Ceramics

Beautiful vertically painted majolica plaque, attributable to the famous Castelli factory, located in Abruzzo (Central Italy), dating back to the first half of the 18th century. The ...

A beautiful small ceramic pinch pot vase. Created from clay, this fun piece will be fantastic used in a grouping of other vases and filled with your ...

Splendid polychrome majolica plaque, attributable to the renowned Castelli factory, located in Abruzzo (Central Italy), and dating back to around the end of the 17th century. The pla...

"Pre-Columbian Ceramics – Tiahuanaco Culture" Material: Ceramic Origin: Southern Sierra of Peru, Lake Titicaca Plateau Period: Boom Age (1 AD – 800 AD) Dimensions: 15 cm high x 14 cm...

A ceramic sculpture " Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

Dolores Porras Enríquez is widely known throughout Mexico and the world for being the creator of a technique rooted in the land of Oaxaca: pottery in natural color, glazed and decora...

This fine blue decorated hand made pottery crock. It has the original double handles and in fine condition. Minor base chip (tiny). Fantastic glaze surface. This is a large three gallon...

Hand crafted weed pot with scribble design and green and orange glaze. signed J.bock80.

Sculpture in black glazed ceramic entitled " Ailettes" by Jean-Pierre Bonardot. Artist signature under the base « JP Bonnardot ». Unique piece. 2025. H : 30 X 24 X 20 cm / 11.8' x 9...

Pair of very decorative large handcrafted Moorish, Spanish style ceramic urns planters from Fez, Metal handles, bottom and top adorned with embossed metal. Great decorative large ce...

Splendid polychrome majolica plate belonging to the Montelupo ceramic workshop. The enamel has also been applied to the rim, in an elegant aqua green, while the background is white d...

Moroccan glazed ceramic urn with lid from Fez. Moorish style ceramic handcrafted and hand-painted with Arabic calligraphy pink writing. This kind of Art Writing looks calligraphic...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy. This purple and blue hydrangea is handmade in glazed porcelain, with handpainted copper leaves ...

Glazed ceramic cup with modeled decoration by André Rozay. Artist signature under the base « Androz 1944 La Borne ». Unique piece. Circa 1944. H : 3.9 x 14.9 inches.

“My purpose in making this skull is to represent the different types of native maize that since remote times have brought food security to our ancestors, giving them the time to develop the knowledge and arts to the extent they did,” says Mexican ceramist Omar Hernández...

Vintage Moroccan Ceramic Urn with Lid, white crackled ceramic with silver overlaid. Great to use in the kitchen or in the bathroom. Great folk...

Made of earthenware, this set of tiles (5) depicts a beautiful but mysterious winged creature. Chimera, like and placed on a pedestal, this creature sh...

Fabulous handcrafted antique Moroccan Moorish ceramic vase in Moorish style adorned with fine filigree silver nickel work with handles. The color of the ceramic is renowned as bleu de Fez. Blue and white footed ceramic vase...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, in collaboration with Maison Nurita. This Lily of the Valley is handmade in biscuit porcelain, glazed in a custom pink for Maison Nurita, with patinated copper leaves and stems, and is placed in a rock crystal pot...

18th Century polychrome Delft oil and vinegar stand in Imari flower decorations.

Handcrafted large Moroccan polychrome decorative ceramic plate from Fez. Bleu de Fez, very nice designs hand painted by artist in Fez. Geometrical and floral designs and adorned wit...

This fine very large Mocha Yellow ware bowl with the blue seaweed pattern throughout.

Large colorful glazed terracotta passata bowl from southern Italy (Puglia). This rustic 19th century terracotta bowl was used in the Ita...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy. This Rose Bush is handmade in biscuit porcelain with painted copper leaves...

Modernist large mosaic tile top cocktail table by David Holleman, stunning mosaics,,colors ,,composition.. Classic mid century modern design,, ...

Early antique federal eagles [pair] beautiful glaze. ca 1900, came from an antique collectors personal collection, you can see a repair on one of the eag...

A very rare early work featuring a dark chocolate brown glaze by master Mid-Century Modern ceramist/potter Glen Lukens whose work has become quite collectible and relatively scarce and difficult to find. The work is signed and dated (1924) by Lukens on the underside (we have only seen one other piece dated this early and that piece is in the Forrest Merrill Collection). Lukens was the founder of the University of Southern California (USC) Architectural School’s Ceramics Department where he helped establish and promote clay pottery as a universally acceptable art form. The current popularity of Studio Pottery and ceramics is widely accepted to have started with Lukens who is oft credited with being one of the first artists to raise the stature of Mid-Century Modern Studio Pottery within the art world. Lukens is famed for his experiments with various glazes and glazing techniques. His influence and glazes can be clearly seen in the works of Otto and Gertrud Natzler, Beatrice Wood, James Lovera, etc. He was also known for combining bright, colorful textile glazes (using natural, organic materials and elements he found in the Mojave Desert, Palm Springs, and Death Valley to make what he referred to as "California Colors") with the rough and raw clay surfaces of his often rudimentary forms and vessels. Lukens currently has an award in his name (Glen Lukens Award) at the University of Southern California's School of fine Arts. A very rare, unique, and truly special work This piece would be a tremendous stand-out addition to any collectors of Lukens' work or Mid-Century Modern ceramics collection or eye-catching accent piece in about any setting, modern or otherwise. A must-have. Lukens work can be found in various museum collections including: Arizona State University Art Museum, Tempe, Arizona Huntington Library...

Stamps, or sellos, such as this one were common during the pre-Columbian period in Mesoamerica and most popular during the Formative Period that spanned the years between 1200-800 B....

A beautiful and very engaging Chawan tea bowl by famed Japanese Hawaiian American pottery master Toshiko Takaezu. The fired stoneware bowl features a vast array of shifting, vibrant,...

Joseph Talbot Signed under the base Original XXth century design large stoneware ceramic vase Perfect condition Blue and brown stoneware ceramic glazes colors Circa 19...

This large mocha blue seaweed yellow ware mixing bowl is in fine condition. Has a very nice decoration of blue seaweed pattern on the outside band.

Ceramic cylinder-shaped jar features Folk Art style decor with highly detailed floral motifs and garlands, repeating on both front and back sides of the jar. The lid is decorated wit...

Stoneware lamp with geometric decoration by Georges Martin. Artist monogram on the base. Circa 1970-1980. H : 11.8 x 11.4 inches (ceramic only). Sold with a European electrical system.

Painted earthenware h57 x w39 x d23 cm

Claude Gaget Large stoneware ceramic decorative box realised in La Borne original perfect condition Measures: Height 18 cm Large 17 cm.

Elegant white and blue plate made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar learned his art in the workshop of the Uriarte family, an excellent workshop where his grandfather worked. In his creations he uses the black and white mud that is obtained from the nearby hills of Loreto and Guadalupe, and colors of mineral origin that he creates in his workshop with recipes from his grandfather. All the pieces are modeled in a traditional way and go through a production process that usually takes from one to two months, between drying, burning, and painting. Being surrounded by a living tradition, Cesar Torres Jr., learned from his father since childhood. Architect by profession, Cesar Jr. has come to revolutionize and modernize with new designs and ideas of the current world, nevertheless always respecting the tradition of the processes and materials that make Talavera a Creole art...

Very large colorful glazed earthenware passata bowl from southern Italy (Puglia). This rustic 19th century terracotta bowl was used in ...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, exclusive to Maison Nurita in Canada. Mazy has been working as a ceramist for nearly 20 years i...

These matching sponge ware round body pitchers are in pristine condition. To find a pair that are so similar is most unusual. Sold as a pair.

This unique polychrome Native American seed pot is round in form and decorated in an array of geometric shapes with a figural design on top. The colors are de...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, exclusive to Maison Nurita in Canada. Mazy has been working as a ceramist for nearly 20 years i...

Historical art object. Hand made clay figure head on solid walnut base. It appears to have been glued to the base once. It sits loose but stable with wire. Original vintage conditio...

Charming outsider art charger / decorative plate depicting a jovial young girl. Pleasant color palette and figure with age-appropriate crazing to the glaze...

"Pre-Columbian Ceramics – Tiahuanaco Culture" Material: Ceramic Origin: Southern Sierra of Peru, Lake Titicaca Plateau Period: Boom Age (1 AD – 800 AD) Dimensions: 9 x 14 cm in diam...

A fine antique English Staffordshire pottery figurine. Depicting a seated Spaniel. With confetti fur and painted black highlights. Simply a wonderful Staffordshire dog figurine...

Ceramic lamp in the style of Georges Pelletier, or Accolay circa 1950/1960.

A truly breathtaking work by renowned Japanese born ceramic master Jun Kaneko. Kaneko studied with Peter Voulkos, Paul Soldner, and Jerry Rothman and was exposed to such artist as Ken Price and John...

Very large colorful glazed earthenware passata bowl from Southern Italy (Puglia). This rustic 19th century terracotta bowl was used in ...

Ceramics in the shape of a goat stamped Dominique Pouchain.

Ceramic plate by Roger Capron, Vallauris, France, signed

A truly fantastic, large, heavy charger/plate/platter by American master potter/artist Peter Voulkos who is known for his abstract expressionist ceramic pottery pieces and sculptures...

Ceramics in the shape of a owl stamped Dominique Pouchain.

20th century Ransbottom spongeware pottery water cooler. Complete with lid and faucet in pristine condition.

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, in collaboration with Maison Nurita. This Lily of the Valley is handmade in biscuit porcelain, glazed in a custom pink for Maison Nurita, with patinated copper leaves and stems, and is placed in a rock crystal pot...

An amazing and unique piece by renowned American pottery and ceramic master Paul Soldner who in the 1950s was Peter Voulkos' first student and who later became famed for developing the technique now known as "American Raku" - a practice of using low temperature salt firing...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2007. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

A gaper is a stone or wooden figurehead, often depicting a Moor, Muslim, or North African. The figurehead first appeared in the late 16th century as a hangout sign used outside the storefronts of drug stores in the Netherlands. The meaning of gaper is the same in English; the figurehead is always displayed with an open mouth, sometimes with a pill resting on his tongue. The gaper's gaping tongue could represent the intake of medicine and grimace represents the bitter taste of the medicine. The gaper takes on various appearances that are symbolic of the origin for the pharmacist...

"As a Mexican and Oaxacan, but more as Omar, I see death as something present. It´s something that is a part of life and when you think about death, you begin to value a lot of things. Death is important to me because it’s a constant threat. If you think about dying now, you would probably do things that in another moment you would say, “I’ll do it later.” I see death as an opportunity to live a better life...a continuation of something," says Mexican ceramist Omar Hernández. Omar Hernandez is a Mexican ceramist born and raised in Oaxaca, Mexico. As a child, growing up in a family of potters he didn't have much interest in making pottery, but in his early 20's he realized he could do other things with clay that weren't necessarily utilitarian pieces. It was then that Omar started his skull...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, in collaboration with Maison Nurita. This Lily of the Valley is handmade in biscuit porcelain, glazed in a custom pink for Maison Nurita, with patinated copper leaves and stems, and is placed in a rock crystal pot...

Glazed stoneware sculpture of Saint-Jean by André Rozay. Artist signature at the back « La Borne - Rozay». Unique piece. Circa 1970-1980. H : 24.4 x 7.9 x 8.3 inches.