Electric Dreams Vase Blush by Greg Natale

Blush Petri vase by Elyse Graham Dimensions: W 13 x H 14 cm Materials: Plaster, Resin Molded, dyed, and finished by hand in LA. Customization Available. All pieces are made to o...

This subtle vase is of squat form and has blue shaded lustre. It is stoneware and distinctly hefty but also delicately potted. Between the wars there was a great interest in firing ...

Pillar-vase takes inspiration from the ancient human-made rock formations. It references the ancient architecture and the human touch in carved stones. The sculptural vase displays f...

Rene Lalique Electric Blue Glass Espalion Vase. This pattern features a mosaic of fern fronds. Molded makers mark, 'R LALIQUE' and engraved, 'France'. Book reference: 'R. LALIQUE Cat...

Postmodern Haeger Peach Blush pink abstract vase, medium size. Looks stunning on its own or as part of a group. In great condition, no crazing or cracks. Measures: H 9"/ W 10.5"/ D 4...

Bold and sculptural, this hand-thrown Jug features a striking electric blue glaze with subtle organic texture running through the body. The glaze has a soft crackle effect beneath th...

“A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...

Antique pair of Locke & Co. porcelain blush ivory spill vases in the form of three lily flowers. Exquisite design and colours in perfect condition. ...

This Vintage Electric Blue Glass Vaseis a decorative object manufactured by the Swedish Glasswork Skruf in the 1970s. Square-shaped vase in a bright electric blue.  This item is at...

Vase "Perruches" made in electric blue glass with white patina by René Lalique in 1919. Engraved control signature on bottom. Perfect condition. Exceptionnal and deep color and grea...