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"Defiant Comanche" Mixed Media Sculpture by Chris Pardell

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Carved Spread Wing Eagle
Located in Colorado Springs, CO
Presented is a spread wing eagle, most likely from the late 19th to early 20th century. This carved pine eagle is poised for takeoff and rendered with fierce facial details and well-carved plumage. The carved eagle shows intricate detail, including individual feathers. The eagle is accented with white and yellow paint to highlight the head and beak. The eagle's wings are spread widely, in a manner similar to Bellamy eagles...
Category

Antique Late 19th Century Sculptures and Carvings

Materials

Pine

Two Hunting Dogs Bronze Sculpture
Located in Colorado Springs, CO
Presented is a bronze sculpture of two hunting dogs. One dog is depicted with his nose to the ground, having caught the scent of the hunt. The other dog p...
Category

20th Century Sculptures and Carvings

Materials

Bronze

"Legends of the West-Indian Chief" by Chris Calle, Mixed Media Painting
Located in Colorado Springs, CO
Presented is the original mixed media illustration of "Legends of the West - Indian Chief" by Chris Calle. The vibrant illustration features a head and shoulders portrait of a Native American chief. The chief is wearing an elaborate feathered and beaded headdress. Chris Calle painted...
Category

1990s Paintings

Materials

Paint

Bellamy Style Hand-Carved New England Pine Eagle, Early to Mid-20th Century
Located in Colorado Springs, CO
This is an original American eagle, hand-carved from pine during the early to mid 20th century. The eagle features a touch of original gilt over yellow sizing with hand-painted highlights, emphasizing the eyes and beak. The eagle is displayed with both wings fully outstretched. The feathers are expertly detailed, especially considering that this eagle is a single-piece carving. The eagle is both the national bird and the national animal of the United States. The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery, usually the golden eagle, was prominent. On June 20, 1782, the Continental Congress adopted the design for the Great Seal of the United States depicting a bald eagle grasping 13 arrows in its sinister (left) talon and an olive branch with its dexter (right) talons. Those arrows are tightly aligned, a symbol of "strength in unity" that's found in the traditional cultures everywhere, from the Romans to the Iroquois. In this case, the bundle of arrows were a nod to the unity of the original 13 colonies. The olive branches emphasize the power of peace. The eagle motif has since appeared in allegorical engravings...
Category

Early 20th Century American Sculptures and Carvings

Materials

Pine

"North American B-25B Mitchell Airplane" by Steve Ferguson, Mixed Media Painting
Located in Colorado Springs, CO
Presented is an original mixed media painting by Steve Ferguson, entitled North American B-25B Mitchell Airplane. The work was painted for use on the Fleetw...
Category

Late 20th Century Paintings

Materials

Paint

"U.S. Flag Behind Capitol" by Ron Sloan, Mixed Media Painting, 1985
Located in Colorado Springs, CO
Presented is “U.S. Flag Behind Capitol,” an original mixed-media painting by American artist Ron Sloan. The drawing shows an intricately detailed rendering of the front entrance to the United States Capitol building. Behind the Capitol is a large, waving American flag, set outside an orange-hued rounded rectangle. Sloan created this stunning artwork in February of 1985, for use on the Fleetwood First Day Cover of the 22 cent “Flag Over Capitol” stamp, issued in March of that same year. The painting depicts the iconic neoclassical building from the east orientation, with it’s dome towering overhead. Plans began in May of 1854 to build a new cast-iron dome for the United States Capitol. The then-architect of the Capitol Thomas Walter and his team were sold on the aesthetics of a new dome, as well as the utility of a fire-proof one. A year later, on March 3, 1855, President Franklin Pierce signed off on the appropriation of $100,000 to build the dome. Construction began in September of that year with the removal of the first dome raised by Charles Bulfinch. Over the next 11 years, the dome rose over the nation's capital. By December of 1863, Walter was able to set the bronze sculpture “Statue of Freedom” atop the dome. Thomas Walter resigned in 1865 and his replacement, Edward Clark, assumed the role of finishing the last aspects of the dome. Just over a month later, in January 1866, Constantino Brumidi, who had been hired to paint a fresco above the interior dome's oculus, removed the scaffolding used...
Category

Vintage 1980s American Paintings

Materials

Paint

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19th Century Wooden Gingerbread Cookie Speculaas Springerle Mold
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