Glass Table Lamp by Michael Bang for Holmegaard

Architect, teacher and furniture designer Kaare Klint is among the most important figures in Scandinavian modernism. Widely recognized as the father of modern Danish furniture, Klint sought to pay homage to historical furniture styles and prized functionality as essential to designing for modern living. He established the design school at Copenhagen’s Royal Danish Academy of Fine Arts, and his students became mid-century legends of cabinetry and furniture-making.

Klint prioritized functionalism and drew on an array of influences in his own work. Furniture experts will observe the influence of 18th-century English seating in his Red chair, while Klint’s iconic Safari chair had roots in campaign furniture. The other exemplary chairs, sofas and tables for which he is known bear the mark of Thomas Chippendale and Biedermeier furniture as well as Greek and Roman forms.

Klint's father was Peder Vilhelm Jensen-Klint, a formidable architect of his day. The younger Klint initially followed in his father’s footsteps, studying under him as well as distinguished architect Carl Petersen. Alongside Danish architect Ivar Bentsen, he headed the renovation of the Designmuseum Denmark in Copenhagen from 1920–26 (Klint also furnished the institution as part of the project). Around the same time, Klint helped found the furniture design school at the Royal Danish Academy. The impact of his role as an instructor there cannot be overstated — he mentored such esteemed cabinetmakers and furniture designers as Børge Mogensen, Hans Wegner and Ole Wanscher.

A prominent advocate of ergonomics, Klint valued comfort and functionality over style. Painstaking research went into each piece of sophisticated yet wholly unadorned furniture he designed, as he endeavored to build structures that took into consideration human proportions and scale. And like the Shakers, Klint believed that quality craftsmanship and good materials were integral to the design of durable furniture that was free of embellishment.

The humble grace of Klint’s style characterizes legendary seating designs that continue to charm today’s legions of mid-century modern enthusiasts. His Safari chair, Faaborg chair, Ravenna armchair and Propeller stool — as well as most of the seating created by Danish modernists generally — have warmed interiors and influenced furniture designers all over the world.

Find vintage Kaare Klint furniture and other Scandinavian modern furniture on 1stDibs.

Holmegaard has been creating quality glassware for almost two centuries. The legendary glassworks has collaborated with scores of celebrated designers over its long history, including Arne Jacobsen, Louise Campbell, Bodil Kjær and many others, with each artisan crafting vases, bottles and other serveware and decorative objects that are widely loved by collectors and art connoisseurs alike. Today Holmegaard is a powerhouse of functionalist modern Danish glass design.

Holmegaard Glassworks was the dream of Danish Count Christian Danneskiold-Samsøe, who petitioned the king of Denmark for permission to build a factory. Sadly, by the time permission was granted, the count had passed away, leaving his dowager, the Countess Henriette Danneskiold-Samsøe, to carry on her late husband’s dream in 1825. The factory was established in the town of Fensmark in the Holmegaard bog, where rich peat could be harvested and used to fuel the high-temperature kilns required to produce glass there.

The factory initially produced only simple mouth-blown green glass packaging bottles — the need was for glassware that was merely functional. It wasn’t until the 1920s that it made progress as a significant entity in the world of design. There was a fruitful partnership to create dinner glassware with the Royal Danish Porcelain Factory and glass artist Oluf Jensen. This was followed in 1925 by Holmegaard’s hiring Jacob Eiler Bang as the glassworks’ first in-house designer.

Bang was trained as an architect and was working on the Danish Pavilion at the International Exhibition of Modern Decorative and Industrial Arts — the fair that brought the Art Deco style to worldwide attention — when his efforts caught the attention of Holmegaard. Bang believed in the concept of making things that were “beautiful, strong, practical and cheap.” His seductive, functionalist designs for vases, decanters, bottles and other objects — guided by the theories that underpin Scandinavian modernism — garnered acclaim for both Bang and Holmegaard, and he became known as one of the fathers of functionalism in Danish glassware.

Holmegaard went on to work with Per Lütken, who created intricate objects that redefined the factory’s style and Danish glass design as a whole. Lütken produced over 3,000 pieces for the glassworks, including the revered Provence bowl, one of the pieces for which the glassworks is best known. The brand went on to work with other notable artists including Otto Brauer and Jacob Bang’s son, Michael Bang, whose Palet range, Fontaine wine glass range, and Mandarin lamps are among Holmegaard’s most iconic creations.

Today, Holmegaard Glassworks is owned by Rosendahl Design Group. It is Denmark’s largest manufacturer of glass in addition to being the oldest and most historic.

Find vintage Holmegaard sconces, vessels, decorative bowls, tableware and other pieces on 1stDibs.