Organic Ceramic Vessel, Kawa Large Vessel 05, Sculptural, Abstract, Porcelain

A porcelain flower vase with an organic form and texture, made by casting liquid porcelain in sewn leather molds. Clear glaze applied on interior surface. As a result of the producti...

Pair of Kawa Vase 19 & 20 Made by casting liquid clay into sewn leather molds, all pieces in the Kawa Series are one-of-a-kind. 4" dia. x 11" h 6" dia. x 14"h Kawa Series by Luft...

Kawa Vase 19 Made by casting liquid clay into sewn leather molds, all pieces in the Kawa Series are one-of-a-kind. 4" dia. x 11" h 1 unit in stock. Ships in 5-7 days. Kawa Seri...

A large porcelain vessel with leather textured exterior surface and clear glazed interior. As a result of the production process each item is one-of-a-kind. A multitude of small leather panels are sewn together to create the leather mold for the Kawa Series...

A large sculptural ceramic vessel by British potter Alan Wallwork (1931 to 2016). The vessel has a grooved crescent form in neutral brown tones, with...

Organic free form vessel or urn with lid by Willem Schalling. This sculptural vessel is hand sculpted and glazed in deep blue, with an over glaze in chalk white applied in vertical s...

Glazed organic Mid-Century Modern tactile ceramic sculpture vase by Danish ceramic artist Kirsten Günther for Knabstrup in the early 1970s. Peanut brow...

Striped Fold III is a unique sculpture by the British artist Steven Edwards, created from white and coloured parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...