Revival Folk Art

The design source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug ...

The source of carpet comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was d...

The design source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug ...

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an “asymmetric” design. Only a section of the original is shown, in the same way, many Lotto carpets w...

The source of the carpet comes from the book Orient Star – a carpet collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.81. This is an exampl...

Substantial cowhide bag with brass hardware and closure. Used a travel bag for physicians to play tools and prescriptions in. Perfect as a purse or for tra...

19th century tabernacle in neo-baroque style, in wood and velvet. The bottom is decorated with angel faces and the top with an angel and wings. The interior lining is in velvet.

Origin and Inspiration: The Mamlouk Rug is a contemporary masterpiece that draws its inspiration from the rich textile traditions of the Mamlouk Sultanate, which reigned over Egypt a...

The source of carpet comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.64 and Islamic Carpets, Joseph V. McMullan, Near Eas...

The design source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug ...

Design Vintage Sei pronto ad aggiungere un pezzo di storia del gioco d'azzardo e un elemento di arredo di prestigio ineguagliabile alla tua collezione?

Solid oak joint stool, great shape and beautiful color. This handcrafted joint stool seat is both rustic and stylish. It is an absolute joy to watch and to sit on. It is as stabile ...

Origin and Inspiration: The Mamlouk Rug is a contemporary masterpiece that draws its inspiration from the rich textile traditions of the Mamlouk Sultanate, which reigned over Egypt a...

Origin and Inspiration: The Mamlouk Rug is a contemporary masterpiece that draws its inspiration from the rich textile traditions of the Mamlouk Sultanate, which reigned over Egypt a...

A fine antique Toleware cachepot or planter. Decorated to both sides with a scene of Don Quixote and his companion Sancho riding atop a horse and ...

This is a Bidjar rug designed in the 19th century from the Bidjar region, also known as Bijar, which is a region in northwestern Iran known for producing some of the finest and most ...

A decorative I Karos pottery, I Caro collector polychrome hand painted and handcrafted in Rhodes, Greece ceramic wall decorative plate with an antelope, carnations and tulip polychrome design. The plate is decorated with a white, blue, aqua, green, and sienna red design and gilded with 24-karat gold. These are intricately, hand painted plates made in Rhodes, Greece by the famous I Caro pottery. Rhodes is famous for its kiln products, such as tiles and pottery, which are glazed and multicolored. It has a beautifully hand painted carnation and tulip in burgundy, light and dark blue and turquoise foliage. An Islamic ceramic plate in the Iznik style, painted in vivid colors with decoration of tulips and carnations. The back of the plate is signed and numbered, it has a string to the back for hanging. It is marked “handmade in Rhodes Greece by Ikaros Pottery...

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kur...

The source of carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. That rug with the central star was designed in the earl...

The source of carpet comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was d...

There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of different colored overlaid lattices formed of pointed, serrated leaves creating intersecting lozenges, which alternately contain palmettes and are flanked by confronting stylized dragons, birds, or animal figures. The most archaic of the ‘Dragon’ carpets include dragon motifs with birds and running animals relatively naturalistically drawn, which stand either alone or in confronting pairs facing a tree. The Graf carpet, originally found in a Damascene mosque, now in the Islamiches Museum, Berlin, is considered to be the oldest example of this type, see Serare Yetkin, Early Caucasian Carpets in Turkey, Vol. II, London, 1978, p.8, fig.118. Yetkin defines four types of ‘Dragon’ carpet: ‘Archaic’, ‘Four-Dragon’, ‘Dragon-and-Phoenix’ and as a further combined development of the latter, the ‘Two-Dragon’ style, of which the present carpet falls into the ‘Dragon-and-Phoenix group along with other examples, some of which include two fragments, one in the Museum fur Kunst und Gerwerbe, Hamburg; another in the Christian Museum, Esztergom, Hungary, a complete carpet in the Kier collection; an incomplete example in the Textile Museum, Washington, D.C; the ‘Cassirer’ Dragon carpet in the Thyssen-Bornemisza collection, Lugano; the Ali Pasa Mosque carpet in Tokat, and a further example in the Vakiflar Hali Museum, Istanbul (S. Yetkin, op. cit. pp.16-20). It has been suggested that the earliest examples of the Caucasian ‘Dragon’ carpets...

Turkish Court Manufactury Rugs were woven in the Egyptian workshops founded by the Ottoman Empire in the 16th century. Those carpets were woven in Egypt, following the paper cartoons...

The source of the rug comes from the book Tapis du Caucase - Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.90 and Oriental R...

The source of carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. That rug with the central star was designed in the earl...

A large Gothic Revival oak barometer with blind trefoil carved pediment, a rare snail tail mercury thermometer flanked by turned and incised uprights with sunflower carvings. A small...

This is a Derbend Kazak rug also known as Daghestan rug, designed late 19th century, is a type of handwoven rug that originates from the Caucasus region, specifically from the town of Derbend (also spelled as Derbent) in modern-day Dagestan, Russia. Derbend rugs have a rich history that dates back centuries and are highly regarded for their intricate designs and craftsmanship. Derbend rugs are known for their bold and vibrant geometric designs. They often feature intricate patterns and motifs such as diamonds, medallions, stars, and stylized floral elements. The designs are typically woven with high contrast, using a variety of colors, including red, blue, green, and ivory. Derbend rugs have been woven by various ethnic groups in the Caucasus region, including the Azerbaijani, Lezgian, and Avar peoples. They hold cultural and historical importance as a form of artistic expression and are considered a part of the region's rich weaving heritage. The design of this rug is interpreted by our designers and soft colors are chosen for this rug. Color summary: 7 colors in total; Turquoise 330 (Spurge - Madder Root - Indigo - Walnut Husk) Dark Brown 316 (No Dye - Sheep’s Own Color) Barley Corn 103 (Only Specially Washed) Mandarian Orange 529 (Madder Root - Walnut Hulsk) Wax Flower...

The source of carpet comes from the book Turkish Carpets from the 13th – 18th centuries, Ahmet Ertug, 1996 pl.16. This 15th-century carpet is from Ulu Mosque, Divrigi Sivas region, c...

Decorative bacchanalian wine bar menu, black board A very decorative piece with the theme of grape bearing nymphs in both corners at the top The attractiv...

The source of the rug comes from the book Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.332. This is a sp...

The source of carpet comes from the book Orient Stars Collection, Anatolian Tribal Rugs 1050-1750, Michael Franses, Hali Publications Ltd, 2021 fig.27. This 13th-century carpet is fr...

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kur...

This lattice pattern is composed of palmettes and leaves filling the various compartments against the imposing ground. One has the impression that it is only part of a larger scheme designed 15th-century rug from the Mamluk era, Cairo region, Eygpt. These designs have often been described as wagirehs or samplers and were said to have been used as weaver`s aids, or for demonstration purposes, made as a template or pattern for the carpet design and production of larger rugs, they are generally small pieces of the size of a scatter rug or mat. Mamluk carpets originated in a physical environment that lacked the combination of abundant marginal grazing land and a temperate climate with cool winters that were common to most carpet-weaving areas in the Islamic world. While related to a broader tradition of Turkish weaving centered in Anatolia, far to the north, the designs of these carpets include atypical elements, such as stylized papyrus plants, that are deeply rooted in Egyptian tradition. Their unusual composition and layout probably represent an attempt to develop a distinctive product that could in effect establish a “Mamluk brand” in the lucrative European export market. The uncharacteristic color scheme—devoid of the undyed white pile and employing a limited range of three or five hues in much the same value—also suggests a conscious attempt to create a particular stylistic identity. Also virtually unique in the world of Islamic carpets is the S-spun wool. It has been argued that the tradition of clockwise wool spinning originated in Egypt because of the earlier Egyptian tradition of spinning flax into linen thread. Details of the plant’s botanical structure make it impossible to spin flax fiber in the more common counterclockwise direction utilized throughout the Middle East for wool and cotton. Mamluk carpets with the color combinations seen in the Simonetti are now generally accepted as part of an earlier tradition that has many links to the weaving of Anatolia, Iran, and Syria. The “three-color” Mamluk carpets, well represented in the Metropolitan’s collection, represent a later development that continued well after the Ottoman conquest of Egypt in 1517. Many such carpets may have been produced well into the seventeenth century, and possibly even later. (Walter B. Denny in [Ekhtiar, Soucek, Canby, and Haidar 2011]). The design of the rug is interpreted by our designers from our Mamlouk-type rugs collection and soft colors are used for this rug. Color summary: 3 colors in total; Moss Green 27 (Spurge – Indigo) Mount Olive...

The source of carpet comes from the book How to Read – Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was d...

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an “asymmetric” design. Only a section of the original is shown, in the same way, many Lotto carpets w...

The elaborately carved snuff box with a scene of two mermaids on the cover and deeply carved shell on the reverse.

Vintage handcrafted wooden stand cross with gilt bronze Christ and ornaments on a beautiful carved wooden base, Portugal, 1930-1939. Measures: Height 19...

An Hispano-Portuguese 19th century oil on board depiction of "The Crucifixion". The baroque icon style painting depicting the Crucifixion of Jesus Christ outside the city walls of Jerusalem, north of Mount Zion...

Pair of Italian Renaissance style (19/20th Cent) iron life size page figures holding torch.

Delightful and unusual pinewood cabinet from the Jura region of France, painted with a faux-bois effect. The style has elements reminiscent of the Gothic aesthetic. The top section h...

Origin and Inspiration: This stunning revival of the Akstafa Kazak Rug is a modern creation deeply rooted in the rich weaving traditions of the Caucasus, specifically inspired by the...

Origin and Inspiration: The Mamlouk Rug is a contemporary masterpiece that draws its inspiration from the rich textile traditions of the Mamlouk Sultanate, which reigned over Egypt a...

This is a Derbend Kazak rug, also known as a Daghestan rug, designed late 19th century. It is a type of hand-woven rug that originates from the Caucasus region, specifically from the...

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an "asymmetric" design. Only a section of the original is shown, in the same way, many Lotto carpets w...

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an "asymmetric" design. Only a section of the original is shown, in the same way, many Lotto carpets w...

The source of carpet comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was d...

An early 20th century formal Persian Kerman Rug in pastel tones. Measures: 4'6'' x 7'10''

Rare Antique Griffin Finial, Decorative Arts. Ornate detailing appears to be brass or bronze. Measures approximately 4 3/4" tall

The source of the rug comes from the book Tapis du Caucase - Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.90 and Oriental R...

This is a repeat of large sweeping arabesques in muted colors adorning the midnight blue field rug designed in the early 20th century that originates from the Bidjar region in northw...

This offset pattern is composed of leaves and lotus palmettes filling the various compartments against the imposing ground, while heraldic lions rear across the strapwork borders. On...

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed for 19th-century rugs from the Bidjar region, Easter...

The source of carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. This rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at MAK – Museum of Applied Arts, Vienna Austria. The interpreted design is composed of a flower lattice pattern taken from a part of the MAK Museum’s rug...

The design source of the carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. That rug with the central star was designed ...

This lattice pattern is composed of palmettes and leaves filling the various compartments against the imposing ground. One has the impression that it is only part of a larger scheme ...

The design source of the rug comes from a private collection sold at a European auction. This rug is from the late 19th century, Kazak region, Caucasus area. The Akstafa design remin...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.28. This was an exclusive example of offset rows of flowers designed 18th-century rug...

The source of the rug comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. This rug with the central star was designed in the ear...

This rug has an interpreted design composed of a palmette lattice pattern taken from a part of the Mamluk rug, filling the field elegantly. These kinds of rugs have often been descri...

This is a repeat of large sweeping arabesques in muted colors adorning the red field rug designed in the early 20th century that originates from the Bidjar region in northwestern Ira...

The design source of the carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. This rug with the central star was designed ...