Ceramics

Stoneware lamp with geometric decoration by Georges Martin. Artist monogram on the base. Circa 1970-1980. H : 26.4 x 14.2 x 7.1 inches (ceramic only). Sold with a European electrical...

Large Moroccan ceramic decorative serving tajine polychrome with leather, stones and metal overlay with conical overlay lid. The bottom is a circular ceramic bowl and the top of the tagine is distinctively shaped into a cone. Handcrafted and hand painted with Moorish designs by artisans in Fez Morocco. Great decorative Moroccan Folk ceramic...

Mushroom glaze on an olive ground. Impressed artist's monogram with Ainstable mark. H47 x D24 cm

The Arts of Persia Ronald W. Ferrier Hardcover Book. Published by Yale University Press, 1989 344 pages, Hardcover First published September 10, 1989 Persian art, with its detail...

Glazed in an ombre blue, cream, and brown, this tall geometric vase will bring a touch of mid-century to any space. The piece is octagonal and decorated with applied geometric circle...

Unique face jar with lid, signed Waar, 1986 Unique and intersting. This jar will add interest to any room. Nice glaze.

A big ceramic vase by Eugene Lion with glaze decoration. Signed under the base " E. Lion". Circa 1920.   

Iconic pair of Howard Pierce ceramic quail bird figurines/sculptures dating from the 1950s. These are an iconic design. Great color and form. The larger ...

Love this painting. The original "The smiling boy" by Frans Hals, 17th century. This Delfs blue tile panel image is hand painted by Nico Koelewijn in the 19...

Elegant white and blue vessel made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar learned his art in the workshop of the Uriarte family, an excellent workshop where his grandfather worked. In his creations he uses the black and white mud that is obtained from the nearby hills of Loreto and Guadalupe, and colors of mineral origin that he creates in his workshop with recipes from his grandfather. All the pieces are modeled in a traditional way and go through a production process that usually takes from one to two months, between drying, burning, and painting. Being surrounded by a living tradition, Cesar Torres Jr., learned from his father since childhood. Architect by profession, Cesar Jr. has come to revolutionize and modernize with new designs and ideas of the current world, nevertheless always respecting the tradition of the processes and materials that make Talavera a Creole art...

Stoneware with Tenmoku glaze H36 x D18 cm

We are delighted to offer for sale this one of a kind, fully signed, original circa 1930 Roger Guerin ceramic pots of large proportions. I have three posts for sale, one has a stitched detailing, another, fler de lis and lastly one with handles and Deers, this sale is for the pot pictured alone, the others are listed under my other items and not included in this sale Roger Guèrin (1896-1954) was one of the leading Belgian ceramists in Bouffioulx near Charleroi. Typical was his use of flowing glazes in his decorations. He was true to the history of this region, often working on a type of hard ceramic (fired to over 1250 degrees Celsius) which was made there since the late Middle Ages. He exhibited at the Paris expos...

Large Moroccan glazed ceramic vase from Fez. Moorish style ceramic handcrafted and hand painted with Arabic calligraphy writing. This kind of Art Writing looks calligraphic is call...

Stoneware H44 x W23 x D23 cm

Charming outsider art charger / decorative plate depicting a jovial young girl. Pleasant color palette and figure with age-appropriate crazing to the glaze...

Wall sculpture entitled « Tressage tubulaire » in grey, brown and black stoneware by Anne Barrès. Circa 1970-1980. Unique piece. H : 22.04’ x 22.9’ x 1.6’ inches. Approximate dim...

A masterful work by famed potters Otto and Gertrud Natzler. This monumentally large round-shaped footed bowl was wheel thrown and formed by Ge...

A wonderful Scandanavian glazed stoneware pottery footed vase by Annikki Hovisaari for Arabia Finland. This piece features a sea-like turquoise/ blue glaze and gourd-like shape. ...

Wall sculpture entitled « Tressage » brown glazed stoneware and rope by Anne Barrès. circa 1970-1980. Unique piece. H : 31.5’ x 19.7’ x 2.7’ inches. Approximate dimensions.

Large antique Moroccan glazed ceramic urn with lid from Fez turned into a lamp. Large Moroccan Ceramic Table Lamp with Moorish Spanish Granada Des...

Receiving guidance from tribal ancestors was a central aspect of the Luba people's spiritual practices. This ceramic spiritually significant vessel is topped with a crossed leg figure whose head has an opening critical for a divination ritual. Known as an mboko, this handled vessel would have been filled with items like antelope horns, shells, dried beetles, human teeth...

For Newlyn Harbour Pottery, c.1960s Ceramic H29 x D14 cm

Ceramic H6 x W7 cm

Stoneware H9 x D7.5 cm

Pitcher by Pol Chambost Not signed Model : 1038 In white satin. Elegant line for this sculpture pitcher.

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2006. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

This very rare and absolutely stunning Edward Wormley designed end/ occasional table for Dunbar Furniture for their "Janus" collection, circa 1956-1957 comes with inlaid, glazed tile...

"Pre-Columbian Ceramics – Titicaca Culture" Material: Ceramic Origin: Southern Sierra of Peru, Lake Titicaca Plateau Period: Boom Age (1 AD – 800 AD) Dimensions: 15 x 14 cm in diame...

Large ceramic floor vase with glaze in variations of beige and pastel colors, made by Danish artist Ole Victor, 2022. Ole Victor is a Danish artist who a...

Orange and brown glazed ceramic vase by Joseph Talbot. Artist’s monogram under the base. Circa 1940-1950. H : 18.9’ x 9.1’ inches.

A rare and large glazed ceramic whiskey dispenser with strong form and color. Mark on the base dates to 1882-1891. Urquart owner's inscription also i...

"Pre-Columbian Ceramics – Tiahuanaco Culture" Material: Ceramic Origin: Southern Sierra of Peru, Lake Titicaca Plateau Period: Boom Age (1 AD – 800 AD) Dimensions: 17 cm high x 14 cm...

A wonderfully designed and glazed Japanese Mingei style Chawan tea ceremony bowl with ears by esteemed American born/ British potter Janet Leach, wife of f...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, in collaboration with Maison Nurita. This Lily of the Valley is handmade in biscuit porcelain, glazed in a custom pink for Maison Nurita, with patinated copper leaves and stems, and is placed in a rock crystal pot...

A fantastic, freeform, large, heavy plate/ charger by American master potter Peter Voulkos who is known for his abstract expressionist ceramic pottery pieces and sculptures. Very unique and scarce work with rare use of color. Very hard to come by. One of our personal favorites along with the Chawan tea bowl. Signed on base and dated (1961) by Voulkos. This was made during one of his most magical and experimental phases. From of Private Collection, New York. Voulkos is widely considered to be the most important and impactful ceramist of the modern era. He won the Rodin Museum Prize at the first Paris Biennale in 1959 and was the winner of a Guggenheim fellowship in 1984. Voulkos received the College Art Association’s Distinguished Artist Award for Lifetime Achievement in 1997. He was made an honorary member of the American Academy and Institute of Arts and Letters in 2001. He also received six honorary doctorate degrees as well as three National Endowment for the Arts awards. His work can be found in many prominent collections and museums including: Aichi Prefectural Ceramic Museum, Nagoya, Japan Albany Mall, Albany, New York American Museum of Ceramic Art...

A wonderful and quite impressive large, heavy, hand-decorated bowl by Ohio-born Midwest American master potter/ artist Cyde Burt who early in his career studied under Maija Grotell...

An antique cocoon jar. Earthenware with hints of red color pigments. China, Han period (206 BCE - 220 CE).

A ceramic vase with white glaze decoration attributed to Pol Chambost. No signed. Perfect original conditions. France, 1930.

Incredible mid 20th century tortured clay art pottery vase in the style of Peter Voulkos / Otis School era. Creamy white and black glaze over twisted square tubing. Stands 22in tall...

Glazed Ceramic H26 x W25 x D19 cm

Important glazed stoneware sculpture entitled « Flétrie »by Anne Barrès. Circa 2010. Unique piece. Can be displayed both indoors and outdoors. H : 17.7’ x 19.7’ x 19.7’ inches (c...

Glazed stoneware sculpture entitled « L’éffondrée bleue » by Anne Barrès. circa 2010. Unique piece. H : 22.4’ x 25.6’ x 27.5’ inches. Approximates dimensions.

A ceramic vase with white glaze decoration by Michel Levêque, Potter of La Borne. Perfect original conditions. Signed " M. Levêque" under the base. Circa 1970.

Stoneware with Tenmoku glaze. H37 x D17 cm

Pair of antique Chinese ceramic bowls. 20th century. Asian art. Decorative and richly painted ceramic bowls.

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, exclusive to Maison Nurita in Canada. Mazy has been working as a ceramist for nearly 20 years i...

A beautiful Aldo Londi designed fish from the "Pesci" series in "Rimini Blu" color and glaze. Manufactured from Bitossi in the 70s customized for Sardartis Castelsardo company in Sa...

A petite small clay roadside decorative touring bowl. This catchall or dish is short, and wide, and decorated with a malachite look green marbled design on the exterior. The inside is glazed in deep verdigris or turquoise. A lovely piece of earthenware, it is hand made and marked on the bottom with: Central City...

A ceramic sculpture " Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

Fabulous handcrafted antique Moroccan Moorish ceramic vase in Moorish style adorned with fine filigree silver nickel work with handles. The color of the ceramic is renowned as bleu de Fez. Blue and white footed ceramic vase...

Large scale Mexican Folk Art ceramic or stoneware angel vessel, Mexican, circa 1950s. We purchased the estate of an Atlanta Coca Cola executiv...

Original German vintage hand-painted "Handgemalt" small triangular shape ceramic plate. Ivory grey with a hand-painted scene of a couple with a dog, trees, birds, in Yellow, blue, gr...

Painted earthenware H39 x W28 x D20 cm

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy. This Rose Bush is handmade in biscuit porcelain with painted copper leaves and stems, and is pl...

Square glazed stoneware vase by Alessio Tasca, 1970s Square drawn ceramic vase made by Alessio Tasca around 1970. The work is glazed stoneware with a white and brown finish, with a g...

Large pair of Moroccan glazed polychrome ceramic water jug with handle. Hand painted ceramic handcrafted by skilled Moroccan artisans in Fez Morocco...

This is a 19th-century Intaglio Tassie - A seal with the bust of a man on it. Thick gilt paper wrapped around the edge mimicking a frame. There are a few tiny faults in the mold but ...

These 19th century sponge ware pottery butter crocks measures 6 x 4 and are all in good condition. Each one is slightly different from the next. So nice to see a grouping on a kitche...

Sculptural Pitcher by André Aleth Masson. Beautiful Black Satin Ceramic. Signed by the " Triskèle " and 3 Masson "