Sterling Silver

Beautiful antique triptych of silver jars branded Boin Taburet in Paris, a very famous and highly prized 20th century French silver manufactory. The jars ...

This exquisite set of 12 "Gilded Age" Sterling Silver Tiffany Charges was realized in America in 1905. Each plate has heavily detailed boarders featuring a Kylix cup amid scrolling s...

From S. Kirk & Son, Baltimore, Maryland, a ‘Repousse Rose’ long handled sterling silver berry spoon, circa 1930s. The longer handle is suited to serving ...

Folding travel case in sterling silver and silver filled with rococo style decoration which includes a spoon (18.5 cm) a fork (18.5 cm) and a knife (17.5 cm) with metal blade. Pun...

Sterling silver and cut-glass cruet set by Paul Storr. A pair of cruets and two footed condiment jars, crafted of finely cut glass mounted in silver, are held securely on a distincti...

This is a Fred Hirsch & Co. Sterling dish bowl. It is adorned in the top with a gadrooning border, followed by a flat band and then, kind of a rope design. Below the base is the Fred...

German Neoclassical silver urn, 18th century. Oval tapering bowl on raised and stepped foot. Cover domed with vasiform finial. Chased imbricated le...

Hallmarked in London in 1799 by Peter, Anne & William Bateman, this very attractive, George III, Antique Sterling Silver Goblet, features brighcut engraved decoration, a gilt interio...

Antique early 20th century set of four 800. Italian silver and ormolu figural groups. Made in Italy, Naples, first half of 20th century. Hallmarked with 800. Silver and 45NA maker'...

Large Russian Classical 875 silver bowl, ca 1843. Oval well with engraved armorial and curved and fluted sides with applied scroll and shell armorials (vacant). Rim has applied leave...

Each of the neoclassical pair of 20th century Danish silver plated salt shakers stand on four acanthus-leafed feet. The surfaces are embellished with undulating ribbing. The bottoms ...

A spectacular set of three silver trophy cups in the George III style, one larger and a pair of smaller. Each has a removable lid with hand-chased acanthus leaf detail, a decoration which is also found round the bodies, and cast finial. The handles are realistically cast as sinuously entwined snakes, the heads of which are holding rings that appear to be supporting hand-chased drapes that hang round the body of each cup. The insides are gold-plated with a wonderful rich colour. This set is of the most tremendous quality with finely detailed decoration and substantial weight to each piece. Dimensions are given for the large silver trophy cup...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

Pair of circa 1880 German Sterling Silver lidded urns, very heavy. An impressive pair of solid silver urns or vases that are decorated with detailed chased and applied elements including stylized leaves chased around the lower portion of the body. Each Vase has an applied wreath shaped cartouche on one side, one with the image of a woman and a man in period clothing...

A pair of early 19th century (1828 – 1859) Italian Antique silver oil lamps (Lucerne) by Vincenzo Belli II. They are in the “Retour d’Egypte St...

This is a beautiful set of mother of pearl handled fish slice and fork. The stainless steel blade is engraved with a small floral design. Both the slice and...

A fine 19th century French silver (.950 fine) porringer or écuelle, showing a circular bowl rising to neoclassical inspired 'reed & ribbon' decorated rim with pierced foliate cast ha...

German Neoclassical silver tray, 18th century. Oval with crimped rim. Embossed flower basket in well and garland on shoulder. A naïve representation of modish ornament. Marked. Weigh...

Turn-of-the-century Edwardian sterling silver trophy cup. Made by Reed & Barton in Taunton, Mass. Faceted baluster with scalloped and beaded rim. Reeded and leaf-capped, -wrapped, an...

Set of six coin silver spoons circa 1855 in the shell pattern. They are marked JT & EM Edwards, which was in Chicago. The spoons are monogrammed o...

French Classical silver coffeepot, 18th century. Baluster with silver-mounted stained and turned wood handle. Cover hinged with bud finial. V-form fis...

English Georgian sterling silver condiment shaker, late 18th century. Baluster on raised foot. Cover pierced with engraved diaper and twisted finial. Worn marks include crowned T (bo...

Hallmarked in London in 1798 by Henry Greenway, this handsome, George III, antique, sterling silver ink stand, is plain in style, and feature...

Hallmarked in London in 1798 by the master candlestick maker John Scofield, this important set of four Neoclassical, Antique Sterling Silver Candlesticks, show the refined elegance Scofield was famous for. Unlike most candlesticks of this period these are cast and not filled, and are of a heavy gauge, showing the highest quality craftsmanship. Each candlestick measures 12"(30.5cm) tall, by 5.25"(13.5cm) in diameter. The set together weighs 45.2 troy ounces. Each candlestick carries the crest of Thomas Parker...

Hallmarked in London in 1811 by Peter & William Bateman, this stunning, Antique Sterling Silver Goblet, is in the neoclassical taste, featuring brightcut engraved decoration througho...

Leontina, late 19th century. Leontine made up of six chains attached to a ring decorated with scrolls and small earrings, from which a series of objects and hooks for small items h...

This beautiful silver coffee and tea set is made around 1900 in Belgium. The design is inspired by 18th century Neoclassical style, the individual elements create a unique touch. P...

Pair of George III silver wine coasters with pierced and engraved neoclassical pierced and engraved decoration and fine beaded borders. This attractive pair has its original turned w...

Hallmarked in London in 1802 & 1803 by John Emes, this handsome set of 4, George III, Antique sterling silver sauce tureens, are 'Boat' shaped, and plain in design, featuring reed bo...

Hallmarked in London in 1778 by William Plummer, this delightful, George III, Antique sterling silver basket, features engraved and pierced decoration, and bead borders. The basket m...

These amazing and heavy sterling silver 19thc vases with removable cranberry glass inserts are in fine condition. The sterling bases are marked sterling and also have hall marks on t...

11 serving pieces of pine tree international sterling silver flatware, A nice compliment of serving pieces to finish off your flatware set, presentation for virtually every course. T...

Tall, Edwardian, sterling silver, neoclassical, column-form candlesticks, Birmingham, England, 1914, Bayliss and Coulthard - makers. Measures: 12 1/2 high x 5 wide x 5 deep (at squar...

English Georgian neoclassical sterling silver basket, ca 1790. Ovoid body on same foot with reeded c-scroll swing handle. Engraved wavy-s...

French 18th century silver “Rafraîchissoir” or “Verrière”, circa 1750-1760 Dimensions: 12.75" W x 8" D x 4" H.

Basket with handle of precious metal silver design Schwarz & Steiner Vienna. An object handicrafted and designed with rich detailwork. Although manufactured most probably during the ...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Germany, circa 1740 Of rectangular...

Early 20th century Mario Buccellati sterling silver tray. Signed and hallmarked. 121.35 oz.

A set of seven, sterling silver butter pats, circa 1940s. Marked Sterling, with a running rope bordered rim. Each pat is faintly initialed with a G. The pats can also be used to hold a tea bag...

Ancient Neoclassic Sterling Silver Coffee Pot, Palermo, Sicily circa 1789 Embossed and engraved silver coffee pot Silversmith, probably Agostino Natoli Diego Di Maggio, Silversmith Consul in 1789 and 1796 Palermo, 1789 It measures 14.17 in (36 cm) high and weighs 2.76 lb (1.252 g) State of conservation: few signs of use and some slight blemishes The large silver coffee pot has a round mouthpiece with a markedly everted rim, on which hinges a domed lid with very full molded pod shapes; a closed bud surmounted by a small sphere serves as a knob. The polygonal neck descends and widens into molded elements that come together, with larger pods, at the point where it is attached to the body. The body in turn is united to a well-shaped foot, which ends in a flat base with a vertical rim. From the body rises a spout with a circular mouth accented with a thick rim. An angled loop, made of ebonized wood, is applied to the neck by means of a double-cone element having a sphere at its center; it ends in a silver cone...

Sterling silver lions' head salt. Neapolitan silver salt / bud vase of circular form with reed and bead rim bordering silver bowl supported on tri...

Hallmarked in London in 1792 by John Hutson, this very handsome, George III, Antique Sterling Silver Salver, is plain in style, round in shape, and features reed borders, and reed de...

Hallmarked in London in 1798 by Crispin Fuller, this stunning, George III, Antique Sterling Silver Tray, is in the Neoclassical style, fea...

Pair of silver & glass lemon tea holders, 1925, London Made by S Zimmermann a famous London Judaica Silversmith.

Hallmarked in London in 1793 & 1794 by George Smith II & Thomas Hayter, this very handsome, George III, antique sterling silver teapot on stand,...

Neoclassical, sterling silver mug/cup, Providence, Rhode Island, Ca. 1880's, Whiting Mfg. Co. - maker. Measures almost 4 inches high x 4 1/2 inches wide fr...

From Milan a 19th century Italian silver and crystal compote bowl in good condition from a private collection. This antique Neoclassical covered compote bowl has a very fine hand-chased vegetal decoration and engraving, a lovely cast engraved silver 800/000 finial and shows silver-maker’s mark for Cristoforo Corbella active in the first half of 19th century in Milan, contrada degli Orefici 3194. This antique silver compote of supreme craftsmanship stands on a three-lobed pedestal base with B L monogram engraved in the central part, features tripod legs decorated with neoclassical motifs, scrolls, flowers, rosettes supporting a circular upper ring adorned with elegant acanthus leafed piercing. Engraved crystal cup and a cover finely engraved with geometrical and vegetal pattern, surmounted by a cast gem finial. The following marks can be seen on the bottom of the foot and the upper edge of the compote, (the original descriptions are reported, as they appear on the documents of the State Archive of Milan): 1) “Forma eptagona. Globo col Zodiaco ed i setti (sic) Trioni” Heptagon form. Globe with the Zodiac and the seven Trioni (seven stars of the Ursa Major) Mark of the Guarantee Office in use in the Napoleonic Kingdom of Italy from 1812 for works with a title of 800 thousandths. 2) "Aratro" Plow Mark of the Guarantee Office in use in the Napoleonic Kingdom of Italy from 1812. 3) "insegna della Luna Piena...

Fine George III silver gilt cup and cover, once the property of the Abel-Smith banking family of Hertfordshire. The Abel-Smiths were also members of th...

Sterling silver anthemion salt. Neapolitan silver salt / bud vase of circular form with anthemion engraved rim bordering vermeil washed bowl supported on tripartite base capped by an...

George V sterling silver sugar caster. Made by William Hutton & Sons, Ltd in Sheffield in 1911. Girdled baluster on domed foot. Cover has ornamental piercing and vasiform finial. Ful...

An American two-piece sterling silver hollowware carving set - pattern and maker unknown, circa 1930s. The knife has a stainless steel blade, the fork has a swing support to keep yo...

This is a sterling 925 rectangular serving tray. It has fluted edge and its border is adorned with a bas-relief garland of leaves. Below the t...

Silver 800 and enamel music box signed Fallaci Firenze. Italy, circa 1930. Marked silver 800. Machine signed "Thorens Switzerland".   

Classical sterling silver trophy cup. Traditional amphora urn with high-looping side handles and stepped and raised foot. Cover domed with engraved bands ...

Neoclassical style, Continental Silver (.800) centerpiece, Germany, Ca. 1915, M.T. Wetzlar - maker. The white, frosted glass bowl is supported by four Continental Silver fluted colum...

A timeless set for tea and coffee in neoclassical form in silver 950 with wood handle, from the maker Jean E. Puiforcat These are a beautiful and timeless set for tea and coffee, co...

Suite of four, tall, sterling silver, Neoclassical-style candlesticks, Whiting Manufacturing Co., Providence, Rhode Island, year-hallmarked for 1923. Weighted. Each measures: 10 inch...

Chofeta. Silver in its color, etc. Royal Factory of Antonio Martínez or Platerías Martínez, Madrid, 1832. With contrast marks Bowl-shaped piece used to place embers in it and burn ...