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Blue and White Bottle Named "Boy" Made circa 1750

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18th Century Blue and White Delft Bottle Inscribed 'Boy' Hand-Painted Circa 1750
By Delft
Located in Katonah, NY
This blue and white English Delftware bottle, made circa 1750-1760, has a tall, narrow neck with a slightly flared rim on a distinctive globular body. The decoration is the word "BOY" framed by blue dashes. It is hand-painted in blue, done in a freehand, fluid style that includes typical irregularities in the paint. Historically, 18th-century English Delftware is known for its freehand, fluid decoration, characterized by minor irregularities that evoke an authentic folk art quality. The rustic and uneven glaze is also characteristic of this pottery. The bottle has a utilitarian feel, featuring four protruding lugs on the sides. Its modest yet charming form, rounded shape, and understated ornamentation reflect the everyday aesthetic of mid-18th-century Delftware production. Delftware jugs were often created for public houses, and "Boy" might reference part of a pub name, a local drinking song, or a common toast. Just as likely, given England's strong maritime traditions, this could refer to a sailor's drinking vessel. In naval and military slang, "Boy" was often used to refer to young sailors or recruits. This hand-painted inscription adds a personal touch, making this bottle a unique and engaging example of antique Delftware...
Category

Antique Mid-18th Century French Country Delft and Faience

Materials

Faience, Delft

Antique Delft Blue and White Jar Made by The Claw Netherlands Circa 1790
By The Claw
Located in Katonah, NY
This hand-painted jar and cover from circa 1790 boasts beautiful Dutch Delft floral artwork. The intricate design features a stunning array of blooms and vines in deep and medium cobalt blue. The shoulders of the jar are adorned with lappets filled with flower heads, and its octagonal form is topped with a simple, deep blue knop. Dimensions: 12.75" tall x 6" at widest point x 4.75" across base Condition: Excellent with small edge frits invisibly restored Price: $1160 Background of Dutch Delft: The technique of making Delft was first described in writing by Gerrit Paape in "The Delft Pottery Maker," written in 1794 and dedicated to Lambertus Sanderus, the owner of De Porceleyne Claeuw (The Porcelain Claw). Delft faience began in the 17th century. Much of the most beautiful Delft was produced in the Dutch city...
Category

Antique Late 18th Century Dutch Rococo Jars

Materials

Delft

Pair Large Blue and White Delft Jars Made Netherlands 18th Century Circa 1780
Located in Katonah, NY
This exquisite pair of 18th-century blue and white Delft jars are hand-painted in deep cobalt blue with an all-over design of flowers and scrolling vines. The jars are octagonal with...
Category

Antique Late 18th Century Dutch Rococo Delft and Faience

Materials

Delft

Very Large Blue and White Delft Jar Belgium circa 1880
By Boch Freres Keramis
Located in Katonah, NY
This fabulous Delft jar is painted with traditional deep cobalt blue on a tin-glazed ground. The jar has six panels, which alternate between flowers in a basket and ferns with scroll...
Category

Antique Late 19th Century Belgian Rococo Jars

Materials

Delft

Antique Blue and White Delft Mantle Jar Netherlands circa 1780
Located in Katonah, NY
This charming blue and white Dutch Delft jar is decorated in shades of cobalt blue. Hand-painted in the late 18th century circa 1780, the jar mixes rococo and chinoiserie design elem...
Category

Antique Late 18th Century Dutch Rococo Jars

Materials

Delft

Pair Blue and White Delft Mantle Jars Hand Painted Netherlands, Circa 1770
Located in Katonah, NY
This pair of Dutch Delft mantle jars features a charming rococo scene hand-painted in blue and white Delft. The jars depict a pair of cows resting in a fenced area, with a flock of b...
Category

Antique Late 18th Century Dutch Rococo Jars

Materials

Delft

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Set of 5 Circa 1900 Blue and White Delft Vases from Holland
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A beautiful set of five blue and white Delft vases, this faience collection was hand-painted in Holland, circa 1900. The three bulbous vases are lidded, each with a finial depicting a rampant lion with a ball in its forepaws. Beneath the lion is a mottled background (on the front side only), with a foliate and floral margent. Each vase has the same scene painted on the front of the main body: a couple walking through a field surrounded by flowers. The opposite side has a floral rinceaux above a foliate branch. Painted in a similar fashion, the two concave vases are without lids. The side opposite from the cartouche of the couple has floral margents. All five vases have canted corners on the base. Inspired by Italian majolica, the faience produced in 16th century Holland...
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Blue and White Delft Handled Chinoiserie Vase
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Blue and white Delft handled chinoiserie vase. Antique Dutch porcelain vase with rich blue flowers and chinoiserie fencing in a lustrous glaze; with scro...
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18th c. Italian Blue and White Tin Glazed Apothecary Jar
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Large Antique Italian Blue and White Lidded Urn, 19th Century
Located in Dallas, TX
This stunning lidded urn might have once been found in a 19th century Italian apothecary. The front of the shaped urn body has the hand-painted phrase “C. Violaru”, which is the heavily abbreviated form of the Latin word for violet (violaceum). Up until the mid-1700’s, apothecaries would make syrups from violets and use it to treat kidney ailments. Above the Latin wording is a whimsical musical scene with a man blowing a horn leading a couple who is holding hands over rocky terrain lined with shrubbery. A large house and trees can be seen behind the trio with a pair of mountains in the distance. On the opposite side of the urn is a floral display with a bird perched on a rock. Beneath the bird is a geometric design, possibly a stylized sun with radiating beams of light. Both scenes are segmented by a pair of thin quarter round moldings that encircle the entire vase. Other hand-painted motifs include floral and foliate margents, geometric patterns, and Vitruvian waves that are infilled with horizontal fluting. The sides of the urn have a fish-scale background beneath two mustachioed mascarons. Both men have been styled in grotesque fashion, with a pair of spiraled horns emanating from their heads. In between the horns is a looping handle that is affixed to the body in similar tight spirals. The domed lid has three scrolled arms that merge in a geometric finial. The base color of the urn is white, with illustrations in a monochromatic cobalt oxide blue, reminiscent of Delft blue pottery...
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18th Century French Blue and White Hand Painted Faience Delft Vase
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