Mother Child Figurative Ceramic Vase by Lund

Ceramic vase with flowers. Measures: Diameter 30 cm, height 19 cm.

A blue glazed ceramic vase or "bouquetière" figuring a cat. Pol Chambost (1906-1983), signed. France, circa 1960 Pol Chambost created a series of animal figures using the same "Rim...

A glazed stoneware free form vase by American Ceramist Robert Chapman Turner (1913 - 2005) titled "Oshogbo Form III" circa 1970s. The piece was purchased in 1981 and held in the same collection since. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. The vessel features an irregular hand-built form with surface markings and overall red glaze, inspired by his trips to Africa. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. For another example of the form similar to this piece, see page 40 in "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn.

A monumental shaped ceramic vase in various beautiful colors and patterns. Measures: Height 43 cm.

A black glazed stoneware free form vase with handle by American Ceramist Robert Chapman Turner (1913 - 2005) titled "Akan" and made in 1990. The vessel is one of the classic forms wi...

A white stoneware vase by American Ceramist Robert Chapman Turner (1913 - 2005). Made between 1970-80s, the group of white-colored vessels with such a funnel form were called either Beach or Shore, obviously inspired by the ocean. Hand sculptured in a simple form with a neck opens to mouth that also can serve as a handle, the surface was always marked with artistic imperfection intended by the artist, such as incision and kiln bubble and burst. On this vase, the artist made several incision lines randomly, and also sparsely applied some tiny sand-like granules, adding a very subtle texture and allude to the scheme of the ocean. Incised signature "Turner" on the base. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. Several examples of this series are illustrated in the book "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn...

Airedelsur creates minimal, one-of-a-kind, hand-built ceramic vessels and sculptures, that in their simplicity and muted palette, evoke feelings of clarity and calm. Hand built in re...

Set of four studio pottery bronze vases in various heights by Mobach's Dutch ceramist Jaan Mobach 1970's. The vases are part turned and hand formed with ragged openings. The free for...

"Lo Schiavo" vase, born for the personal exhibition of the designer Vito Nesta "Musica da Viaggio. Vito Nesta nelle stanze di Giuseppe Verdi" which took place during the Salone del Mobile 2019 at the Grand Hotel et de Milan. The vase is the reinterpretation of a large marble sculpture usually placed in the entrance hall of the Hotel, a 19th century allegory of the abolition of slavery in Brazil, whose law was signed by the imperial majesties Dom Pedro II...

"Mother's Pride", 1976. Bronze on wood base. Signed on the bottom of the bronze base. Chaim Gross, JM, Foundry Josel Meisner & Co., Plainview, N.Y., edition 44/47.