Siena Marble More Lighting

Pair of early 19th century Empire Trajan's column ormolu candlesticks in the manner of P.-P. Thomire (1751-1843): Pair of large Empire ormolu candlesticks, the stem ressembling th...

A fine pair of antique French 19th century Louis XV style five light gilt bronze candelabra Beautiful antique French five light gilt bronze hand chiselled pair of Louis XV style can...

Features include superb detail with gold gilding and bronze patination. They are intricately sculpted with fanciful designs, acanthus leaves and grape clusters with three claw feet r...

An Exceptional Pair of Late 19th Century Napoleon III Gilt Bronze and Enamel Ten Light Candelabra Attributed to Maison Beurdeley The ten candle foliate designed branches with leaf drip pans, centered with an enamel vase and a gilt band with cherubs at play, topped with three bronze drapes and garlands of flowers. The triangle bases decorated with female masks and trailing floral motifs on plinth bases. After the 18th century model by Pierre Gouthière. This fine pair of candelabra are based on the model by Pierre Gouthière now conserved in the Petit-Trianon at Versailles. According to Pierre Verlet, the model corresponds to a large pair of candelabra with ten branches, drapery, foliage and fruit, richly carved and gilded in bronze, originally supplied by the marchand-mercier, Freres Darnault, for the Salon du Jeu de Mesdames at the Château de Bellevue. Pierre Gouthière (1732 – 1813) was the most celebrated bronze gilder in France during the eighteenth century, the title of ‘Gilder to the King’ being given to him by Louis XV. He perfected the most expensive type of gilding of this period, dorure au mat, which involved the use of lavish amounts of gold to create a rich, deep matte finish. As well as working for the King he created items for the Comte d’Artois, the Marquis de Marigny, and the duc d’Aumont. The collection of the duc d’Aumont was sold at auction in Paris in 1782 and many objects mounted by Gouthière were bought by Louis XVI and Marie Antoinette. His works, unsurpassed in creativity and execution, can now be found in the Wallace Collection and the Louvre. Beurdeley, Louis-Auguste and Emmanuel-Alfred (1808-1882 and 1847-1919). The firm exhibited and won awards at all of the major international exhibitions during the second half of the nineteenth century. The quality and skill employed in production was of exceptional quality; their ormolu mounts with mercurial gilding and hand chasing were often difficult to distinguish from late eighteenth-century examples, and were considered the finest in Paris. The firm was pioneered by Jean Beurdeley (1772-1853), later managed by his son Louis-Auguste-Alfred, and finally imparted to his son Alfred-Emmanuel-Louis in 1875. The firm was established at 32 and 34, rue Louis-Le-Grand, and also owned the pavillion de Hanovre, where it was based while Alfred-Emmanuel-Louis added two additional workshops at 20 and 24, rue Dautancourt by 1875. The Beurdeley workshops closed in 1896, although still partially active until 1898 and the stock was sold over a number of auctions conducted by the Galerie Georges Petit of Paris. Two auction catalogues of the collection were published in 1895 and sales were held between March 6-8 and May 27-28. Among Beurdeley’s most prestigious clients were Emperor Napoleon III and Empress Eugénie, the duc D’aumale, Richard Wallace, the Duc and Princess d’Hamilton, Tsarine Alexandra Féodorovna, The Rothschild and Vanderbilt dynasties and the Metropolitan Club...

Pair of French early 19th century Empire gilt-bronze candlesticks, circa 1820 Pair of Empire gilt bronze candlesticks, each with a fluted stem, highlighted on top by a finely chas...

Pair of end of 18th/early 19th century Russian neoclassical figural gilt and patinated bronze candelabra. Gilt-bronze circular pedestal on rectangular plinth, the base with neoclassical foliate frieze, the pedestal with surrounding frieze of stylized female masks with Russian-style headdresses, which are connected by draperies. Each pedestal with the patinated bronze figure of either a young man or a young woman in classical garments, each holding a baluster vase from which emerge naturalistically designed, cast and chiselled branches of leaves and roses, the rose flowers serving as bobeches for candles. The detailed and naturalistic design of the rose branches...

An Interesting late 19th century silvered bronze and alabaster sixteen-light chandelier. The finely casted frame with angels, each of the arms with lights covered with alabaster s...

Practical size, antique bronze and brass candleholders for horse lovers. If you are looking for one of a kind antiques to create the perfect atmosphere at home or in your office t...

Pair of Louis XV seven-light bronze and cut crystal candelabra girandoles, 19th century.

A fine pair of Regency lamps with three carved stylized leopard supports, platform bases and turned ring tops with ormolu stud decoration. We ar...

Pair of 19th century Empire ormolu and patinated bronze candelabra attr. Thomire Each with a tapering leaf tip cast partially gilt and patinated bronze stem supporting three folia...

Pair late 19th century French sevres style porcelain and gilded ormolu five brach candelabra, with scrolling foliate decoration, turquoise g...