Gilt Vases

This large Bohemian crystal hookah base, crafted in the mid-19th century, is a striking example of the exceptional glasswork produced by Bohemian artisans for the Islamic Ottoman mar...

A Monumental Japanese Kutani porcelain vase, Meiji/Taisho Period, Signed Akiyama sei. The main body is all hand-painted with wonderful ...

Exquisite Japanese contemporary decorative porcelain vase, elaborately and intricately hand-painted in blue and pink on a beautifully shaped piece to create a translucent surface. It...

A large and impressive pair Italian porcelain bucket shaped vases hand decorated with fine leaf patterning by Mangani and dating from the 20th century. This stylish pair of elegant v...

Model #3367 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Impressive, large beige/ golden Murano glass amphora vase handcrafted in the Venetian lagoon by the famous company of Gabbiani Venezia. This extraordina...

These magnificent gilt bronze (ormolu) mounted malachite urns were created in c.1830 to a design by Ivan Ivanovich Galberg (Russian, 1782-1863). Galberg was an important figure, who ...

Pair of very large malachite and ormolu vases French, 20th Century Height 140cm, diameter 91cm Of impressive size and quality, the vases are ma...

A Large and Impressive 19th Century Pair of Japanese Meiji Period Export Blue-Celeste, White and Porcelain Vases. The ornately decorated bottle-shaped celadon vases, each with feline decorations amongst tree-branches and parcel-gilt and ruby-red painted flowers. The bottom of one signed in Japanese “Dai...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

This antique vase is unsigned, but made by the Loetz glass factory of the Czech Replublic in approximately 1900 in the period Art Nouveau style. The vase is done in the gold irridesc...

Pair of French Empire Style Gilt Metal Mounted Red Majolica Two Handle Vases, late 19th century, each of baluster form and stamped "Made in France" to underside. 14.5" H x 8.5" W x 7...

Large Meissen flower-encrusted potpourri vase in the Rococo-style German, 19th Century Height 72cm, width 32cm, depth 29cm Crafted by Meissen, the olde...

A fine "traditional" Imari English porcelain covered vase or urn. By Royal Crown Derby. With underglaze blues and cold-painted reds, greens, and gilt highlights. Pattern no. 6299....

A large French Sèvres style gilt bronze ormolu-mounted cobalt blue hand painted porcelain urn table lamp, first half of the 20th century. Bronze figurine handles, front side with han...

A large pair of ormolu-mounted Se`vres Porcelain Bleu Celeste '1867 Exhibition' vases and covers (‘Vase Paris de Milieu Garnis’), ‘l’Abreuvoir’ and ‘Le Retour’ De Champs’ 1860, one ...

Model #2047 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

French pair Sèvres-style gilt bronze mounted porcelain decorative vases / Urns with exterior painted design details. Each vase / urn is in good condition. Minor wear consistent with ...

Pair of Blue Glass Lusters in Antique Double Overlay (3 Layers) Cut Glass Top Quality and Impressive Size Glass richly cut in various shapes ...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

Japanese Kutani vase, with Greek key pattern around the rim, multiple size panels with large and small birds, flowers and foliage, excellent gilded decor...

This Louis XVI style gilt bronze and cobalt blue crystal oval bowl by Gherardo Degli Albizzi features high quality chiseled bronze. The upper ed...

A very large and exuberantly decorated Japanese Satsuma millefleur covered vase, marked Satsuma, Showa period, mid 20th century, Japan. The large vase of attractive baluster form, with a slightly splayed foot, narrow waist, and tapered body with high shoulders and short neck. The vase topped by a domed cover with a large finial shaped like a hoju, the wish fulfilling jewel. The vase decorated all over in a dense field of flowering blossoms - peony, lotus, and chrysanthemum - in a design known as millefleur, or a thousand flowers. The flowers freely and cheerfully painted in various colors of red, white, orange, green, blue and yellow, with raised white enamels...

Vintage Turkish enameled Bohemian glass hookah base vase. Clear and gold enameled Bohemian glass hookah base, or flower vase. Bohemian glass hookah ...

This splendid pair of candelabrum was made by Auguste-Louis Marquis (bronze maker) for the Maison Giroux circa 1855 in gilded, silvered and burnished bronze, the set on a cylindrical...

An impressive pair of French cut crystal and doré bronze ormolu-mounted urns featuring figural handles.

19th century Meiji Period diminutive bronze vase with lovely etched and applied decoration. A raised gilt bird is shown flying above etched bamboo on one side, gilt applied lilies wi...

A fine antique pair of Paris porcelain vases, early 19th century high-end French production circa 1830 (Empire style, Restauration period). Fully decorated model : polychromatic hand...

Pair of 19th Century Neoclassica gilded bronze urns from Italy. A pair of amphora shaped vases in mercury gilded and polished bronze. Very small cen...

A fine opaline crystal vase by French crystal maker St Louis. Our vase is hand-painted and enhanced with fine gold peonies decoration. Beautiful Napoleon III style production, late 1...

A Fantastic, rare, and antique Chinese Cloisonné Enamel Gu Form vase, 17th/18th century, Kangxi Period. This cloisonne vase is extremely rare to find in this quality, condition, age,...

Large Art Deco antique silver plated vase or decorative cup pressed, cast and chased. Circular, curved floral belt tested with the scratch test, height approx. 37 cm, diameter 18 cm,...

This elegant baluster vase, crafted by the renowned Haviland porcelain manufacture in Limoges, is a striking example of French decorative art. Made from fine porcelain, the vase feat...

Antique Hand-Blown Ruby and Transparent Glass Hookah Base – Bohemian Glass for the Persian or Ottoman Market, 19th Century This magnificent hand-blown glass hookah base was crafted ...

Pair of Sèvres porcelain covered vases, Napoleon III period. A pair of 19th century Sèvres painted, enamelled and gilt porcelain covered vases with gilt bronze mounts, Napoleon III ...

This exquisite large pair of vases, crafted from enameled blue alabaster opaline glass in 19th-century Bohemia, showcases the exceptional artistry and craftsmanship for which Bohemia...

This pair of porcelain vases were custom order and uniquely studio painted as described on the base: "Decorated specially for Mrs. AA Carroll by Dizewiecki of the Pickard Studios, Ravenswood Chicago 1912". The rare hexagonal shape is decorated in a Japonsque motif in vibrant polychrome enamels all highlighted in gold. Standing almost 12" tall, these are perfect as mantel (fireplace) vases, on a sideboard and of course filled with your favorite flowers! "The Pickard China...

This wonderful clock set displays many of the characteristics of the 18th century Rococo style. These include gracefulness, asymmetry, and the use of curved forms. The set, which includes a mantel clock and pair of vases, is crafted from gilt metal and is mounted with decorative porcelain plaques. The mantel clock features a gilt metal rectangular case with a break arch top. This is crowned by an urn, featuring a gilt metal stem and a pinky-red floral porcelain body, which is covered by a gilt metal lid and finial. The case is also topped by a gilt metal wreath...

A Fine, Rare, and Highly Important 19th Century Bohemian Blue-Over-White-Over-Clear Triple Overlay Crystal Jeweled and Covered Imperial Decanter. The decanter is crafted from clear g...

Step into the enchanting world of antique elegance with our stunning Hand-Painted & Gilt Decorated Tall Porcelain Rose Vase. This exquisite piece is a testament to timeless beauty, a...

Pair of very large (45 inch tall) gilt bronze mounted French crystal glass urns or vases of ovoid form with gadrooning at the shoulder and stylized guilloche motif around the waist, ...

Gilt-bronze, onyx and enamel cloisonné centerpiece. France, Late 19th century.

A fine and rare white, opaque glass vase decorated in the manner of James Giles. English or possibly Continental in origin. (Bohemian or German Milchgla...

A Kutani style porcelain vase from the early 20th century with floral and scenic design. This early 20th-century porcelain vase in the Kutani style is a stunning example of fine craf...

While Napoleon's armies never conquered Russian, French taste did, and in a big way. This pair made at the Imperial Glass Workshop, under the Sponsorship of the Imperial Family would have been at home in a Paris drawing room as easily as in St. Petersburg. The Intense Ruby Red color of the Crystal is created by adding large quantities of gold to the molten glass before the object is created. The resulting color is dense yet full of light just like its namesake the precious jewel. The Dore bronze mounts use motifs taken from antiquity. Likewise, the shape of the handles is inspired by Greco-Roman amphora...

Monumental 19th century Sèvres Neoclassical-style vase with mauve ground French, c. 1878 Height 152cm, width 72cm, depth 66cm This remarkable Sèvres vase, dating back to 1878, was ...

Pair of blue porcelain and gilt bronze vases, Regency style, 20th century. A pair of Regency style gilt bronze and porcelain vases, 20th century. H:72cm, D: 30cm

A beautiful pair of 19th century French Louis XVI style Sevres cobalt blue and ormolu-mounted vases with rams heads and wreaths. The porcelain body is beautifully painted with the signature Sevres Royal cobalt blue. The square shaped base is decorated with ormolu acanthus leaves and ribbon wreaths beautifully hand chizzeled and detailed ormolu work. These vases can easily be turned into a fabulous pair of...

Antique Baccarat “Double Carp” molded crystal vase mounted on a gilded bronze base.

Pair of large antique white glass vases by Baccarat French, Late 19th Century Height 120cm, diameter 41cm Of an impressive size, this identical pair of vases are made from sophisti...

This exquisite, three-piece garniture will make a wonderful addition to a mantelpiece, niche or table, where its fine design and craftsmanship can be properly enjoyed. The garnitur...

Pair of French Aesthetic movement enameled bird motif black & gold vases, each one with twin applied handles, colorful decoration on both sides, raised on a 4"diameter base Provenan...

Pair of Chinese red cloisonné zodiac vases, with stands, each one with gilt brass phoenix bird ring handles, with 'cracked ice' and floating animal medalli...

A delightful Art Nouveau Royal Worcester urn shaped twin handled porcelain vase hand painted with floral designs dated 1905. The lightly potted vase stands on a narrow round foot rim...

A fine and important Sèvres style bronze mounted and cobalt porcelain with hand painted courting figures in landscapes. Origin: French Date: 19...

A lovely tall Japanese Imari porcelain baluster vase with images of Chinese boys, Meiji Period, late 19th century, Japan. The tall vase of baluster form, with a short, slightly spla...

A fine Pair of 19th century Japanese Imari Porcelain and French Gilt-Bronze Mounted Thirteen-Light Celadon Torchere Candelabra. The bottle-shaped Japonisme vases with a Royal red background, decorated with parcel-gilt and black soaring eagles in the hunt within a forestall scene. Each Vase fitted and surmounted with a French 19th century Louis XV Style 13-Light scrolled candelabrum and all raised on a circular pierced gilt-bronze plinth. circa: 1880. Imari Porcelain (????) is the name for Japanese porcelain wares made in the town of Arita, in the former Hizen Province, northwestern Kyushu. They were exported to Europe extensively from the port of Imari, Saga, between the second half of the 17th century and the first half of the 18th century. The Japanese as well as Europeans called them Imari. In Japanese, these porcelains are also known as Arita-yaki (???). Imari or Arita porcelain has been continously produced up through the present day. Characteristics Though there are many types of Imari, Westerners' conception of Imari in the popular sense is associated only with a type of Imari produced and exported in large quantity in mid-17th century. This type is called Kinrande. Kinrande Imari is colored porcelain with cobalt blue underglaze and red and gold overglaze. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Imari is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some Imari design structures such as kraak style were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the bases, where it is not covered by glaze. There is also blue and white Imari. Kakiemon style Imari is another type of Imari, but it tends to be categorized separately in Europe. History "Imari" was simply the trans-shipment port for Arita wares. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, when kaolin was discovered in 1616 by the immigrant Korean potter, Yi Sam-pyeong (1579–1655). (He may also be known by the name, "Kanage Sambei".) Yi Sam-Pyeong, along with his extended family of 180 persons, left Korea on the offer of a privileged position in Japan. This decision was made after the occurrence of certain Japanese invasions of Korea. After Yi Sam-Pyeong's discovery, his kilns began to produce revised Korean-style blue and white porcelains, known as "Shoki-Imari". In the mid-17th century there were also a lot of Chinese refugees in Northern Kyushu due to the turmoil on Chinese continent, and it is said one of them brought coloring technique to Arita. Thus Shoki-Imari developed into Ko-KutaniImari. Ko-Kutani was produced around 1650 for both export and domestic market. Blue and white porcelain continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon style Imari, which was produced for about 50 years around 1700. Imari achieved its technical and aesthetic peak in Kakiemon style, and it dominated European market. Blue and white Kakiemon is called Ai-Kakiemon. Kakiemon style transformed into Kinrande in the 18th century. Kinrande used blue underglaze and red and gold overglaze, and later some other colors. Imari began to be exported to Europe because the Chinese kilns at Ching-te-Chen were damaged in the political chaos and the new Qing dynasty government stopped trade in 1656–1684. Exports to Europe were made through the Dutch East India Company, but the designation "Imari Porcelain" in Europe connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China began export to Europe again, since Imari was not able to compete against China due to high labor cost. By that time, however, both Imari and Kakiemon style were already so popular among Europeans, Chinese export porcelain copied both Imari and Kakiemon style, which is called Chinese Imari. At the same time, European kilns, such as Meisen also tried to copy Imari and Kakiemon. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe. Thus in western world today, two kinds of Imari can...

A fine pair of large antique French Louis XVI Sevres style cobalt blue porcelain and dore bronze mounted vases with wreaths, flowers, and ribb...