus petal design, a band of incised lines above. The upper section of the vessel ribbed, and carved with long, elegant lotus petals that taper upwards, terminating in rounded ends. Another band of incised lines circumscribe the mouth. The vessel glazed in a wonderful olive celadon glaze. The glaze stopping neatly at the mouth rim. The transparent celadon glaze thinning slightly along the raised sections, and pooling in the recesses, adding additional depth and texture. The celadon with wonderful yellow undertones, giving an overall olive hue. Reference: For four similar, but smaller examples, all dated 13th-14th century, see Stevenson & Guy, "Vietnamese Ceramics...

From Sèvres, France, this lovely porcelain vase has been hand painted in a faux blue marble with black and white veining. The vase was produced in the style of a Greek stamnos, which was a vase designed to store liquids. Stamnoi are typically more squatty versions of krater vases, with handles high on the sides. The bottom of the vase is stamped with a production mark reading “Sevres 1872”. Sevres is a commune southwest of Paris that is known for its porcelain production. Manufacture nationale de Sèvres is a premier European porcelain factory that has been in Sevres since 1756. From 1800-1847, Alexander Brongniart was the director of the factory. Trained as both an engineer and a scientist, Brongniart brought about many changes to the factory, such as improving the composition of hard-paste porcelain and developing enameled colors to simulate marble. Our marbled blue Sèvres porcelain vase...

A late 19th century Sèvres style parcel-gilt porcelain jardinière Finely painted with numerous colored flowers with green and gold trim, gilt ram heads on either side. In late ...

A finely painted Chinese Dayazhai style turquoise glazed double lozenge shaped porcelain jardiniere and underplate with grisaille and gilt decoration,...

Architectural Pottery cylindrical planter. The CR16-15 planter has a stoneware exterior and interior with a smaller cylindrical base. Five planters available, priced individually. D...

A beautiful emerald green studio ceramic planter by Gary McCloy for Steve Chase. The planter has a matted glazed with black abstract design. Hand signe...

Set of 2 ceramic planter produced by Ceramiche Bitossi Montelupo, 70s. Glazed ceramic, green pictorial decoration. Each work created by Bitossi follows a very complex working process...

Nils Kähler (1906-1979) for Kähler. Vase / flowerpot in partially glazed stoneware. Beautiful glaze in mustard yellow shades. 1960s. Measures: 12.5 x 12.5 cm. In very good cond...

Moroccan vintage, 1960's green olive jar, or planter with handles. Handcrafted by the berber people in Tamgroute Morocco. Great glazed earthenware with different hues of green and black. A pair is available, slightly different glaze, Top diameter is 10" inside opening is 7" D. Jar is 38" H x 20" D in the widest part. Wonderful green and brown shimmering that can be found only in south Morocco in the village of Tamgroute. The color and texture is a result of the particular alchemy created by the potters of Tamegroute and remains a family affair handed down through the generations. Each pottery piece is completely unique and no two are ever the same. Please note that the traditional method in which the plates are fired involves stacking which result in tiny ‘scars’ inside the plate and in the glaze making, each bowl is unique the beauty is found in the imperfection of each piece. Tamegroute pottery are true showpieces showing that even imperfect can be perfect. Tamegroute remains the only rural pottery in Morocco using oxidized copper which creates its famous green color. Its potteries are also the only location where you will find their unique forms. The process however remains much the same. Clay is dug up from the local Draa river banks, thrown by hand & fired inkilns built into steep slopes using a single firing. Vintage green glazed pottery...

1980’s Studio ceramic cachepot by Gary McCloy for Steve Chase. Grate for orchids or indoor plants. The finish is a crackle high gloss glaze with brush...

A beautiful and quite large 19th century famille vert blue-ground planter with gorgeous landscape cartooges and floral scenes. This planter is exquisitely hand painted with elaborate...

with short flared lip above a compressed body over a cylindrical foot; adorned overall in a deep cobalt blue glaze with raised floral vine and bold acanthus leaves

Well-decorated slip pot with cherries and birds, a good size with a diameter of 32, the glaze is very colorful.

Terracotta cherub bowl or planter. Width:56 cm. Height:29 cm.

Planter by David Cressey for the Pro/Artisan collection by Architectural Pottery with Cressey’s signature “Flame Glaze.”  This planter has a flat lipped rim and wide belly that tappe...

Great studio art pottery vase/vessel by well known British artist, Robert Fournier. The vase has a wonderful design and form. Signed by the artist mark...

This antique planter is unsigned, but presumed to have originated from England and date to approximately 1890 and done in the period Late Victorian style. The planter is composed of Majolica and done in a figural basket shape with and brown ground with cream accents to the rim and base and green vines...

A vibrant yellow and green Italian earthen ware vessel with hand forged wrought iron stand. The glaze is hand decorated with a scrolled acanthus leaf design with a lattice work patte...

Exceptional pair of 19th century polychrome enameled porcelain planters with rotating decoration in light relief of antique scenes, fountain, castle and river. Discover this excepti...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Why are there so many antiques in Argentina? In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place. 1st World War took place between 1914 and 1918 2nd World War took place between 1939 and 1945 The immigrants options were New York or Buenos Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done. Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them. In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life. Between the years 1895 and 1896, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war. The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street. With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace. It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”. Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies. In the year 1936, the Kavanagh building was inaugurated, it was the tallest reinforced concrete building in South America. During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture. At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site). In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca. The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil. Antonio Bonet, a Spanish architect who worked with Le Corbusier in Paris, arrives in Argentina in 1937, where he carried out several architectural works and in 1938 designs the well-known BFK chair. Andres Kálnay, of Hungarian origin, made around 120 architectural masterpieces, among which the former Munich brewery stands out, he even made the furniture’s design. The German architect, Walter Gropius, director of the Bauhaus, lived in Argentina, where he wrote articles for “Sur” magazine and founded in Buenos Aires, an architectural firm with Franz Möller, who was also an architect, where he built two houses. At the same time several famous designers decided to immigrate to Argentina, among them we can find the well-known French designer, Jean-Michel Frank, who arrived in the country in 1940 and also worked for the Rockefeller family. Special pieces were made, which were sold exclusively in the country, such as the well-known German company “WMF”, who sold their products by catalogue, which were chosen by the ladies of High Society in the list of wedding gifts, as well as the pieces designed by Christofle. The Swiss sculptor Alberto Giacometti, made special pieces for Argentinean mansions. In 1904 the first Jansen branch outside Paris was established in Buenos Aires, as the Argentinean clientele demanded a large amount of furniture, from the end of the 19th Century to the mid-20th Century. In 1970, the brand Rigolleau Argentina made pieces authorised by Lalique. The brands Maple and Thompson also set up shop in the country. The French plastic artist, Marcel Duchamp moved to Argentina in 1918-1919. Glass signed Gallé, Charder, Leverre, Schneider, Muller and other French firms. They were bought in flower shops and were given to ladies with beautiful floral arrangements. Some furniture manufacturers travelled to international fairs and bough the patterns to produce the furniture in Argentina, such as the furniture firm Englander and Bonta, who bought the patterns ins Italy. It is worth mentioning that in Argentina we have the largest Community of Italians outside...

Pair of Hungarian (20th Century porcelain urns with bright blue backgrounds and painted central pastoral scenes with gilt and pink details and lids with decorative cutouts...

Gorgeous pair of Pink Cache Pots with figural scenes on either side. The scenes depict merchants selling their wares to a nobleman at a market by the w...

David Cressey Pro/Artisan collection planter for Architectural Pottery. This stoneware planter has a speckle glazed interior and exterior in light olive. The petite table planter has...

Architectural Pottery cylindrical planter. The CR16-15 planter has a stoneware exterior and interior with a smaller cylindrical base. Seven planters available, priced individually. ...

This exquisite jardinière was manufactured by the celebrated English company Minton, who are famous for their ceramics. It was designed by Baron Carlo Marochetti (1805-1867), an Italian-born sculptor who worked in London in the latter part of his career. His most famous work is the bronze sculpture of Richard the Lionheart...

This beautiful, colorful hand painted Majolica antique set was sculpted in Montigny sur Loing, France, circa 1870. Each ceramic vase including the mat...

Pair of planters made by Marc Du Plantier (1901 -1974). The design has an Egyptian inspiration, the pots are made of terracotta and the base is bronze with...

Gustavsberg, Sweden. Three flower pot covers in white glazed stoneware. 1970s. Largest measures: 16.5 x 11,5 cm. In excellent condition. Stamped.

A charming Chinese green glazed pottery censer or incense burner, Qing Dynasty, late 19th century. Now suitable for use as a jardiniere or vase. The incense burner in glazed a deep green, in imitation of bronze models, and set on four tapered legs attached to a rectangular stand...

50's ceramic bowl signed Kéramos Sèvres. Matt black outside and glossy yellow inside. In the style of Paul Chambost. France 1950.

Decorate a shelf or a table top with this beautiful antique majolica set! Crafted in France, circa 1880, the colorful ceramic set includes a cent...

Hand thrown studio pottery planter by California ceramics artist Robert Maxwell, circa 1970s. This example has a flared lip and round body. It is d...

Stoneware planter by Architectural Pottery. This planter has a drum shape with a rounded lip that curves in at the top of the piece. Dimensions
 18.5" diameter x 14" height. Condit...

Hand thrown stoneware table planter. The planter features a ribbed exterior with incised detail and a painted black glaze atop the unglazed vessel.  Signed "Slater" on the underside....

European studio ceramicist. Unique flowerpot for wall hanging in glazed ceramics. Green and white stripes on black background. 1960s / 70s. ...

Marine shells cachepot is a beautiful vase realized in the mid-20th century. This amazing and unique cachepot is entirely realized with a composition of marine shells. Good conditions except for some traces of soil. It was part of a decorative project designed by Erté (Romain de Tirtoff) during 1970s. The natural marine shells used...

A large David Cressey glazed pot or vessel is a stunning work of art that combines form, texture, and color in a captivating way. Known for his ceramic creations, David Cressey has a distinct style that is both modern and organic. This particular pot or vessel showcases Cressey's mastery of glazing techniques. Its generous size commands attention and makes it a focal point in any setting. The pot's shape is often asymmetrical, with smooth curves and undulating lines that mimic the organic shapes found in nature. Its large size allows for ample space to showcase the intricate glaze patterns. The glaze itself is a masterpiece, with a rich and layered appearance. Cressey's glazes often feature earthy tones like deep browns, rustic oranges, and mossy greens, evoking a connection to the natural world. The glaze may have variations in color, creating depth and visual interest. The surface texture might be subtly textured or exhibit a more pronounced texture, further enhancing the tactile and visual experience. When displayed, this David Cressey glazed pot or vessel becomes a statement piece that adds a touch of sophistication and artistic elegance to any space. Its combination of sculptural form and expertly applied glaze demonstrates the artist's skill and creativity, making it a unique and captivating addition to any art collection or interior design. Photographed with Knoll wire side...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Delphin Massier for Vallauris, France. Ceramic w...

Planter by David Cressey from the Pro/Artisan collection for Architectural Pottery. This stoneware planter has an unglazed interior as well as an unglazed natural warm brown clay ext...

Glazed in brown and white, the cache pots are in the style of 19th century English transferware vessels. There are matching medallions on each side with river landscapes with boats a...

A ceramic vase with iridescent glaze in the shape of an elephant foot cache pot by the legendary French ceramist Pierre Clement Massier (1845-1917). Massier is widely considered as t...

Pair of early 19th Century porcelain continental fruit coolers. Fine quality having a subtle turquoise banding, with gilding and colorful floral baskets,...