Italian Achile Castiglioni Flush 1960s Sculptural Light
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Italian Achile Castiglioni Flush 1960s Sculptural Light
About the Item
- Creator:Achille Castiglioni (Designer)
- Dimensions:Height: 4 in (10.16 cm)Diameter: 23 in (58.42 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960
- Condition:Wear consistent with age and use. Rewired.
- Seller Location:New York, NY
- Reference Number:1stDibs: LU78674301643
Achille Castiglioni
Milanese designer and architect Achille Castiglioni sought to inject personality into all of his work, and found deep inspiration in everyday objects. A legend of Italian mid-century modernism, he created iconic, universally loved table lamps, chairs and other lighting and furniture with his likeminded brothers during the postwar years.
There was the Snoopy lamp, which brings to mind the unmistakable Peanuts character, while the shape of a common street lamp inspired the design behind the Arco floor lamp. Elsewhere, the Toio floor lamp — a provocative fixture in any living room — was made with automotive parts as well as run-of-the-mill recreational gear.
Castiglioni studied the classics at Liceo Classico Giuseppe Parini, art at the Accademia di Belle Arti di Brera and finally architecture and design at the Polytechnic University of Milan. After graduating in 1944, Castiglioni began working with his brothers Pier Giacomo and Livio at the studio they cofounded with classmate Luigi Caccia Dominioni.
Livio left to pursue lighting design and sound technology, leaving Achille and Pier Giacomo to continue to collaborate on various projects. One such design was the iconic Taraxacum hanging lamp for FLOS which featured a resin “cocoon” created with sprayed plastic polymers that protects its steel core and allows for the diffusion of light.
Castiglioni won Italy’s highest award for industrial design — the Compasso d’Oro — seven times, and the Museum of Modern Art was home to his first individual retrospective in the United States. Castiglioni later taught at the Polytechnic University of Turin and at Polytechnic in Milan.
Castiglioni’s designs remain timeless. Some of them can be found in Tokyo’s Living Design Center Ozone, the Triennale di Milano and the Hangaram Art Museum at the Seoul Arts Center.
Find vintage Achille Castiglioni lighting, seating, tables and other furniture on 1stDibs.
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Measures (cms): diameter - 42 height - 32 Literature: Casa Amica, 27 June 1972, p. 105 Octagon 30 September 1973, p. 149 Sergio Polano, Achille Castiglioni all the works, Electa, Milano, 2001, p. 224 Giuliana Gramigna, repertoire 1950-2000, Allemandi, Torino, 2003, p. 121. The beginnings of Flos (meaning “flower” in Latin) blossomed from a brilliant idea: to create objects, starting with a light bulb, that would change the way of life for both the Italian market and the foreign markets. Dino Gavina and the small Eisenkeil manufacturing facility in Merano, had already been creating furniture alongside design masters such as Achille and Pier Giacomo Castiglioni, Afra and Tobia Scarpa. But by the early 1960s, Gavina became convinced the time had come to create new lamps. Using the same technology – conceived in the USA and tested at Eisenkeil – used for the Cocoon lampthe Castiglioni brothers and the Scarpa duo began creating lamps such as the Taraxacum or the Fantasma, with many other beautiful and surprising lamps to follow. And so, from day one, Flos was already reinventing the idea of artificial lighting. Achille Castiglioni (born February 16, 1918, Milan–died December 2, 2002, Milan) was a prolific furniture, lighting, and product Italian designer renown for his ironic, joyful, creative and functional designs that, at times, intersected with ideas explored by conceptual artists. Achille Castiglioni was born into a family with deep appreciation for the arts, as he was the third son of sculptor and coin engraver Giannino Castiglioni and his wife Livia Bolla. He first studied the classics at the Liceo Classico Giuseppe Parini, but then switched to study art at the Accademia di Belle Arti di Brera in Milan. In 1937, he decided to follow the steps of his two elder brothers, architects Livio and Pier Giacomo Castiglioni, by enrolling in the Faculty of Architecture at the Politecnico di Milano, graduating in 1944–after having to interrupt his studies when he was stationed in Greece and Sicily during World War II. In 1944, immediately after graduating, Achille Castiglioni joined his brothers Livio and Pier Giacomo in the design studio that they had founded with Livio’s classmate Luigi Caccia Dominioni in 1937 in Milan. Fortunately for Achille, from the very beginning Livio and Pier Giacomo decided to focus almost entirely on designing exhibitions, furniture, housewares, and appliances since architectural commissions were difficult to come by during the war. This product-design focus, and the deep fraternal bound among the three brothers, would later allow the young Achille to experiment early in his career with emerging techniques and new materials that could communicate a fresh aesthetic sensibility suited for the positive outlook of the post-war European market. The Castiglioni brothers’ important collaboration with Phonola and Brionvega In 1940, Pier Giacomo Castiglioni, Livio Castiglioni, and Luigi Caccia Dominioni, in collaboration withe the Phonola company, presented in the VII Triennale di Milano (Milan Triennial), titled Exhibition of the Radio, a research study of radio devices that included the Fimi Phonola 547 radio, the first radio encased in Bakelite instead of wood. Shortly after the exhibition, Luigi Caccia Dominioni suspended his professional activity to serve in the military during World War II and left the studio. The development of the FImi Phonola 547 radio would prove fruitful for the three brothers, as it allowed Livio Castiglioni to cement his role as the leading design consultant for Phonola from 1940 until 1960, and for Brionvega, from 1960 until 1964. These relationships brought in further collaboration among the three brothers, and would eventually result in several designs for radio and sound appliances with innovative materials and shapes for which Achille Castiglioni played a key role, such as the RR 226 stereo system for Brinovega (1965), the radio phonograph RR 126 for Brinovega (1965), and the radio and record player RR 128 for Brionvega (1966) In 1952, Livio decided to build his own practice, independent from Achille and Pier Giacomo, to pursue a deeper exploration of radio waves, music, and technology. 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A new, successful, and long-lasting collaboration developed in 1960, when Pier Giacomo and Achille Castiglioni were reached by entrepreneurial Italian designer Dino Gavina and business man Arturo Eisenkeil with the idea to create a completely new kind of lighting fixtures utilizing a polyamide. The material, which they called “cocoon,” in the hands of the Castiglioni brothers would become a popular and iconic innovation in the 1960s and serve as the successful foundation of Italian lighting company FLOS–founded by Gavina and Eisenkeil in 1962. Pier Giacomo and Achille Castiglioni designed a series of “cocoon” lights utilizing the spray-on polyamide plastic as a coating layer onto a metal frame. Among the most popular Castiglioni “cocoon” lights are: the Taraxacum and the Viscontea ceiling lamps (1960), and the Gatto table lamp (1961). 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