Platters and Serveware

Coral is a set of irregular plate and bowls, masterfully turned with thin thicknesses. The three pieces are made of walnut wood, colored by finishes starting from metal oxides, that ...

A divided teak wood tray with an end-grain teak cutting surface and a recessed section, designed by Jens H. Quistgaard for Dansk. Branded "Dansk Designs Denmark IHQ...

Round sterling silver tray with scalloped edges resting on scrolled feet. Hallmarked "Eric Viner, Sheffield 1930."

An exceptional, fine and impressive set of three antique Georgian English sterling silver salts made by Paul Storr; an addition to our silver cruet and condiment collection. These...

Beautiful teak serving tray by Dansk, made in Denmark.

A 6 place silver canteen by Paul Storr. Double struck in the fiddle, thread & shell pattern with diamond and shell heel. Engraved with a crest to the terminals. (see pictures for det...

An incredibly rare and exceptional pair of grape shears by Paul Storr, one of the most esteemed silversmiths in history. With handles laden with grapevine...

Hallmarked in London in 1807 by Paul Storr, this handsome, George III, Antique Sterling Silver Meat dish cover, features a shaped gadroon border and r...

Just in, a pair of teak trays by Laurids Lønborg. Overall great condition for their age, these were sourced from a Hollywood Estate in California. Each measure approximately 9.75 x 5...

Pair of George III sterling silver covered vegetable dishes. Made by Paul Storr in London in 1805. Each: Tapering bowl with gadrooned rim. Cover domed with lobed shoulder; cast coron...

A classic Oval Serving Dome by Elkington. With gadrooned middle band, incised crown motif and top loop handle. Along with an oval paw footed deep meat platter. Dome dimensions are gi...

This is an exceptional and very rare antique English George III sterling silver teapot by the world-famous silversmith, Paul Storr, and bearing hallmarks for 1817. This splendid teapot is of a delightful shape and it is profusely chased with half ribbed fluting decoration. It is further embellished with wonderful foliate motifs below and above the spout and stunning gadrooned shaped borders to the top of the teapot and the base. The remarkable quality flush hinged lid is also beautifully surmounted by a delightful round finial. It features an exceptional horn handle with striking details, proving the silversmith's exceptional mastery in the creation of unique and luxurious silverware - Paul Storr never tired of adding detail to create a true piece of artwork. The underside of the teapot bear full hallmarks: the Lion passant for sterling silver, the leopard head for London, the letter for 1817 and the maker's marks 'PS' for Paul Storr. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: height 12.5 x width 18 x depth 18 Weight 0.88 kg Dimensions in inches: height 5 inches x width 7 inches x depth 7 inches Weight 28.2 troy oz Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...