Japonisme Ceramics

This is an antique Imari fruit plate. A Japanese, Meiji era ceramic charger, dating to the late Victorian period, circa 1900. Appealing example of Imari export ware, with charming d...

This very large plate made in Japan during the Emperor Meiji time 1868-1912. Wonderful blue pattern on fine porcelain. There is a crack that’s shown thro...

Morino Taimei (1934), also known as Taimei Hiroaki, draws from his traditional heritage and infuses it with a modern spirit. His father, a respected potter, sent him to study ceramic...

Discover the elegance of this 72-piece tableware set, each piece featuring a refined brown edge. Presented at the 1878 Exposition Universelle, this collection highlights the beauty o...

Elegant large Victorian Majolica pitcher inspired by the Japon decorated with flowers, a large fan, a flag on pastel tones, end of the 19th century / England.

Japanese style cup made of ceramic and wood. Wood is zelkova and ceramic with zelkova ash glaze.

Large 19th Century French Blue & White Japon Platter signed Creil Montereau. 13 inches diameter. This service is exposed in Giverny Claude Monet's house.

This massive Japanese Arita plate was made in Hizen, circa 1890-1910s, at the end of Meiji period by a potter named Takeshige Yoshisuke who was active in A...

Tanoue Shinya, is a ceramic artist from Kyoto. His work is already placed in the Museum of Kyoto and the Hyogo Ceramic Art Museum as well as being shown at US museums (Cincinnati, P...

This large turquoise pot holder in glazed earthenware was made by the reknowned ceramist Théodore Deck at the end of the 19th century. Its beautiful bl...

A milky white dish with slight scalloped rim and decorated with cobalt blue iron red and green enamel over glaze, this delicate piece in Kakiemon Style was dated at least to the earl...

A Japanese Ao-Kutani stoneware dish with overglaze decoration in the shape of barbed quatrefoil shape from late Edo period, circa early mid-19th century. Around 1804, 100 years after Ko-Kutani (old-Kutani) ware disappeared abruptly after thriving from 1655-early 1700s, saiko-kutani (revived-kutani) was attempted by many kilns and several distinguished styles developed. Among them, Yoshidaya kiln attempted to revive the original style of Ko-Kutani known as Aote, which employed four dark colors: green, yellow, dark blue/black and aubergine to create bold and striking design. The Yoshidaya production was short-lived and lasted roughly from 1823-1831. This dish is likely dated from this period or shortly after. The overglaze design centered around a crouching tiger under a black bamboo grove in a deep green background, surrounded by luxuriant banana leaves in green and aubergine with black outlines. The base of a similar concentric barbed quatrefoil design is further decorated with black foliage outlines and marked with a square Fuku mark. For a Yoshidaya dish with identical shape but different landscape decoration, see lot 79 of sale 6547 Christie's London. Important Japanese and Chinese Art...

Vintage set of 2 square bowls features a traditional Arita style blue and white decor with Mino Yaki motifs of lush, exotic flowers and leaves in Sometsuke decoration technique. The ...

Ceramic and gilt bronze vase by Sarreguemines, France, circa 1900.

Beautiful porcelain planter decorated with imari. On this flowerpot, the background is blue, there are reserves in which appear a dragon and a bird surrounded by red flowers. The upp...

19th century French ornithological ceramic charger by Montereau B et Cie, depicting two perched songbirds. In very good condition.

Early to mid 20th century Japanese kutani / imari style serving plate / platter - white porcelain hand painted with spiraling dragons and phoenixes / pheasants by flowering trees, s...

Kaneta Masanao, is certainly one of Hagi pottery's most well-known and easily identifiable. He's part of the eighth generation Hagi potter and has expand ...

This large blue and white bowl is covered with wonderful ornaments in the fashionable Japonism taste of the 1880's and 1890's. The earthenware bowl carries as a makers mark an impres...

19th Century Japanese Imari Porcelain Platter. Platter is 15" in length and has a landscape and floral pattern. Plate has vibrant colors of blue, red, green, and yellow against a whi...

A beautiful artisanal handcrafted porcelain Dragon ware teacup. This set features a moriage dragon design. Created from slip and applied around the body...

"Japon" Imari service, produced in 1876 by the Creil & Montereau pottery, shows the great success of Japonism in tableware production, like the Bracquemo...

Stunning French ceramic decorative object inspired by Japanese pottery designs with wonderful prominent blue and green hues. The shape and colors makes this piece exceptionally inter...

A fine porcelain teacup and saucer set. This pair would be fabulous if mixed in with a current collection, or on its own. On a maroon backg...

A stunning dessert plate from the "Kioto" collection by the renowned Creil et Montereau manufacturer, dating back to 1878-1884. This fine earthenware piece, typical of the japonisme ...

A stunning dessert plate from the "Kioto" collection by the renowned Creil et Montereau manufacturer, dating back to 1878-1884. This fine earthenware piece, typical of the japonisme ...

This decorative Japanese-style painted porcelain dish is a product of the Alphonse Giroux company, founded in 1799. Bearing a "Maison Alph. Giroux" label on the reverse, our dish can...

A beautiful ceramic vessel in the form of Bo, the so-called monk's alms bowl from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this piece was made as a decorative center piece for display. It was brilliantly decorated with underglaze paint of a green-on-green bamboo motif, using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. To create design that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

An elegant French Louis XVI style Japonisme centerpiece comprised of a large 19th century Meiji Period Japanese Imari Porcelain bowl with French gilt metal ormolu mounts, late 19th-e...

A pair of Japanese decorative ceramic plates, made in Arita for export market circa 17-18th century. The cabinet-display dishes feature lotus-petal gilt rim and a lavish tricolor ene...

Pair of glazed ceramic and gilt bronze vases, France, late 19th century.

Sumida Gawa pottery vase, Japan, early 20th century.

A stunning dessert plate from the "Kioto" collection by the renowned Creil et Montereau manufacturer, dating back to 1878-1884. This fine earthenware piece, typical of the japonisme ...

A beautifully crafted large ceramic bowl as a centerpiece by Okumura Shozan (1842-1905) in the Kyo-yaki (kyoto ware) style. A Classic ovoid form with flatly...

A stunning dessert plate from the "Kioto" collection by the renowned Creil et Montereau manufacturer, dating back to 1878-1884. This fine earthenware piece, typical of the japonisme ...

A stunning dessert plate from the "Kioto" collection by the renowned Creil et Montereau manufacturer, dating back to 1878-1884. This fine earthenware piece, typical of the japonisme ...