Ceramic Ceramics

Stoneware lamp with geometric decoration by Georges Martin. Artist monogram on the base. Circa 1970-1980. H : 26.4 x 14.2 x 7.1 inches (ceramic only). Sold with a European electrical...

Stoneware lamp with geometric decoration by Georges Martin. Artist monogram on the base. Circa 1970-1980. H : 7.9 x 7.9 inches (ceramic only). Sold with a European electrical system.

Stoneware lamp with geometric decoration by Georges Martin. Artist monogram on the base. Circa 1970-1980. H : 14.6 x 7.5 inches (ceramic only). Sold with a European electrical system.

Stoneware lamp with geometric decoration by Georges Martin. Artist monogram on the base. Circa 1970-1980. H : 5.9 x 10.2 inches (ceramic only). Sold with a European electrical system.

Stoneware lamp with geometric decoration by Georges Martin. Artist monogram on the base. Circa 1970-1980. H : 6.7 x 11 inches (ceramic only). Sold with a European electrical system.

Stoneware lamp with geometric decoration by Georges Martin. Artist monogram on the base. Circa 1970-1980. H : 11.8 x 11.4 inches (ceramic only). Sold with a European electrical system.

Stoneware lamp with geometric decoration by Georges Martin. Artist monogram on the base. Circa 1970-1980. H : 11.8 x 9 inches (ceramic only). Sold with a European electrical system.

Stoneware lamp with geometric decoration by Georges Martin. Artist monogram on the base. Circa 1970-1980. H : 9.05 x 7.7 inches (ceramic only). Sold with a European electrical system.

Engobed stoneware sculpture « Solstice » by Mart Schrijvers. Artist signature under the base. 2024. H : 8.3 x 10.6 inches.

These handmade decorative accessories combine the traditional Portuguese ceramic and glazing techniques in a modern approach of shapes and color, as they bring such brightness and jo...

Square stoneware pot with abstract decoration by Georges Martin. Artist monogram under the base. Circa 1970-1980. Unique piece.

O/2956 - Old earthenware bowls and lids from Morocco: terracotta lids can be used to keep food warm in serving dishes. I'm closing my activities, so...

British studio pottery small vase by Bernard Rooke. Featuring leaves and bird decoration. Inscribed BR. Circa 1970. In very good condition, with no damage. Bernard Rooke studied p...

A rare 19th century French earthenware cake or baking from Soufflenheim in the Alsace region, circa 1880s. In the shape of a lobster or crayfish, this Alsatian mold symbolizes fertil...

These splendid ceramic creations are born from the artistic laboratory of Mosche Bianche. The piggy bank, a means that has always been used to remind us of the importance of savi...

The FLAPJACK tile from MAKHNO Product is a truly innovative and versatile piece of design that offers both functionality and beauty. This multifunctional wall tile is a true master...

Cosmos I vase by Jean François Reboul made out of enameled ceramic using Raku technique. A“Certificate of Authenticity” is provided by the gallery. Jean-François Reboul, born in 19...

A pair of Meissen Hoopoe birds naturalistically modelled perched on leafy tree stumps after the models by J J Kandler with blue crossed sword marks, 19th century. Batch 71 61579 ...

Exceptional large vintage Colombian hand made clay water container / jug. Displays a fantastic native influenced design around the top.  

Great condition

The male figure is cone-shaped, with arms gently cradling his hands to his stomach, embodying introspection. His surface features bold, abstract patterns and a glossy glaze. The fem...

Star petal gourd III by Julie Nelson One Of A Kind Dimensions: D 22 x H 26.5 cm Materials: Ceramic stoneware and porcelain Artist Julie Nelson uses ...

Porcelain Children Figurine by Danish designer Svend Lindhart for Bing & Grondahl. Scandinavian Modern, Made in Denmark circa 1970's. $375 for the s...

Small ceramic dish by Marianne Johnson for Royal Copenhagen in the 1950s, from the ‘Tenera’ series. 17x17cm H:3,5cm Royal Copenhagen is one of Europe's oldest porcelain manufacturer...

Very Large Moroccan Ceramic Platter (2026.2) Very Large Moroccan Ceramic Platter. Made in the Atlas mountains these huge platters are a labour of love. They are hand formed and hand ...

Sculpture in glazed stoneware and engobed by Jean-Pierre Bonardot. Artist signature under the base « JP Bonardot 99 ». Unique piece. 1999. H : 7.08’ x 21.6’ x 13.8’ inches.

With its elegant and delicate design, the FISH is not just a mere wall decoration, but a work of art that elevates any space it is installed in. The tile's intricately detailed patte...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

Mid Century Rorstrand White Ceramic Blanca Jug. Elegant ceramic jug by the Swedish ceramicist Rorstrand. This is in excellent condition, no chips, cr...

Simpatico Tower I, 2022 Glazed stoneware Measures: 93 x 25 x 25 in.

“My purpose in making this skull is to represent the different types of native maize that since remote times have brought food security to our ancestors, giving them the time to develop the knowledge and arts to the extent they did,” says Mexican ceramist Omar Hernández...

Masque en céramique des poteries d'Accolay, France, années 1960. Masque signé au verso. Bon état. Dimensions : hauteur 27 cm, largeur 18 cm, profondeur 9 cm.

White slip black geometric effigy pot Nicolas Quezada, Master Potter (1948 - 2011) 1988 Hand coiled low fired clay Pueblo Quezada, Mata Ortiz, Chihuahua, M...

Ceramic in the shape of a unicorn by Dominique Pouchain.

Gorgeous Dutch ceramic pottery Art Deco bookends. Designed by Godefridus Boonenkamp in 1931. Very nice, large bookends, made of white baked earthenware ...

A ceramic sculpture "Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

A ceramic sculpture "Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

A ceramic sculpture "Bloc in motion" by Maarten Stuer. This piece can be put indoor or outdoor. Artist monogram under the base. 2020. Unique piece.

Simpatico Tower II, 2022 Glazed stoneware 63 x 23 x 23 in Inv #TDM1182

A ceramic pitcher with glaze decoration by Accolay. Perfect original conditions. Signed under the base, Circa 1960-1970.

A big ceramic vase to La Borne. Perfect original conditions. circa 1970. Signed at the base.

Napolean III. Late 19th Century Majolica. Beautiful condition. Age appropriate wear, see detailed photos or message us with questions.

A fabulous polychrome enameled earthenware parrot Delft or France, 18th or 19th century Suspended from a ring, with modern powder-coated stand. Measure: L parrot 26 cm.  

Contemporary Tamagroute Green Candlestick - Morocco. Tamegroute is a small Moroccan village simply known for it's rich traditional ceramics. The cl...

Ceramic mask, Vallauris, France, 1960s Custom made pedestal.

Contemporary Tamagroute Earth Candlestick - Morocco. Tamegroute is a small Moroccan village simply known for it's rich traditional ceramics. The clay is cut by hand from the banks of...

Napoleon III Late 19th Century Majolica Rabbit. Unique piece purchased in France. Age appropriate wear, see detailed photos or message us with questions. 

Green ceramic vide de poche by Chambost

Large Pottery Dog Head from West Mexico. Lobed base with dog head emerging from upper shoulder of vessel. Chip on dog muzzle and jar rim. Dates between 200 BC and 200 AD. 7 ¼”D x 7 ¼...

We are delighted to offer for sale this one of a kind, fully signed, original circa 1930 Roger Guerin ceramic pots of large proportions with Deer decoration and handles I have three posts for sale, one has a stitched detailing, another, fleur de lis and lastly one with handles and Deers, this sale is for the pot pictured alone. Roger Guèrin (1896-1954) was one of the leading Belgian ceramists in Bouffioulx near Charleroi. Typical was his use of flowing glazes in his decorations. He was true to the history of this region, often working on a type of hard ceramic (fired to over 1250 degrees Celsius) which was made there since the late Middle Ages. He exhibited at the Paris expos...

This fine, round, dark grey vessel depicts a complete figure which is rare. It was made by the Mangbetu People. The Mangbetu ethnic group lives deep in the...

This handmade vase was designed and made by the collaboration of Spanish designers Carlos Jiménez, better known as `“Del Amor y la Belleza”´´, and Ranma. The vase is made of ceramic...

Pippo Pozzi, Alessandria 1910 / Biella 1999, Italy in years 1960 ceramic plate design measure diameter 13 inches x 1,2" deep, in perfect condition A is very rare. signed in t...

Mask by Accolay pottery, active between 1947 and 1983, signed

Napoleon III Late 19th Century Majolica Rooster Unique piece purchased in France. Age appropriate wear, see detailed photos or message us with questions.

Fantastic vintage Postmodern charger. Brilliant hand painted glazed ceramic with an impressive size. Signed on the back. Acquired from a Palm Beach estate.

Napoleon III Late 19th Century Majolica Rooster. Unique piece purchased in France. Age appropriate wear, see detailed photos or message us with questions.

Ceramic Mask, anonymous, France, 1960s Custom made pedestal.

Ivory pentacle IX by Julie Nelson One of a Kind Dimensions: W 36 x D 38 x H 26 cm Materials: Ceramic stoneware and porcelain Artist Julie Nelson use...