Japonisme Vases and Vessels

Vintage Japanese inspired decorative raku vases designed and handmade by Danish ceramic artist in the late 20th century. Shiny coral red, mauve gray and white crackle running glaze c...

Attributed to the centuries-old Japanese art of arranging flowers, Ikebana Vase is created with İlayda Ergün, a ceramic artist based in Istanbul, yet one of our studio designers. Gui...

A rare and important French "Japonsime" Emile Galle Ormolu-Mounted Double Carp Fish Pink-Glass vase, circa 1879, retailed by L'Escalier De Cristal, Paris ...

Japanese Ikebana Iron Vase, Japan, 20th Century.

A large scale and very good quality late 19th century Japanese Imari vase with exotic birds, trees and flowers. Wonderful coloring in vibrant hues of blue, red and rust.

Tall Bronze Vase, Japan, Early 20th Century. This is a very beautiful eared vase / urn in bronze from Japan. Probably early 20th century. From a hig...

Handcrafted vintage pottery ceramic vase with a rounded body and a narrow neck. This piece seems to have been influenced by the Japanese wabi-sabi style pottery featuring simplicity...

Early 20th century Japanese Bronze Champleve Flower Vase or Urn. Features a colorful champleve design of Pegasus's and butterflies between engraved bronze motifs. Marked Made in Japa...

Pair of "Japonisme" baluster-shaped vases with cut sides in Royal Worcester porcelain. They are decorated with a rotating decor of seascapes in blue monochrome enhanced with gold, fl...

A gorgeous turquoise blue Majolica jardiniere made by the French manufactory Sarreguemines circa 1880-1890. The jardiniere is decorated in the eclectic Japonisme-style with beautifully hand-painted birds among pine branches, faux cloisonne...

Japonisme Ormolu-Mounted Opaline Jardiniere by Maison Baccarat, circa 1865 A French Japonisme rectangular shape with double lobed corners Jardiniere White Opaline glass with gold han...

Chinese Art Deco Famille-Rose Vase with Flower and Dragon Motif, Ca. 1920 DIMENSIONS Height: 24 inches Diameter: 10 inches

Japanese Large Cloisonné Vase in Midnight Blue w/ Flowers and Birds, Ca. 1900/1910 DIMENSIONS: Height: 46 inches Diameter: 51.5 inches ABOUT This exquisite vase is a remarkable te...

19th-Century Japanese Imari porcelain vase. This fine vase have a lovely shape and hand painted floral designs in the traditional Imari colors.

Japanese Meiji Period Cloisonné Vase w/ Samurai, Attendant, and Floral Motif, Ca. 1890 DIMENSIONS: Height: 12 inches Diameter: 5.5 inches ABOUT An elegant cloisonné enamel vase fr...

This fine quality pair of Japanese cloisonné enamel vases, dating from the Meiji period (1868-1912), stand 31 cm high and showcases remarkable artistry. Each vase features exquisite ...

A dual-handled jardinière with black cloisonne ornamented with flowers, butterflies and foliage. Origin: France, Paris  Date: Last quarter of the 19th Century   Stamped F. BARBEDI...

This exquisite work of art made during the Late Qing Dynasty (1644-1911/12) which was known for its artistic achievements and craftsmanship. The octagon shaped vase is adorned with i...

This a Noritake, Okura porcelain flower vase hand painted white in the background with a large gold and silver etching rose in the front and rose bud b...

Aritaware porcelain vase, Fukagawa, Japan, 20th century. Octagonal shaped vase. Graphic wrapped tassel design in gold and deep red on white ground.

Near pair of late Meji period turquoise ground cloisonne vases with birds and foliage motif. Bright colors with good enameling, cranes, butterflies and sparrow birds surrounded by fl...

A pair of porcelain vases in classic form, decorated with underglaze blue and copper red painting by Imperial potter Makuzu Kozan. Also known as Miyagawa Kozan (1842–1916), Makuzu was one of the most established and collected ceramist known to the west from Meiji Period. The vases are in a classic Chinese form called "Bang Chu Ping" (grain-mallet vase...

A magnificent collaboration between renowned glassmakers Ernest-Baptiste Leveillé and François-Eugène Rousseau, this exquisite pot-pourri urn is a testament to the Japonism period st...

Théodore Deck (1823-1891) A 19th French Japonisme Cache-Pot, circa 1875 A Polychrome Enameled Faience Round-Shaped Cachepot and Jardinière Hand-painted design in the Japonisme Aesth...

1900 Japanese Satsuma porcelain huge vase with Samurai scenes.

Art Deco pottery vase signed Auguste Delaherche Circa 1930. Number 028.

Set of five vintage nesting Japanese tea caddy / canisters. Made of tin, cylindrical form painted black and embellished with a word in gold. Two sti...

Exceptional Dominic & Haff Japonisme Sterling Cabinet Vase—Dragonfly & Cobwebs This exquisite Dominic & Haff sterling silver cabinet vase is a rare and finely detailed example of Ja...

Model n° 1567 Beautiful Japanese inspired baluster-shaped vase in tinted stoneware. The rich polychrome rotating decoration illustrates cranes in the moonlight, near a lake lined wi...

This is a vase made by the Japanese ceramic artist unit "Scarlet Pottery." It is a piece of pottery made using Amakusa pottery stone. Amakusa pottery stone is famous as the raw mater...

A petite dragon motif cloisonné jar in black with a matching lid. The small chinoiserie jar is made from brass or copper, and encrusted with a cloisonné dragon design. Cloisonné piec...

Pair of Large Oriental Lacquered Wooden Vases, Late 19th Century Dimensions: cm H 142 x W 69 x D 69. Base cm 51 x 51 This monumental pair of vases was made in Europe towards the end...

Korean Meiping Green Porcelain Flower Vase, Early 20th C DETAILS Signed on the bottom. DIMENSIONS: Height: 14 inches Diameter: 7.5 inches ABOUT VASE This very elegant Meiping vase...

Beautiful pair of blue-tinted crystal “rouleau” vases decorated with Japanese-style enameled decoration representing a gilded full moon reflecting a tree with flowering branches, sur...

Japanese, Meiji Period. An antique bronze vase constructed in bronze. The vase features several traditional designs including lotus blossoms, birds in flight and other floral detail...

A mid-20th century Japanese Satsuma vase with figures. Satsuma ware is a style of Japanese earthenware originally from the Satsuma region of what is today southern Kyushu. There are two distinct categories of this ware: The original plain dark clay early Satsuma...

A piece evokes memories or calms emotions through scent, the Incense Holder is created with İlayda Ergün, a ceramic artist based in Istanbul, yet one of our studio designers. Charact...

Mid century Signed Japanese Kakiemon Arita Imari Vase with Flowers.Signed Japanese Kakiemon vase by Sakaida Kakiemon XIII (1906-1982). A beautif...

A very good and large-scale, early 20th century Royal Copenhagen porcelain vase. With decoration that includes two very large Chrysanthemum flowers painted in muted blues and a ex...

This is a cloisonné foil metal vase depicting a continuous scenes around it of three large white cranes, a volcano and some green leaves in a turquoise background. Under the base the...

An Antique 19th Century Japanism French Porcelain Jardinière with Gilt and Silvered-Bronze Tri-Footed Stand. This jardinière is in the Jap...

A beautifully decorated cloisonné vase with silver rims by Ando Jubei (1876-1956), the celebrated Japanese Shippo studio. The piece is dated to late Meiji to early Showa period circa...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

A wonderful Japanese Meiji period (1868-1912) Bronze overlay vase. Having exquisite and amusing scenes in relief, patinated and overlay of a Dog of Foo, a Frog fishing in a Lotus lea...

Raku fired Large Vessel by Fernande Beland of Canada Mutiple colors of gold, green, amber, charcoal. The iridescence of the glaze is breath taking as the colors change with differen...

Coalport Porcelain (English, 1795-1926 then part of the Wedgwood company), circa 1885. An Exhibition quality porcelain moon flask style vase featuring a cobalt ground and grouping of highly detailed enamel cranes to one side grazing around a pond with 24kt gold calla lilies in the background. The verso with a similar scene of two cranes likely a mating pair. Each side is surrounded by masterfully detailed sunflowers and furthermore by Rococo motifs and enameled scrollwork of polychrome enamel embellishments. Please note, unfortunately at one point this vase was made into a lamp and the base has been replaced with a gilt metal foot. Measuring: 19" h, 13.5" w, 7.5" d. Provenance: An important Cape Cod...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With an impressively large size, this vase was likely made and reserved as a presentation piece for one of the many expositions the studio participated in the early 20th century. It was decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional literary landscape known as "Mountain and Water". Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

This is a vase made by the Japanese ceramic artist unit "Scarlet Pottery." It is a piece of pottery made using Amakusa pottery stone. Amakusa pottery stone is famous as the raw mater...

Large and unusual Japanese Satsuma vase with Samurai figures to front and back Purple ground with gilt and traditional colors throughout. Carved and molded ring & bow shoulders with ...

An important woven bamboo ikebana basket circa first half of the 20th century (Taisho or Showa era) by Japanese bamboo master Maeda Chikubosai I (1872-1950). Chikubosai I was from th...

A stunning pair of ceramic vases with gilt, paint and high-relief decoration by imperial artist Makuzu Kozan (1842-1916, also known as Miyagawa Kozan) circa 1876-81 (late Meiji period). These vases belong to early period (1876-1881) of Kozan's repertoire, during which time the high relief sculpturing (known as Takauki ware) was used as a distinguished technique on top of the traditional gilt and paint ornaments of satsuma ware. Due to the relatively limited production and the fragile nature of these wares, not a large quantity of the examples remained in the first place, not mentioning a fine matching signed pair in such impressive sizes. Not only a rarity, this pair of vases is also superb in workmanship, thus the fine example of the work from that short and unique period of the artist's career before he switched to the underglaze period. In a conceptually mirrored fashion, the surface is richly decorated with flying cranes among large lotus leaves and flower, like an idyllic aqua scenery of pure poetry on a circular scroll. The high-relief appliques were rendered and composed in realistic fashion but with a dramatic touch. They are literally about to break the surface free, alive and in motion. The dark colors of the glaze were used to set a moody tone. The approach to create this type of ornamentations is more akin to sculpturing an ink painting in three-dimension than ceramic making. It is not hard to imagine the demand of both the artistry and the technique. Both vases were signed as "Makuzu Kozan Kiln" and each further with another name and seal, which are most likely the individual artist involved in the making process. Similar signatures can be seen in the reference book below. For similarly Takauki vases, see Miyagawa Kozan Makuzu...

Japanese Emperor Shōwa Period, Fine Ceramic Red Vase, Signed, Ca. 1980 Emperor Shōwa Period - from 1926 to 1990 ABOUT In the classic Japanese shape, this exquisite vase has a dram...

Yasumi Nakajima II (1906-1988) Ikebana vase, circa 1960, Japan. Trumpet form, Tomoe model, with nice patinated brown-red (seido) bronze. Signed underneath. Dimensions: 26 cm H, 9 ...

Handcrafted set of three white ceramic decorative objects with a tray. These very nice quality pieces were created following the ancie...

Sumida Gawa Japanese ceramic vase Sumida Gawa Japanese ceramic vase decorated in relief with three ladies, two of whom are servants, with a lattice in the centre and an iridescent ef...

A charming and high quality pair of French 19th century Japonisme st. Cloisonné and Ormolu vases. Each stunning vase is raised by a square pierced Ormolu base supporting the sumptuou...

A Very Large 19th Century Japanese Imari Porcelain Vase with Scalloped Top. The body of the vase is complete with two main cartouches and two smaller cartouches which flank the vase...

Japonisme stoneware and bronze jardinière attributed to Édouard-Alexandre Dammouse for Haviland & Co, with bronze mounts attributed to the F . Barbedienne foundry. Based on the...

Japanese Late Meiji Period Satsuma Three-Footed Vase, Ca. 1900 Late Meiji Period (1868-1912) DIMENSIONS: Height: 10.25 inches Di...

Pair of 19th century Japanese Imari Porcelain vases with slender necks depicting floral and bird motifs in shade of red and cobalt.