Kintsugi geode vase with gold

This elegant earthenware jar, an impressive 140 cm high, is based on one of the most famous vase shapes in Chinese art: the Meiping. This simple yet voluptuous silhouette dates back...

A truly exceptional piece: Blue Kintsugi vase with crocodile leather inlay This 21 cm blue stoneware vase is a true collector’s item, crafted with met...

This exceptional vase, 20 cm high, is a true Japanese work of art, steeped in history and craftsmanship. Made of magnificent emerald-green ceramic, it bears the potter’s signature under the foot, attesting to its authenticity and provenance. Marked by time and the vagaries of life, this vase has suffered a break. But far from being the end of the story, this accident has given birth to a new, even more resplendent life. Repaired using the ancestral Kintsugi technique, it is now adorned with 24-carat gold scars, sublimating its imperfections and giving it a unique beauty. An important gap has been filled by a Kagome motif, created with matte and shiny gold leaf. This geometric motif, a symbol of protection and spirituality, reinforces the vase’s mystical dimension. More than just a decorative object, this vase is an invitation to contemplation and reflection. It reminds us that beauty can be born of fragility, and that life’s trials can make us stronger and more precious. A unique and exceptional piece, this Kintsugi vase...

This elegant earthenware jar, an impressive 145 cm high, is based on one of the most famous vase shapes in Chinese art: the Meiping. This simple yet voluptuous silhouette dates back ...

Truly unique piece, perfectly wonky narrow rectangular vase built from slabs, and then raku-fired in a New Jersey back yard with 24 Karat gold Kintsugi repairs on face. Approximatel...

Low horizontal vase, made in our Brooklyn studio then fired in a traditional wood kiln in Upstate New York. Iron rich red clay with mottled white gla...

A ceramic wide-mouthed bottle vase covered in green celadon glaze from Goryeo dynasty circa 11-12th century. The bottle vase with such a form (mouth with wide rim, long and slender neck, tall body with swelled shoulders that taper down toward the base) is known as "kwanggubyong" in Korean and developed from the prototype of bottles from united Silla kingdom. It was used for holding oil or liquid. Some of this type of vase take a plain form without much decoration other than glaze; Some feature basic geometrical lines, such as this one. Three concentric rings were featured along the neck and on the shoulder. Some with more carving on the body (see a vase in the collection of Brooklyn Musuem, 79.246.3) or a simple paint with iron glaze (See c.16-1930 in Fitzwilliam Musuem, Cambridge, UK). The vase on offer is covered in a lovely green celadon glaze which exhibits fine even crackles throughout the surface. It has a slightly uneven base with the foot ring shaved by the potter. The surface is original with a nice mellow patina. There is a historical kintsugi repair on the mouth rim, with its gold vain...

A trio of Modern Kintsugi-style skinny vases, each a unique embodiment of artistry and contemporary design. Crafted in three dimensions—tall, medium, and s...