Seven Swedish Design Plates in Turquoise Art Glass

Paul Hoff for Swedish glass. Seven birds in art glass. WWF. 1980s. Largest measures: 9.5 x 6 cm. In perfect condition. Stamped.

FM Ronneby, Sweden. Seven ducklings in Swedish mouth-blown art glass. Approx. 1970-1980s. In perfect condition. Sticker. Red figure measures: L 8.0 x W ...

FM Ronneby, Sweden. Seven ducklings in Swedish mouth-blown art glass. Approx. 1970s-1980s. In perfect condition. Sticker. Red figure measures: L 8.0 x W...

William Steberg for Gullaskuf. Seven plates and bowls in dark blue art glass. Measures: Bowl 18 cm. x 5 cm. Sweden 1960s-1970s. In perfect condi...

Vase designed by Bengt Edenfalk, Sweden. 1960. Glass. Unique. Talatta technique. Dimensions: H: 17 cm/ 6 3/4'' D: 16 cm/ 6 1/4''

Set of Seven Art Glass Decanters by Holmegaard, Denmark, 1960s. Dimensions of the individual decanters are listed from largest to smallest. 1. 5 1/4'' wide by 5 1/4'' deep by ...

Large centerpiece plate, design by Vittorio ZECCHIN (1878-1947) in Murano blown glass ORIGIN Italy PERIOD 40s AUTHOR Vittorio ZECCHIN (Murano, May 21, 1878 - Murano, April 15, 1947) was an Italian artist. Son of a Murano glass technician, Luigi, he graduated from the Academy of Fine Arts in Venice. Intolerant of the late 19th-century verismo culture that he encounters here, he feels rather attracted by the stimuli offered by the Venetian Biennials that he attends, coming into contact with symbolist research and with the environment of the Viennese Secession. In 1914 he presented at the XI Biennale, together with the painter Teodoro Wolf Ferrari...

Large centerpiece plate, design Vittorio Zecchin (1878-1947) in blown Murano glass. Origin Italy Period 40s Author Vittorio ZECCHIN (Murano, May 21, 1878 - Murano, April 15, 1947) was an Italian artist. Son of a Murano glassmaker, Luigi, he graduated from the Academy of Fine Arts in Venice. Impatient with the late nineteenth-century realist culture that he encounters here, he feels rather attracted by the stimuli offered by the Venetian Biennials that he attends by coming into contact with symbolist research and with the environment of the Viennese Secession. In 1914, together with the painter Teodoro Wolf Ferrari...