"Defiant Comanche" Mixed Media Sculpture by Chris Pardell

Presented is a bronze sculpture of two hunting dogs. One dog is depicted with his nose to the ground, having caught the scent of the hunt. The other dog p...

This is an original American eagle, hand-carved from pine during the early to mid 20th century. The eagle features a touch of original gilt over yellow sizing with hand-painted highlights, emphasizing the eyes and beak. The eagle is displayed with both wings fully outstretched. The feathers are expertly detailed, especially considering that this eagle is a single-piece carving. The eagle is both the national bird and the national animal of the United States. The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery, usually the golden eagle, was prominent. On June 20, 1782, the Continental Congress adopted the design for the Great Seal of the United States depicting a bald eagle grasping 13 arrows in its sinister (left) talon and an olive branch with its dexter (right) talons. Those arrows are tightly aligned, a symbol of "strength in unity" that's found in the traditional cultures everywhere, from the Romans to the Iroquois. In this case, the bundle of arrows were a nod to the unity of the original 13 colonies. The olive branches emphasize the power of peace. The eagle motif has since appeared in allegorical engravings...

Presented is “U.S. Flag Behind Capitol,” an original mixed-media painting by American artist Ron Sloan. The drawing shows an intricately detailed rendering of the front entrance to the United States Capitol building. Behind the Capitol is a large, waving American flag, set outside an orange-hued rounded rectangle. Sloan created this stunning artwork in February of 1985, for use on the Fleetwood First Day Cover of the 22 cent “Flag Over Capitol” stamp, issued in March of that same year. The painting depicts the iconic neoclassical building from the east orientation, with it’s dome towering overhead. Plans began in May of 1854 to build a new cast-iron dome for the United States Capitol. The then-architect of the Capitol Thomas Walter and his team were sold on the aesthetics of a new dome, as well as the utility of a fire-proof one. A year later, on March 3, 1855, President Franklin Pierce signed off on the appropriation of $100,000 to build the dome. Construction began in September of that year with the removal of the first dome raised by Charles Bulfinch. Over the next 11 years, the dome rose over the nation's capital. By December of 1863, Walter was able to set the bronze sculpture “Statue of Freedom” atop the dome. Thomas Walter resigned in 1865 and his replacement, Edward Clark, assumed the role of finishing the last aspects of the dome. Just over a month later, in January 1866, Constantino Brumidi, who had been hired to paint a fresco above the interior dome's oculus, removed the scaffolding used...

Presented is an original signed bronze sculpture by American artist Veryl Goodnight. The sculpture is called "Come Forth A Dream" and depicts four running horses, galloping together with free-spirited and unbridled energy. The patinated bronze was cast in 1987 in a very limited edition of only 25. This specific bronze is signed, dated, and numbered 19/25. Veryl Goodnight(b, 1947) is a celebrated contemporary American artist working in Southwest Colorado. Her studio ranch is situated between Durango and Mesa Verde National Park and the dramatic landscape, abundant wildlife, and fellow ranching community provide endless inspiration for her art. Her many years spent in the West, observing, painting, and sketching her surroundings, gave Goodnight a profound awareness of the mannerisms of ranchers and animals alike. This experience translates directly to her art. Goodnight has monumental sculptures across the United States, in Europe, and Japan. The most notable is “The Day The Wall Came Down...

Circa 1970 acrylic / paper sculpture signed by WNY artist Sam Russo (b.1922) and titled “Objects”. Russo was a well established artists with works in the permanent collections of bot...

This 19th century Hubley original painted basket of fruit cast iron door stop is in fine untouched condition. So hard to find where they have not messed with the paint. Great form an...

The young dancers wear an armor of threads over their bodies, showing off an ancient indigenous art form. Colorful thread combinations characterize the huipil dress, a rectangle of cloth handwoven on a backstrap loom that dates back thousands of years in used in Zapotec culture. Through symbols in their dresses, Zapotec women wear their identity, history, culture, power, social and marital status, religion, personality, and power. In this folkloric dance, “Flor de Piña” (Pineapple Flower), innocence surrounds young girls as they dance and hold pineapples on their shoulders as an offering. Their long braids represent purity and their bare feet symbolize their connection to the Earth. This folkloric dance is part of the “Guelaguetza” (name in the indigenous Zapotec language) Festival Celebration. Since pre-hispanic times, the indigenous people of Oaxaca have honored the goddess of maize with this festival, performing and offering gifts to ensure a good harvest. Husband and wife, master woodcarver Manuel Cruz and wood painter...

19th century American hand carved gilded pediment eagle. Antique decorative hand carved and gilded wooden pediment eagle. The expressive sculpture w...