White 3D Printed Ceramic Sculptural Vase Italy Contemporary, 21st Century

"Composizione 40100 #07" (Quadriglia), 2019, glazed earthenware, H 44 x 30 x 30cm Andrea Salvatori (Italy, 1975) is an internationally renowned visual artist working with the ceramic medium to realise often ironic and witty sculptures, sometimes involving a diverse selection of found objects, such as Murano glass vases, Meissen Porcelain miniatures or Ginori period ceramics sourced in flea markets around Europe. Salvatori’s works often begin with these items and proceed by the addition of elements masterfully created by the artist, generating an unexpected semantic shift. The result is unique, encompassing pop culture and kitsch aesthetics: a witty and effective way to turn reality upside-down and at the same time a powerful combination of exquisite craftsmanship and genuine irony. Andrea Salvatori was born on 3 of March 1975 in Faenza (Ra) - Italy; he has graduated at the Istituto d’arte for Ceramic in Faenza in 1995, and he then graduated with a Degree in Sculpture at the Accademia di Belle Arti of Bologna in 2000. During his studies, Andrea learned the secrets of ceramics from the creative duo Bertozzi & Casoni having worked as an apprentice in their studio for many years at the same way as during Renaissance artists learned their practice with their Masters. Since 1997 he had several individual and collective exhibitions. In 2009 he won the first prize at the 56th edition of the prestigious Premio Faenza, the International Contest Of Contemporary Art Ceramics, for which he classified second in the prior edition. In 2011 he classified second at the Sidney Myer Fund Australian Ceramic...

"Composizione 40100 #03" (Tarantella), 2019, glazed earthenware, H 43 x 34 x 34cm Andrea Salvatori (Italy, 1975) is an internationally renowned visual artist working with the cera...

"Composizione 40100 #08" (Sarabanda), 2019, glazed earthenware, measures: H 38 x 40 x 40cm Andrea Salvatori (Italy, 1975) is an internationally renowned visual artist working with the ceramic medium to realize often ironic and witty sculptures, sometimes involving a diverse selection of found objects, such as Murano glass vases, Meissen Porcelain miniatures or Ginori period ceramics sourced in flea markets around Europe. Salvatori’s works often begin with these items and proceed by the addition of elements masterfully created by the artist, generating an unexpected semantic shift. The result is unique, encompassing pop culture and kitsch aesthetics: a witty and effective way to turn reality upside-down and at the same time a powerful combination of exquisite craftsmanship and genuine irony. Andrea Salvatori was born on 3 of March 1975 in Faenza (Ra), Italy; he has graduated at the Istituto d’arte for Ceramic in Faenza in 1995, and he then graduated with a Degree in Sculpture at the Accademia di Belle Arti of Bologna in 2000. During his studies, Andrea learned the secrets of ceramics from the creative duo Bertozzi & Casoni having worked as an apprentice in their studio for many years at the same way as during Renaissance artists learned their practice with their Masters. Since 1997 he had several individual and collective exhibitions. In 2009 he won the first prize at the 56th edition of the prestigious Premio Faenza, the International Contest of Contemporary Art Ceramics, for which he classified second in the prior edition. In 2011 he classified second at the Sidney Myer Fund Australian Ceramic...

"Composizione 40100 #11" (Maestoso con gioco), 2019, glazed earthenware, measures: H 41 x38 x 38cm Mix of hand-made and 3D printed - Unique piece Andrea Salvatori (Italy, 1975) is an internationally renowned visual artist working with the ceramic medium to realize often ironic and witty sculptures, sometimes involving a diverse selection of found objects, such as Murano glass vases, Meissen Porcelain miniatures or Ginori period ceramics sourced in flea markets around Europe. Salvatori’s works often begin with these items and proceed by the addition of elements masterfully created by the artist, generating an unexpected semantic shift. The result is unique, encompassing pop culture and kitsch aesthetics: a witty and effective way to turn reality upside-down and at the same time a powerful combination of exquisite craftsmanship and genuine irony. Andrea Salvatori was born on 3 of March 1975 in Faenza (Ra), Italy; he has graduated at the Istituto d’arte for Ceramic in Faenza in 1995, and he then graduated with a Degree in Sculpture at the Accademia di Belle Arti of Bologna in 2000. During his studies, Andrea learned the secrets of ceramics from the creative duo Bertozzi & Casoni having worked as an apprentice in their studio for many years at the same way as during Renaissance artists learned their practice with their Masters. Since 1997 he had several individual and collective exhibitions. In 2009 he won the first prize at the 56th edition of the prestigious Premio Faenza, the International Contest of Contemporary Art Ceramics, for which he classified second in the prior edition. In 2011 he classified second at the Sidney Myer Fund Australian Ceramic...

‘Tall Crumpled Form No 118’ is a unique sculptural vessel by the British artist, Nicholas Arroyave-Portela. Nicholas Arroyave-Portela’s professional ceramic practise began in 1994. ...

Contemporary American ceramic artist Giselle Hicks' glazed white stoneware vase is part of her Vessel Series. Each form is built by hand using a coil and pinch technique. They are fo...

'Tall White Dehydrated Form No 69’ is a unique sculptural vessel by the British artist, Nicholas Arroyave-Portela. Nicholas Arroyave-Portela’s professional ceramic practice began in 1994. After 20 years based in London, he moved and set up his studio in Barcelona, Spain. Arroyave-Portela's creations are all thrown on the wheel using his own unique technique. Pulling up as much clay from the bottom mass as possible, the clay walls of each piece are created thin and even, maximising the artist’s ability to manipulate the form while the material is still soft and malleable. Additional porcelain slips are sometimes applied to create further surface textures and layering. After the first initial bisque firing (1080 degrees) glazes are applied by using various methods such as spraying and pouring, a process often repeated several times after each firing of 1260 degrees. The multi-firing process allows for the build-up of the glaze, creating a rich palette of tones and finishes. Arroyave-Portela's works can be found in various major museums and private collections worldwide including the Ashmolean Museum (Oxford UK...

Kawa Vase 20 Tall white ceramic vase with textured raw porcelain exterior surface and clear glazed interior. As a result of the production process each item is one-of-a-kind. Vases...