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Unusual Kerr Art Deco Powder Jar Mounted By a Sterling Silver and Purple and White Guiloche Enamel Lid

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Art Deco Sterling Silver, with Black Enamel Mounted Powder Jar
By Foster and Bailey
Located in New York, NY
Lovely, Art Deco, sterling silver-mounted powder jar, Foster and Bailey, providence, Rhode Island, circa 1920s-1930s. Sterling silver lid is "tuxedo striped" and has black enamel des...
Category

Vintage 1920s American Art Deco Sterling Silver

Materials

Crystal, Enamel, Sterling Silver

Unusual Art Nouveau Sterling Silver Lidded 'with Lion Motif' Powder Jar
By Eastwood-Park Co.
Located in New York, NY
Unusual, Art Nouveau, sterling silver-lidded, cut crystal powder jar, Eastwood-Park Co., Jew Jersey, circa 1909-1915. The lid has a motif of two lions rampant holding a central carto...
Category

Vintage 1910s American Art Nouveau Sterling Silver

Materials

Crystal, Sterling Silver

Art Deco Sterling Silver and Yellow Guilloche Enamel and Crystal Powder Jar
By Adie Brothers
Located in New York, NY
Beautiful, Art Deco, sterling silver and yellow guilloche enamel-mounted cut crystal powder jar, Birmingham, England, 1929, Adie Bros. - makers. The yellow guilloche enamel that deco...
Category

Vintage 1920s English Art Deco Sterling Silver

Materials

Crystal, Sterling Silver, Enamel

Unusual Art Deco Sterling Silver Table Box With Hinged Lid
By Hassett & Harper Ltd
Located in New York, NY
Unusual, rare, Art Deco Period, footed sterling silver table box with rounded, hinged lid, Birmingham, England, year-hallmarked for 1938, Hassett and Harper Ltd. - makers. Underside ...
Category

Vintage 1930s American Art Deco Sterling Silver

Materials

Sterling Silver

Unusual Art Deco Sterling Silver and Black Onyx-Mounted Hinged Crystal Inkwell
Located in New York, NY
Unusual, sterling silver and black onyx-mounted hinged crystal inkwell, American, circa 1920s-1930s. 12-sided, faceted, clear crystal lid is mounted by a 12-sided piece of black onyx...
Category

Vintage 1920s American Art Deco Sterling Silver

Materials

Crystal, Onyx, Sterling Silver

Unusual Delicate Victorian Sterling Silver-Mounted Lidded Liqueur Decanter
By Charles Boyton
Located in New York, NY
Unusual, Victorian, sterling silver-mounted glass, lidded liqueur jug, London, year hallmarked for 1899, Charles Boynton - maker. Measures: 6" high x 5" across from spout to handle ...
Category

Antique 1890s English Late Victorian Sterling Silver

Materials

Sterling Silver

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Tall Silver & Guilloche Enamel Lidded Jar by Goldsmith's and Silversmith's Co.
By Goldsmiths & Silversmiths Co. Ltd.
Located in Bath, GB
A stunning tall vanity / dressing table jar, probably used for either hatpins or a toothbrush, hence the little cork lining to the interior of the base. The glass is channel cut...
Category

Vintage 1930s British Art Deco Decorative Boxes

Materials

Sterling Silver

Perfume holder Art Deco style enamel black and white Sterling Silver Salimbeni
By Salimbeni, Franco Salimbeni
Located in Firenze, FI
Discover a pinnacle of luxury with this parallelepiped handbag perfume holder, crafted from 925/1000 sterling silver and finished with a screwed cap. This masterpiece features exquis...
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Vintage 1970s Italian Art Deco Bottles

Materials

Sterling Silver, Enamel

Antique Kerr Art Nouveau Sterling Silver Picture Frame
By William B. Kerr & Co.
Located in New York, NY
Art Nouveau sterling silver picture frame. Made by William B. Kerr in Newark. Rectangular with beveled and acid-etched sides: Wraparound reading entwined with fluid foliate scrollwor...
Category

Early 20th Century American Art Nouveau Sterling Silver

Materials

Sterling Silver

Powder Case Art Deco style designed for Cartier USA Sterling Silver Salimbeni
By Salimbeni, Giorgio Salimbeni
Located in Firenze, FI
Powder case for handbag in 925/1000 sterling silver with black and red fired enamel. Opening with spring button. Ground mirror and retina inside. Measure cm. 7.3 x 7.3 x 1.5. Weight gr.250. Created in the Art Deco style for Cartier USA in the 1980s, inspired by designs by Louis Cartier from the early 1900s. Manufactured in Florence in the Salimbeni company headquarters with completely manual execution by artisan artists with thick slab and large reinforcements suitable for withstanding numerous high-fire enamelled firings at about 750°<800° C. About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...
Category

Vintage 1980s Italian Art Deco Jewelry Boxes

Materials

Sterling Silver, Enamel

Art Deco American Sterling Silver & Pink Guilloche Enamel Letter Holder
By The Thomae Company
Located in Bath, GB
A rare piece of American Art Deco silver, a small desk-top letter rack made from solid sterling silver by the Thomae Company of Attleboro, Massachusetts made in the 1930's. The quality is evident, a lovely screwed construction, which can be seen from the underside, and a good heavy weight, 9.52 Troy Ounces / 296.1 Grams. The underside is fully marked "Sterling" and the maker's mark for the Thomae Company. The front is decorated with a stunning pink guilloche enamel...
Category

Vintage 1930s American Art Deco Desk Sets

Materials

Sterling Silver

Picture Frame Art Deco Chinese influence Enamel Sterling Silver Salimbeni
By Giorgio Salimbeni, Salimbeni
Located in Firenze, FI
Rectangular photo frame in 925/1000 silver with geometric design and fire-enameled with Chinese influence style. External cm. Internal 11.6 x 14.6 cm. 6 x 9. Weight gr. 194. Created in Art Deco style for Cartier USA in the 1980s, inspired by drawings by Louis Cartier from the early 1900s. Manufactured in Florence in the Salimbeni company headquarters with completely manual execution by artisan artists with high thickness plate and large reinforcements suitable to support numerous high-fire enamelling firings at approximately 750° < 800° C. It is a new object that has never been used but is considered vintage because it was built more than 20 years ago. The hallmarks struck to the underside of this fine box include: manufacturer's mark: 391FI metal mark fineness:925 Art Deco was also born in France and is the abbreviation of "Art Decoratif". With more decisive and geometric features than Art Nouveau, therefore more evident and "harder", with always contrasting and strong colours, Art Deco spread throughout the world, from Shanghai's China to the under construction New York and in various parts of Europe. Many artists and designers of the time dedicated themselves to the creation of drawings, paintings, objects for personal use and furniture, interior furnishings, entire buildings and skyscrapers, in this new style. Sandoz in Paris, Lalique with its crystals, Puiforcat with its silverware, Erté with its "ante litteram" fashion designs, Tiffany with its table lamps, Louis Cartier with its objects inspired by the Far East (hence the connection with Shanghai). Salimbeni was able to interpret and propose new objects inspired by Art Deco, in precious metals, semiprecious stones and fired enamels, when, exhibiting at jewelery exhibitions in the United States, and more precisely in New York, he made contact with Cartier buyers first, and also with Tiffany later, and for them he created objects in this style inspired by the original drawings of Louis Cartier, obtained from the buyer of the time, but with absolutely different and original designs and interpretations. Many of the objects produced by Salimbeni for Cartier in the United States had taken inspiration from famous Cartier objects belonging to famous people. An example of all is Mary Pickford's set consisting of a powder compact, cigarette case, pill case and evening handbag. About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...
Category

Vintage 1980s Italian Art Deco Sterling Silver

Materials

Sterling Silver, Enamel

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