Monumental Fukagawa Blue and White Arita Landscape Vase, Signed, Mid-20th C.

Chinese Blue & White 'Prunus' Jar/Vase & Cover Early Qing Dynasty (1644–1911) This impressive Chinese Blue & White 'Prunus' Jar/Vase and Cover, dating to the Early Qing Dynasty, is...

Japanese Wireless Cloisonné Enamel Vase, likely from the Meiji period (1868–1912) or possibly the early Taisho period (1912–1926). The vase features a dynamic depiction of a Japanese...

Japanese Meiji Period Arita Omoikane Deity of Wisdom 思兼 Vase, Fukagawa Studio  Japan, circa 1900s Inscribed or signed on the side  An extraordinary Japanese Meiji Period Arita Omoik...

Large French Modern blue & white enameled gourd vase, With Bronze top, the tapering body profusely enameled in subtle shades of blue and white, unsigned. Overall measurements: 1...

Extraordinary Japanese contemporary museum-quality decorative porcelain vase, painstakingly intricately hand painted in blue underglaze on an elegantly shaped ovoid porcelain body, a...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With a relative large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional misty winter landscape. The pine trees with upright trunks and down-sweeping branches appear receding into the depth of the mist, forming an visually unending forest. Known as one of the most creative ceramists, around 1880s, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...

This is a 19th-century traditional Chinese blue and white ceramic vase, a fine example of classic Qing Dynasty-style porcelain craftsmanship.Traditional blue cobalt underglaze on a w...

Blue and white baluster form porcelain vase with Zhongfeng mark on base, c. 1960s. Beautiful vase with a sweeping mountainous scene and unique calligraphy script. A unique Chinese p...