1840s Porcelain

Comprising pair of sauce tureens on stands, pair of shell dishes, 4 oval dishes, 4 rectangular dishes, 18 plates. Inscribed in gilt with botanical i...

With a soft turquoise ground, painted with a fine spray of flowers, with gilt scroll and dash borders. Comprising pair of covered tureens and stands, pair of vegetable tureens, well and tree platter...

With a classical scene on a campagna form vase with handles.

A true trio consisting of a teacup, a coffee cup and a saucer, “rustic bean” shape, in deep maroon and pale yellow ground, with gilt and finely painted landscape reserves Pattern 95...

A beautiful pair of 19th century French Louis XVI style Sevres cobalt blue and ormolu-mounted vases with rams heads and wreaths. The porcelain body is beautifully painted with the signature Sevres Royal cobalt blue. The square shaped base is decorated with ormolu acanthus leaves and ribbon wreaths beautifully hand chizzeled and detailed ormolu work. These vases can easily be turned into a fabulous pair of...

This is a stunning set of 8 reticulated plates made by Copeland in 1848. Each plate is decorated with a unique sublimely painted flower arrangement by the artist Greatbatch. We have a second set of 8 of these plates available, as well as a few separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. These plates were potted in fine white bone china, the rims meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made these plates expensive. The sublimely painted flower arrangements in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. These plates would have belonged to a sublimely expensive dessert service. They are all stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and Porcelain...

This is a stunning set of 8 reticulated plates made by Copeland in 1848. Each plate is decorated with a unique sublimely painted flower arrangement by the artist Greatbatch. We have a second set of 8 of these plates available, as well as a few separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. These plates were potted in fine white bone china, the rims meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made these plates expensive. The sublimely painted flower arrangements in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. These plates would have belonged to a sublimely expensive dessert service. They are all stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and Porcelain...

Three Sevres Gilt Heightened Porcelain Cabinet Plates, Mid 19th Century. With scalloped edges, gilt heightened and cobalt border, each with female farmers to the center and signed 'C...

A Pair of 19th Century Meissen Porcelain Models of Swans, After J.J. Kandler. The models are based on designs by Johann Joachim Kandler, the chief modeler at Meissen in the mid-18th ...

A footed two-handled sauce tureen with cover, maroon and pale yellow ground with beautiful hand painted flower sprays on lower part of body; twisted handles and a petticoat stem Pat...

This is a beautiful plate made by Copeland in 1848. It is decorated with a sublimely painted flower arrangement by the artist Greatbatch. We have two sets of 8 of these plates available, as well as a few more separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. This plate was potted in fine white bone china, the rim meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made this plate expensive. The sublimely painted flower arrangement painted in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. This plate would have belonged to a sublimely expensive dessert service. It is stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and...

Circa 1840s, by François-Eugene Rousseau, Paris, France. Hand-painted and multi-motif, this gold medal one-of-a-kind set is stunning! Old school Parisian charm at its museum quality best, this set includes thirteen plates, two tazzas, and one 3-tier dessert or petit fours stand. Excellent condition. Thirteen Dessert Plates: 8 5/8 inches in diameter Two Compotes: 8 3/8 inches in diameter by 5 inches high One 3-Tier Dessert Stand...

This is a beautiful plate made by Copeland in 1848. It is decorated with a sublimely painted flower arrangement by the artist Greatbatch. We have two sets of 8 of these plates available, as well as a few more separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. This plate was potted in fine white bone china, the rim meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made this plate expensive. The sublimely painted flower arrangement painted in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. This plate would have belonged to a sublimely expensive dessert service. It is stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and...

This is a beautiful plate made by Copeland in 1848. It is decorated with a sublimely painted flower arrangement by the artist Greatbatch. We have two sets of 8 of these plates available, as well as a few more separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. This plate was potted in fine white bone china, the rim meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made this plate expensive. The sublimely painted flower arrangement painted in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. This plate would have belonged to a sublimely expensive dessert service. It is stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and...

An Incredible and Quite Rare Pair Of Sevres Porcelain Cobalt-Blue Ground Vases Adélaïde, 2eme Grandeur; 1843-1849, green printed S.49 lozenge for 1849 to the underside of each socle,...

A stunning piece of Old Paris porcelain that features two sides of beautiful hand-painted floral panels, hand-cut work and hand-painted trim. Nicely shaped with a long and deep boat ...

This is an amazing set of 12 rimmed soup bowls marked "Spode's New-Stone" dating to 1840 but in like new condition. The "Japonesque" transfer decoration is embellished with hand pain...

Very cute small jardiniere to hang in the wall. In Meissen Germany porcelain, circa 1840, Excellent quality. Model snowball, the little bird and the ...

A monumental and palace size pair of green Paris porcelain vases exquisitely hand-painted with botanical still life panel on one side and lovers in a royal garden on the reverse. The...

Very nice 20th porcelain milk jug made by the French and famous manufacture of Sevres. We can see three stamp at the back : the stamp of sevres 1040, the red stamp...

Exquisite porcelain painting in original gilded frame Manufactory: KPM Royal Porcelain Manufactory Berlin, Germany Dating: circa 1840 Material: Porcelain, painted, glossy finish...

This exquisite ironstone plate by Francis Morley & Co. of Staffordshire features the intricate Zamara pattern in a rich deep pink, accented with touches of blue, green, and yellow. W...

A rare porcelain bottle (circa 1840-1850) hand painted with images of stock (jugs, pitchers, tureens and whale oil lamps) sold by the C. Levering Co. of Baltimore, and mounted as a t...

Meissen Gorgeous Figurine Group created by Michel Victor Acier (1736 - 1799) around the year 1774: Placidness of Childhood Specifications: A most lovely baby child lies on an ...

Meissen stunning figurine group: Harlequin and girl Measures: height 7.28 inches width 6.69 inches depth 4.13 inches Manufactory: Meissen Hallmarked: Blue Meissen Sword Ma...

Depiction of two seated, smiling Chinese Buddha figures from a series of folk types: Voluminous bodies with hair tied back strictly, wearing robes that cling closely to the body, bel...

On offer is a stunning pair of potpourri vases with covers made by H&R Daniel in about 1840. The vases are in the Rococo Revival style, and have a deep maroon ground and reserves wit...

This is a fine and unique antique Royal Worcester porcelain landscape dish, circa 1840 in date. The Worcester Royal blue oval sha...

This is a stunning and very rare pair of vases made by Coalport in around 1845. The vases have rich gilding in the Persian Revival style, combined with very English floral reserves of freely painted flower bouquets on a puce ground. Incorporated into the gilding on the back of the vases is a very English swan...

This pair are painted with lovers in a romantic and rustic landscape. There are two Scenes Gallantes: dancing in one, resting by a fountain in the other,...

This is an exquisite and happy subject, the hand-painted porcelain realized by the master is signed with his well-known blue initials "J.P." as his monogram mark. From 1834, Jacob Pe...

Wonderful pair of Chinese antique hardwood screens featuring silk woven plaques Shows a male and female, believed to be Chinese dignitaries or perhaps Emperor The piece is in the Qia...