Skip to main content
  • Want more images or videos?
    Request additional images or videos from the seller
1 of 7

Opaque Green Italian Enamelled Ceramic Vase by Gio Ponti 20th Century Design

$3,737.73

About

Gio Ponti (1891-1979). Ceramic vase Manufactured by Richard Ginori Italy, 1931. Modelled ceramic and enameled in opaque green. Measurements: 23 ø cm x 15 H cm. 7,87 ø inches x 5,12 H inches. Literature Richard-Ginori, Ceramiche Moderne d’Arte, Capizzano, manufacturer’s catalogue, Milan, 1930, p 30; La Pietra, Ugo, Gio Ponti, Milan: Rizzoli, 1988. Porvenance Private Collection, Milano.

Details

  • Creator
    Gio Ponti (Designer),Richard-Ginori Lavenite (Manufacturer)
  • Dimensions
    Height: 5.91 in. (15 cm)Diameter: 9.06 in. (23 cm)
  • Style
    Modern (Of the Period)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    1931
  • Condition
    Wear consistent with age and use.
  • Seller Location
    Barcelona, ES
  • Reference Number
    1stDibs: LU2374310265823

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Ships From: Casavells , Spain
  • Return Policy

    A return for this item may be initiated within 2 days of delivery.

1stDibs Buyer Protection Guaranteed
If your item arrives not as described, we’ll work with you and the seller to make it right. Learn more

About Gio Ponti (Designer)

An architect, furniture and industrial designer and editor, Gio Ponti was arguably the most influential figure in 20th-century Italian Modernism. Ponti designed thousands of furnishings and products — from cabinets, lamps and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan, and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in the spheres of modern art and design.

     The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre. In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern, but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged, and after the conflict, Ponti — along with designers such as Carlo Mollino, Franco Albini, Marco Zanuso — found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped “Distex” chair, are simple, gently angular, and colorful; equally elegant and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes, and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Columbo and others.

     His signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum and elsewhere — is the sleek “Superleggera” chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.) Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their “Architetturra” series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956.

     Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph written for the London show, offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic.

About the Seller
3 / 5
Located in Barcelona, Spain
Vetted Seller
Our team of world-class specialists approve every seller on 1stDibs.
Established in 2015
1stDibs seller since 2016
44 sales on 1stDibs
Typical response time: 4 hours
More From This Seller

You May Also Like

Gio Ponti "Inverno" Ceramic Vase
By Gio Ponti
Located in Los Angeles, CA
Category

20th Century Italian

Pair of Ceramic Vases, Design by Gio Ponti for Pozzi, Ginori, Italy, 1960
By Gio Ponti
Located in Napoli, IT
Category

Vintage 1960s Italian

Materials

Ceramic

Gio’ Ponti Richard Ginori Vase Ceramic, 1930, Italy
By Gio Ponti
Located in Milano, IT
Category

Mid-20th Century Italian Other

Materials

Ceramic

Ceramic Vase by Gio Ponti for Richard Ginori, Italy, 1930s
By Gio Ponti, Richard Ginori
Located in New York, NY
Category

Vintage 1930s Italian

Materials

Ceramic, Paint

20th Century Italian Ceramic Vase
Located in Bosco Marengo, IT
Category

Vintage 1980s Italian

Materials

Ceramic

Gio Ponti Richard Ginori Vase Ceramic Gold Red, 1940, Italy
By Gio Ponti
Located in Milano, IT
Category

Vintage 1940s Italian Other

Materials

Ceramic

Paolo De Poli Enamel Vase for Gio Ponti, Signed
By Gio Ponti, Paolo DePoli
Located in Los Angeles, CA
Category

Vintage 1950s Italian Modern

Materials

Enamel

Mid-Century Modern Green and Gold Ceramic Vase in the Manner of Gio Ponti
By Gio Ponti, Artistiche Cermiche Fiorentine
Located in Aci Castello, IT
Category

Mid-20th Century Italian Mid-Century Modern

Materials

Ceramic

The 1stDibs Promise

Learn More

Expertly Vetted Sellers

Confidence at Checkout

Price-Match Guarantee

Exceptional Support

Buyer Protection

Insured Global Delivery