Clyne Farquharson for John Walsh Walsh Albany Pattern Vase, circa 1935

Clyne Farqharson Kendal Cut Lemonade Set for John Walsh, 1937 Additional Information: Heading: A Clyne Farqharson signed Walsh Walsh Kendal pattern lemonade set Date: 1937 Origin: ...

Large William Moorcroft Wisteria Plum Vase, c1935 Additional Information: Heading : Large William Moorcroft pottery vase Date : c1935 Origin : Burslem, Engl...

A Mottled Gray-Stan Glass Vase, circa 1930 Distinctive and highly original. Put the accusations of Irish Glass forgery and deception to one side, Gray-Stan did make some stunning ...

Thorn Vase Adolf Matura, circa 1965 This extremely rare 'vase object' was designed in 1965 and produced in very small quantities, seemingly with slight...

Curved with wide neck vase in copperware with a moiré patina, decorated with ripples and dotted dots made with a fire patina. Signed and numbered 7295 under the base.

A stunning Cut Lead Crystal Glass Vase made by Wash Glass England this vase has great style and reflects the Art Deco Period it dates to 1930 and is faintly etched underneath Walsh England. 25cm tall x 11.5cm wide The Vase is is fabulous condition but has slight scratches to the underneath consistent with the age of the piece. John Walsh Walsh bought a glassworks in Birmingham, England, in 1850 and it operated for a hundred years. The beautiful vase on the left is an example of this company's "New Opaline Brocade" glass which was advertised in the Pottery and Glass Trade Gazette in 1897. They made a large volume of glass, in all the typical styles of their period. Cut crystal in traditional or historical designs was another of their specialities, and from the turn of the century for the following 40 years they produced cut lead crystal with very deep cutting. In the early part of the twentieth century the John Walsh Walsh Glass...

Keith Murray Moonstone Vase, by Wedgwood, Model Number 3802 Circa 1935 An Earthenware, "moonstone" glaze, globe vase with circular undulating ridged de...

French ceramic vase with a textured, three-tone, poured finish and four loop/arch details and a slightly curved edge along the top opening, circa 1930.