Ceramics

Ceramic vase model “Utar” From the series "Core Vessels" Manufactured by Willem van Hooff Holland, 2021 Earthenware, glazed Inspired by African vessels, Willem immediately notice...

Ceramic vase by Aldo Londi Bitossi, Italy, C 1960, signed. Cylinder vase glazed in orange with gold details. Signed on the bottom, 79/2, Italy.

Svend Hammershøi for Kähler, Denmark. Large bowl / dish in glazed stoneware. Beautiful yellow uranium glaze. 1930s / 40s. Measures: 32.5 x 4 cm. S...

Contemporary textured round ceramic earthenware vase. Classical shape textural design vase inspired by the landscape. Bright bottle orange in spiral bands with a shot of green. T...

This elegant Mid-Century Modern vase was realized by Gunnar Nylund for Rorstrand in Sweden circa 1960. It features an hourglass form tapered body in glazed ceramic in a sophisticated...

Kähler, Denmark. Cream jug in glazed stoneware. Beautiful orange uranium glaze. 1940s. Measures: 9 x 5.5 cm. Stamped. In excellent condition.

Impressive modernist studio pottery bowls, signed by Jill Peterson. Hand built with great skill from delicate porcelain, these large bowls feature an abstract decor in a bold and bri...

A substantial coffee or cocoa mug with golden matte glaze.

In the heart of the Sierra Norte Mountains in the state of Oaxaca, Mexico, the settlers found that this "cold place" gave them a very special gift, clay, with which they could use to...

Bowl by Per Hammarström, Sweden, 1980s / 1990s. Stoneware. Signed “Per.H” Measurements: H: 17.9 cm / 7" W: 25.3 cm / 10". Per Hammarström is one of Sweden’s most highly regarded ceramicists. Per’s work doesn’t conform to the Swedish style of simplicity; instead he loves colour and texture, and exploring the multi-faceted function of ceramics. Per began his training at the Gustavsbergs Porcelain Studio in 1978, which is sadly no longer in existence. In 1984 he opened his own studio in Strängnäs, and has worked in this manner ever since. Per’s work is characterised by organic forms and his own distinctive glazes, often in bright colours and strong contrasts. His work is unique, each piece starting out as a roughly thrown form, which is worked and transformed into bowls that are characterised by their delicacy and translucency. The organic form is embodied in the textured ceramics of Per. His works are either made from stoneware or porcelain. The inspiration of much of his work is the sea, but he also draws from flora and fauna; and the changing of the seasons. The undulating colours of the sea, sky and land manifest themselves in his delicately crafted and vividly coloured ceramics. Through elaborate dining-ware and ceramic ornaments...

Eye-catching glazed ceramic trompe l'oeil seafood basket wall plate manufactured by Atelier Lamarche Monaco. This piece would be a nice addition as wall decoration in a kitchen or di...

Royal Copenhagen / aluminia confetti. Three salt/pepper shakers and three butter boards in glazed faience. Mid-20th century. Butter board diameter: 15 cm...

Vintage Danish ceramic dishes by Søholm 1960s, set of 2 Matching set of stoneware platters from Danish manufacturer Søholm on the island of Bornholm. Nature inspired decorations in e...

Arabia, Finland. Rare Tuu-Tikki figure from The Moomins in stoneware, late 20th century. In original box. Measures: 8 x 4 cm. In excellent condition.

Keith Simpson rather instinctively made ceramic cacti for the show. They were a last minute thought that evolved out of a daydream. Keith was musing about the possibility of moving t...

Beautiful and rare pair of ceramic candleholders by Bennington Potters, in beautiful condition nice color and design. In mustard and black design.

Pol Chambost, freeform vivid yellow glazed ceramic bowl, 1954, France.     

Nicely glazed Art Nouveau vase designed by Alf Wallander for Rörstrand Sweden. The glaze has a wonderful red/orange shine. The vase have some distress marks allaround from its age.

New hand made ceramic plate Code: Orange plate Plates: Stoneware pottery Size .: 60cm Weight.: 3.5kg This piece is for decorative purposes, is not s...

Pol Chambost Made in France, original orange midcentury ceramic vase by the french artist. Realised circa 1950 Original perfect condition Interior with white ceramic glaz...

A large vase designed by Gunnar Nylund at Rörstrand, the vase is 33 cm high and it is in very good condition except from some scratching marks below (see photo) therefore it is marke...

Valentine Schlegel (1923-2021) Original and rare ceramic by French artist Valentine Schlegel. 20th century masterpiece of design This piece was exhibited in a solo show abou...

A stylish Arrastro (A.R. 431) terre de faience limited edition dish from a bull fight series and portraying the bull being towed from the arena by dress horses by Pablo Picasso and d...

The glazed terracotta pots of Françoise Blondeau and AÏt Lhaj Hassan possess a symmetry and balance that pits their natural, earthy medium against an elegant beauty specific to man-m...

English Art Pottery orange vase ceramic Chinese style pot     A very attractive small English Art Pottery vase of Chinese-inspired shape covered with a coloured glaze of rich and vibrant effect in orange with flecks of brown and vermilion. The mark is illegible overall as it is much obscured by coloured glazes but it possibly reads ‘Cameo Ware’ which may be a form or version of the mark used for ‘Chameleon Ware...

Offering a Christopher Dresser attributed group of Torquay pieces. The plate (10.25" diameter) with a decal of a Geiko, and a carafe (10.25" height) with its cover and under plate al...

Lovely beige glazed terracotta soup tureen / kitchen pot with handles, France, 19th century. This French Provincial tureen will be a nice accent to any countryside house kitchen. Be...

Charming late 20th century Capodimonte tureen with lid A delightful piece all fully marked beneath, the lid has 2 children on the top and the bow...

Glazed ceramic Example 3/20 Perfect condition.    

Pair of figurines by Lisa Larson made by Gustavsberg in Sweden.

Ipsen's, Denmark. Large terracotta wall plaque with motif after Thorvaldsen, 1890s. Measures: 51 x 27.5 cm. In excellent condition. Stamped.

The glazed terracotta pots of Françoise Blondeau and AÏt Lhaj Hassan possess a symmetry and balance that pits their natural, earthy medium against an elegant beauty specific to man-m...

1970s stoneware sculpture representing a pigeon. Surrealist in style, with humanistic characteristics / physical features. Minor loss to the brown glaze "straps" in the back. Like...

A beige stoneware vase designed by Berndt Friberg from Gustavsberg. The vase is 17.5 cm. It's in very good condition.

A monumental and heavy Clyde Burt ceramic lamp, signed on the inside, circa 1960s.

Set of three ceramics in a bright red/orange color with raised areas of un-glazed matte brown in bands/diamond pattern. With original sticker, 'Frank Keramik...

The glazed terracotta pots of Françoise Blondeau and AÏt Lhaj Hassan possess a symmetry and balance that pits their natural, earthy medium against an elegant beauty specific to man-m...

Henry Chaumeil Signed and dated 1912 Elegant art decorative ceramic vase by French artist. Orange, yellow and green ceramic glazes co...

Confetti Royal Copenhagen / aluminum faience. Three salt shakers and four egg cups in glazed faience. Burgundy, yellow and turquoise glaze. ...

A ceramic sculpture signed AC and dated under the base 1992. Perfect original conditions, circa 1992.

A rare 1960s Ruscha large bull with the 'Vulkano' glaze, unmarked, West Germany. The glaze was devised by Otto Gerharz in 1959. A very appealing and tactile...

Julia Huteau (Born in 1982) Elegant orange ceramic abstract form by the French artist. Incredible bright color. Signed under the base. Dimensions: 20 x 22 x 15cm.

Glazed in brilliant white, deep red, gold and black, this striking round plaque was made by Waylande Gregory, the renowned WPA sculptor and innovative ceramicist. Prodigious and inde...

Vase triangular shaped earthenware decor on a bright enameled background of yellow ochre.

An Arts & Crafts decorative lustre plate possibly by W H Grindley.    

Autumn, 2019 (Ceramic, C. 8.5 in. h x 14 in. w x 9 in. d, Object No.: 3569) Sangwoo Kim was born in Korea in 1980 and currently lives and works in France. He received his degree fro...

FAPG 20247D John Bennett (1840-1907), New York Plaque with pink and blue phlox, circa 1881-1882 Earthenware, painted and glazed Measures: 14 7/8 in. diameter, 1 13/16 in. high Signed and inscribed (on the back): J B[monogram] ENNETT / E 24 NY. / MC [or] CM If the Herter Brothers was the most distinguished and successful cabinet making and decorating firm in New York in the 1870s-1880s, the transplanted Englishman John Bennett was probably the most gifted ceramicist working in New York in the Aesthetic period. (Bennett was included in The Metropolitan Museum of Art’s landmark exhibition, In pursuit of beauty: Americans and the Aesthetic Movement, in 1986–87, and Alice Cooney Frelinghuysen’s chapter, “Aesthetic Forms in Ceramics and Glass,” pp. 216–19, significantly informs this essay). Born in England, the son of a potter who worked in the Staffordshire district, Bennett came under the influence of John Sparkes, head of London’s Lambeth School of Art. Soon thereafter, he was hired by Henry Doulton of the eponymous firm to teach artisans there the new art of underglaze faience decoration, which was part of a revival of the sixteenth-century interest in hand-painted ceramics. A number of Bennett’s works for Doulton were shown in the Doulton display at the Centennial Exposition in Philadelphia in 1876, and the considerable success enjoyed by Bennett and Doulton from an American audience undoubtedly played an important role in Bennett’s decision to leave Doulton and England and set up shop in New York in 1877. By the next year, he had already established a studio in New York, where he produced his own pottery in the tradition of the Arts & Crafts innovators, William Morris and William De Morgan, and also taught classes at the new Society of Decorative Art to the growing band of women who had taken up china painting, both professionally and avocationally. Bennett’s pottery developed a very serious following among students and collectors, and was offered for sale at such leading retail establishments as Tiffany & Company in New York. Typically, his work was brilliantly colored, with carefully drawn naturalistic flowers against a monochromatic background. Bennett’s fully developed American work, particularly pieces of larger scale, is exceedingly rare, as he worked in New York only from 1877 to 1883, in which year he withdrew to a farm in rural West Orange, New Jersey, where his production continued on a limited basis. He remained listed as a ceramicist there until 1889. While in New York City, Bennett maintained a studio at 412 East 24th Street. The present charger, boldly featuring pink and blue phlox, is signed by Bennett, and is inscribed “E 24 NY,” indicating its manufacture during Bennett’s time in New York. Although it is not dated, this piece is closely related stylistically to various dated pieces from 1881–82, which would place its production toward the end of Bennett’s New York years. Although we do not know whether Bennett worked out of this 24th Street studio from the outset, he was indeed working there by 1879 when he made (and signed, inscribed, and dated) a charger with white and red flowers now in the collection of the Art Institute of Chicago, which specifically points to “412 East 24 / NY” (acc. no. 1998.317). Additionally, the U.S. Census of 1880 lists Bennett as a ceramicist located at that same address, married to Mary Bennett with whom he had had six children. There are several other examples from Bennett’s time in New York City, which also give his studio address on East 24th Street, including a covered jar in cadmium yellow with indigo and green flowers made in 1881; an undated footed vase with lilac...

Very nice complete Faux Bois ceramic set designed by Grandjean Jourdan for Vallauris, France in the 1950s. This wood-like ceramic is decorated with full black figures. This ceramic...

Salmon & Auberginne Painted Large Fish Tureen

Berndt Friberg, Stoneware jar with red brown haresfur glaze, Gustavsberg , Sweden 1949 Impressed "Friberg" "G (hand) " Incised "S" This is a red brown haresfur glazed jar by Berndt...

Paul Chambost egg shell ceramic vase, circa 1950, France. Dimensions: Height 20 cm, diameter 14 cm. Good original condition. We ship worldwide  All purchases are covered by our Buyer...